The Long Civil Rights Movement and the Political Uses of the Past

Author(s):  
Jacquelyn Dowd Hall
Author(s):  
Brian C. Odom

This introductory chapter provides an overall introduction for the volume and its collection of diverse essays intended to promote a deeper, interdisciplinary exploration of the social history of NASA during the age of Apollo, developed around the ideas advocated by Jacquelyn Dowd Hall in her 2005 essay, “The Long Civil Rights Movement and the Political Uses of the Past,” which called upon historians to place civil rights movement histories “in the context of a longer story,” one that would make that history “harder to simplify, appropriate, and contain.” The introduction concludes with a call for further research on the topic.


In this text, a group of prominent scholars assesses James Baldwin’s relevance to present-day political challenges. Together, they address Baldwin as a democratic theorist, activist, and citizen, examining his writings on the civil rights movement, religion, homosexuality, and women’s rights. They investigate the ways in which his work speaks to and galvanizes a collective American polity, and explore his views on the political implications of individual experience in relation to race and gender. This volume not only considers Baldwin’s works within their own historical context, but also applies the author’s insights to recent events such as the Obama presidency and the Black Lives Matter movement, emphasizing his faith in the connections between the past and present. These incisive essays will encourage a new reading of Baldwin that celebrates his significant contributions to political and democratic theory.


2021 ◽  
pp. 1-21
Author(s):  
Erin R. Pineda

The introductory chapter situates the civil rights movement within the political theory literatures on civil disobedience—old and new—and traces the way that the debate has shifted since the mid-century (from a decidedly liberal framework to various democratic ones) as well as broadened (bringing attention to new movements and forms of action). Despite the important insights generated out of these shifts, the civil rights example remains at once central and marginal—operating as a key proving ground for the political purchase of liberal and deliberative theories but also attesting to their limits, without making the movement itself the subject of sustained analysis or theoretical interest. In contrast, drawing on—but also departing from—the insights of the critical historiography of the “long civil rights movement,” the introduction presents the case for returning to the civil rights movement as a site of (and source for) political theorizing about civil disobedience.


2021 ◽  
Author(s):  
Eva Werner

Martin Luther King and East Germany are connected both directly and indirectly. The Communist Party had the power to make public decisions on agenda-setting topics related to Martin Luther King. The Christian Bloc Party mostly represented the state and published books by Martin Luther King, which churches and the civil rights movement liked to use. Moreover, pacifists and civil rights activists used these books to undermine the political system in East Germany. Church institutions reported by far the most on Martin Luther King. This empirical study, which can also act as a basis for further research on Martin Luther King and East Germany, will appeal to both church staff and admirers of Martin Luther King.


Author(s):  
John Lowney

There have been a number of outstanding studies that articulate the importance of black music for “Afro-modernist” literary production since Paul Gilroy’s seminal The Black Atlantic: Modernity and Double Consciousness (1993). Through inquiry into influential Marxist, Black Atlantic, and African diasporic studies of jazz literature and jazz history, the introduction explains how Jazz Internationalism is distinguished by its historical scope and attention to multiple genres of jazz literature. This introduction outlines not only a history of Afro-modernist jazz literature that corresponds with the Long Civil Rights Movement, it also underscores the intertextuality of jazz literature as it evolves through several generations of black music and writing. While the primary purpose of Jazz Internationalism is not one of recovering obscure writers or texts, it does make the case for a more expansive understanding of jazz writing for both African American literary history and African diasporic studies more generally.


Author(s):  
David Miguel Molina ◽  
P. J. Blount

In chapter 3, Molina and Blount offer a contextualization of NASA’s interlocutory role throughout the long civil rights movement by mobilizing these three themes to analyze a series of archival and cultural artifacts. The authors first analyze the rhetoric deployed by the Poor People Campaign’s various mobilizations to show that the American space program was viewed with deep skepticism by the African American community and particularly within the context of ongoing struggles for black freedom. Second, they discuss the “distance” between the tropes of spatial disenfranchisement represented in the civil rights movement and the Moon missions to show how space exploration was portrayed as an acceleration of the marginalization of black spaces.


Author(s):  
Scott L. Matthews

This chapter examines the cultural politics of civil rights movement photography by analysing the work of Danny Lyon who worked as a photographer for the Student Nonviolent Coordinating Committee between 1962 and 1964. It explores how documentarians such as Robert Frank, Walker Evans, and James Agee inspired Lyon’s documentary work and how the political culture of the New Left influenced his work’s reception. The chapter first focuses on Lyon’s photographs of black SNCC activists in the South, particularly Robert Moses. Lyon’s photographs of Moses helped spread a romantic mythology around Moses and SNCC that was useful in recruiting white liberal support up North. Lyon also photographed the rural South’s landscapes and people extensively. Many in the New Left romanticized rural black southerners as true outsiders, the authentic opposites of their industrialized and commercialized societies back home. Consequently, Lyon’s photographs had the capacity to aestheticize the same conditions that SNCC recognized as the source of black subjugation. The chapter also highlights how these images and themes appeared and circulated in a civil rights movement photography book, The Movement, which Lyon contributed to and helped produce.


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