Inside the Forger’s Oven: Identification of Drying Products in Oil Paints During and After Accelerated Drying with Increased Temperatures

Author(s):  
Diana Blumenroth ◽  
Stephanie Dietz ◽  
Wolfgang Müller ◽  
Stefan Zumbühl ◽  
Walter Caseri ◽  
...  
Keyword(s):  
2021 ◽  
Vol 410 ◽  
pp. 699-703
Author(s):  
Valeriya È. Shvarczkopf ◽  
Irina A. Pavlova ◽  
Elena P. Farafontova

The research focuses on the properties of by-products formed in the production of porcelain stoneware: polishing residue and residue of the mixture-preparation shop. The polishing residue consists of glassy phase (80%), quartz (14%), mullite (5%). Residue of the mixture-preparation shop consists of quartz (~ 18%), muscovite (~ 6.9%), kaolinite (~ 20.5%), calcium-sodium feldspar (~ 51.4%), diopside (~ 2.98%). Polishing residue occurs when polishing porcelain stoneware to create a glossy surface and when polishing the side faces of porcelain stoneware to obtain accurate tile geometry. The particle size of the polishing residue is less than 0.2 mm, and the residue of the mixture-preparation shop is less than 40 microns. Residue of the mixture-preparation shop is formed when cleaning equipment: mills, mixers, slipways, etc. The ways of utilization of by-product are follows: as a filler for the silicate production; for polymer-cement, water-dispersion and oil paints; as a filler for the production of roofing materials, bituminous roofing mastics based on organic binders; raw materials for the production of foam glass materials and products.


Author(s):  
Donatella Banti ◽  
Aviva Burnstock ◽  
Ilaria Bonaduce ◽  
Jacopo La Nasa ◽  
Judith Lee ◽  
...  
Keyword(s):  

2014 ◽  
Vol 46 (10-11) ◽  
pp. 786-790 ◽  
Author(s):  
Naoko Sano ◽  
Peter J. Cumpson ◽  
Elke Cwiertnia ◽  
Justin J. Perry ◽  
Brian W. Singer

2018 ◽  
Vol 17 (3) ◽  
pp. 266-270 ◽  
Author(s):  
V. Otero ◽  
M. Vilarigues ◽  
L. Carlyle ◽  
M. Cotte ◽  
W. De Nolf ◽  
...  

A novel degradation mechanism for 19th c. chrome yellow oil paints is proposed based on the oil photodegradation induced and calcium oxalate formation. It was proved by synchrotron radiation using artificially aged pigment reconstructions.


2018 ◽  
Vol 138 ◽  
pp. 282-295 ◽  
Author(s):  
Judith Lee ◽  
Ilaria Bonaduce ◽  
Francesca Modugno ◽  
Jacopo La Nasa ◽  
Bronwyn Ormsby ◽  
...  

Author(s):  
Jean Holiday Powers

Moulay Ahmed Drissi was a self-taught painter who used oil paints to depict stylized versions of daily life. Drissi was interested not in straightforward representations, but in showing his coherent worldview, using minimal details in his images of people and landscapes. In 1945 he met painters from Switzerland who encouraged his interests and, from 1948 to 1956, he traveled extensively throughout Europe. His first exhibition was in 1952 in Lausanne, and he exhibited for the first time in Morocco in 1957 in Marrakech. That same year, Drissi exhibited his work at the second Alexandria Biennale, and was part of the foundational early exhibitions of Moroccan modern art including the first Paris biennale (1959) and the "Deux milles ans d’art au Maro" (Galerie Charpentier, Paris, 1963) exhibition. In 1957, Drissi founded the short-lived gallery L’Oeil Noir. He was the focus of an early monograph (1960) in a short series of Moroccan painters organized by Gaston Diehl.


2019 ◽  
Vol 9 (1) ◽  
Author(s):  
Francesca Modugno ◽  
Fabiana Di Gianvincenzo ◽  
Ilaria Degano ◽  
Inez Dorothé van der Werf ◽  
Ilaria Bonaduce ◽  
...  

ChemPhysChem ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 113-119 ◽  
Author(s):  
Valeria Di Tullio ◽  
Nicholas Zumbulyadis ◽  
Silvia A. Centeno ◽  
Jaclyn Catalano ◽  
Molly Wagner ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document