Libya: From Regime Change to State-Building

2019 ◽  
pp. 147-167
Author(s):  
Matteo Villa ◽  
Arturo Varvelli
Keyword(s):  
Regime Change ◽  
State Building

Shia-centric State-Building and Sunni Rejection in Post-2003 Iraq

2018 ◽  
pp. 115-134 ◽  
Author(s):  
Fanar Haddad
Keyword(s):  
Twentieth Century ◽  
Regime Change ◽  
Political Skill ◽  
Nation Building ◽  
State Building ◽  
The Self ◽  
Islamic State ◽  
Mass Mobilization ◽  
Cumulative Processes ◽  
Basic Services

Both Shia-centric state building and Sunni rejection of the post-2003 order are the result of cumulative processes that have unfolded over the course of the twentieth century. These developments ranged from the homogenizing nation building propagated by successive Iraqi regimes to the rise of a sect-centric Shia opposition in exile. The sectarianization of Iraq was not inevitable, but regime change in 2003 accelerated the empowerment of new and preexisting sect-centric actors. The necessary will, vision, and political skill to avert the sectarianization of Iraq were absent among Iraqi and U.S. decisionmakers at the time. The failure of the occupation forces and the new political classes to construct a functioning state that could deliver basic services exacerbated the problem. Sunni opponents of the post-2003 order became as sect-centric as the system they once derided for its Shia-centricity. Sectarianization will continue to define Iraqi politics. The spread of the self-proclaimed Islamic State across much of Iraq in 2014 represents the most extreme form of Sunni rejection,while the state-sanctioned Hashd al-Shaabi, the term given to the mass mobilization of volunteers to repel the Islamic State, embodies the most serious defense of Shia-centric state building as of late 2015.

The Regime Change of Kwame Nkrumah

2007 ◽  
Author(s):  
Ahmad A. Rahman
Keyword(s):  
Regime Change ◽  
Kwame Nkrumah

South Korea’s and Taiwan’s Territorial Disputes with Japan, 1990s to 2018

Asian Survey ◽  
2020 ◽  
Vol 60 (3) ◽  
pp. 583-606
Author(s):  
Christina Lai
Keyword(s):  
South Korea ◽  
Comparative Study ◽  
State Building ◽  
Territorial Disputes ◽  
Maritime Disputes ◽  
Constructivist Perspective ◽  
Senkaku Islands ◽  
Taiwanese Government

South Korea and Taiwan are former Japanese colonies that have undergone similar processes of state-building since WWII. But they have chosen different rhetorical frameworks in their maritime disputes with Japan. In South Korea, negotiating with Japan can be viewed as threatening the country’s independence and pride, whereas in the Taiwanese government, cooperation with Japan is considered mutually beneficial. Why have these two countries taken such divergent stances toward Japan? This article examines the territorial disputes between South Korea and Japan over Dokdo, and between Taiwan and Japan over the Senkaku Islands. It sets forth a rhetorical framework of comparison, and it proposes a constructivist perspective in understanding South Korea’s and Taiwan’s legitimation strategies toward Japan from the late 1990s to 2018. This comparative study suggests that the differences between their legitimation strategies can be traced to their different colonial experiences with Japan.

Virtual Embodiment as/and the Threshold of Love

2013 ◽  
Vol 3 (2) ◽  
pp. 97-109 ◽  
Author(s):  
Anne Harris
Keyword(s):  
Urban Space ◽  
State Building ◽  
Modern Life ◽  
Space And Time ◽  
Empire State Building ◽  
Arcades Project ◽  
Performance Texts ◽  
And Performance ◽  
The Stranger

This essay draws upon the author’s performance script Fall and Walter Benjamin’s The Arcades Project as a provocation for considering the ways performance texts provide a threshold for somatic inquiry, and for recognizing the limits of scholarly analysis that does not take up performance-as-inquiry. Set at the Empire State Building, this essay embodies the connections and missed possibilities between strangers and intimates in the context of urban modern life. Fall’s protagonist is positioned within a landscape of capitalist exchange, but defies this matrix to offer instead a gift at the threshold of life/death, virtual/real, and love/loss. Through somatic inquiry and witnessing as threshold experiences, the protagonist (as Benjamin’s flaneur) moves through urban space and time, proving that both scholarship and performance remain irrevocably embodied, and as such invariably tethered to the visceral, the stranger, risk, and death.

Sign in / Sign up

Export Citation Format

Share Document