Literary Style, Corpus Stylistic, and Lexico-Grammatical Narrative Patterns: Toward the Concept of Literary Motifs

2019 ◽  
pp. 1-15
Author(s):  
Iva Novakova ◽  
Dirk Siepmann
Keyword(s):  
Literary Style ◽  
Narrative Patterns

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

“You Were Not There,” The Creation of Humility and Knowledge in Qur?anic Stories: A Rhetorical and Narratological Analysis

2017 ◽  
Vol 11 (1) ◽  
pp. 65-94 ◽  
Author(s):  
Leyla Ozgur Alhassen
Keyword(s):  
Second Person ◽  
Literary Style ◽  
Rhetorical Device ◽  
The Creation ◽  
Lack Of Knowledge

In this study, I explore verses in the Qur?an that come towards the end of stories and use a second-person address to say, “you were not there” when this happened. I seek to understand what literary function in the story it serves to address the second person and her/ his lack of knowledge, whomever s/he is. I locate all of these verses (3:44, 11:49, 12:102 and 28:44–46) and analyze them in order to obtain a better understanding and analysis of Qur?anic literary style. I focus on what these stories have in common and how the verses function. In addition, I analyze the verses and their roles in their respective stories. Through this analysis, we see that these verses are generally seen by commentators and modern scholars as asserting the Prophet’s authority and the Qur?an’s authenticity. However, I argue that these verses function as a sophisticated Qur?anic literary and rhetorical device that works to put people in their place: Prophet Mu?ammad, his contemporaries, and all of the Qur?an’s audience, by showing them their lack of knowledge and their temporality.

Socrate nel Gorgia platonico: Ulisse nella teatrocrazia ateniese. Le armi della persuasione nel dialogo Gorgia di Platone

2020 ◽  
Vol 20 (2) ◽  
pp. 22
Author(s):  
Barbara Botter
Keyword(s):  
The Other ◽  
Literary Style ◽  
Discursive Strategies ◽  
Persuasive Strategies ◽  
Argumentative Strategies

L’obbiettivo del presente articolo è di circoscrivere ed approfondire lo studio di alcune strategie persuasive messe in atto da Socrate nel Gorgia platonico. Analizzando dapprima lo stile letterario, quindi gli scambi di battute fra gli interlocutori, ci proponiamo di evidenziare le ragioni della scelta platonica per lo stile drammatico, le strategie argomentative messe in atto dai protagonisti e le finalità in vista delle quali Platone crea un Socrate a due volti, un Socrate filosofo e un Socrate erista. In vista di ciò divideremo il testo in due sezioni principali: dapprima forniremo la cornice letteraria nella quale si inserisce il dialogo Gorgia; quindi esamineremo le strategie discorsive usate dagli interlocutori per difendere le rispettive tesi e giustificheremo la ragioni per cui la cura del discorso è importante per garantire un regime politico corretto. The aim of this article is to investigate the persuasive strategies produced by Socrates in the Plato’s Gorgias. First we’ll analyse the literary style, then the dialectical practices between Socrates and the other people, specifically Polo and Calicles. Our aim is to highlight the reasons why Plato choices a dramatic style in Gorgias; the argumentative strategies put in place by the protagonist and the other dialogue’s figures; and the Plato’s aims to create a Socrates with two faces: a Socrates philosopher and an eristic Socrates. With these aspects in mind, this paper has two main objectives. First we will consider the literary framework in which the dialogue Gorgias is put; then we’ll look at the discursive strategies used by the interlocutors to defend their arguments and justify why the care of speech is important to safeguard an appropriate politics.

Rabelaisian Comedy and Satire

2018 ◽  
Author(s):  
Nicholas McDowell
Keyword(s):  
Literary Culture ◽  
Critical Discussion ◽  
Francois Rabelais ◽  
Literary Style ◽  
English Prose ◽  
The Moment

This chapter discusses the influence of François Rabelais in English literary culture. It looks at this impact on earlier English prose narrative and fiction of Rabelais' loosely related tales of gluttonous, bibulous giants and their fantastic adventures, collectively known as Gargantua and Pantagruel (1532–64). ‘Rabelaisian’ is of course an adjective which in both criticism and common linguistic currency has become detached from its literary and authorial origins to become an alternative term for the ‘bawdy’, the ‘vulgar’, and the ‘earthily humorous’. The chapter shows the process beginning from the moment the term is coined to describe an author's character rather than appraise their literary style, evoking a sensibility healthily drawn to festivity and indulgence but also somewhat at odds with Christian decency. The generality of the term has doubtless contributed to the vagueness of much critical discussion.

scholarly journals Dialogical research to open up new narrative patterns among young women living with severe anxiety

2020 ◽  
Vol 30 (Supplement_5) ◽  
Author(s):  
L Cantarero Arevalo ◽  
S Fejfer Olsen
Keyword(s):  
Young Women ◽  
Population Group ◽  
Patient Experiences ◽  
Constructivist Approach ◽  
Patient’S Perspective ◽  
Healthcare Needs ◽  
Narrative Patterns ◽  
Severe Anxiety ◽  
Insight Into

Abstract Background 16,889 new cases of severe anxiety (SA) were diagnosed in Denmark in 2019. Incidence rate is highest among 16 to 24 year-old women, a population group with 64% risk of being diagnosed with SA. Experiences of stigma and shame are common among this group, affecting negatively their quality of life and opportunity to recover. The aim is 1) to gain insight into the digital narratives young women with SA share through social networking websites, and 2) to open up the possibility to develop new narrative patterns using dialogical research as a method rooted in Bakhtin (1895-1975) and further developed by Frank (2005). Methods Netnography of four large Facebook groups focused on anxiety was used to gain insight into the patients' narratives and to build guiding themes for the off-line dialogical interviews (DI). Biographical narrative patterns were analyzed in light of a narrative-constructivist approach. Participants were invited to sign an informed consent prior to the DI and received ample information about the project aims and their rights. Results 8 young women diagnosed with SA participated in the off-line DI. They had experienced stress, loss, betrayal or violation against them prior to the trigger of SA. All had constructed a narrative that explained why they were suffering from SA. Patient experiences were dominated by the struggle to control intrusive thoughts and to live in a threatening world. Some felt stigmatized and tried to hide their condition from colleagues, friends and family. They had different preferences regarding healthcare needs and were active in their search for alternative ways to cope with SA. Conclusions Participants perceived DI as beneficial. It thus has the potential to not only explore the patient's perspective in depth, but also serve as therapy during the process of inquiry. Key messages Dialogical research has the potential to not only explore the patient’s perspective in depth, but also serve as therapy during the process of inquiry. Young women suffering with severe anxiety experience shame and stigma, which worsen their condiction and hinder their opportunity to recover.

Students' Literary Style

BMJ ◽  
1950 ◽  
Vol 1 (4659) ◽  
pp. 963-963
Author(s):  
R. J. L. Fraser
Keyword(s):  
Literary Style

Subverting superhero and meiga imaginaries in street art narrative Fenómenas do rural

2021 ◽  
pp. 136754942110032
Author(s):  
Beatriz Carbajal-Carrera
Keyword(s):  
Discourse Analysis ◽  
Street Art ◽  
Multimodal Discourse Analysis ◽  
Multimodal Discourse ◽  
Narrative Patterns

Heroic narratives are often biased towards a conceptualization of the rural/urban difference that positions rural identities at the margins. In particular, superhero stories have traditionally offered a vision of heroism assumed to be male, urban and young. How can post-rural contexts shaped by migration contest these narrative patterns? This article examines the street narrative of Fenómenas do rural, which recognizes older female rural identities and casts them as superheroines. Through a multimodal discourse analysis, I examine its contestation of heroic patterns, its recognition of older female rural identities and its creation of affiliation opportunities for the Galician community. I argue that this narrative stands as a reflection of the rurban (rural + urban) and the glocal (global + local) elements that subverts pre-existing canons in the superhero and the meiga (‘witch’) mythology imaginaries.

Patterns of Literary Style

1973 ◽  
Vol 57 (3) ◽  
pp. 141
Author(s):  
Hans Wagener ◽  
Joseph P. Strelka
Keyword(s):  
Literary Style

‘Christ’s kingdom not of this world:’ the case of Benjamin Hoadly versus William Law reconsidered

1975 ◽  
Vol 12 ◽  
pp. 275-291 ◽  
Author(s):  
Henry D. Rack
Keyword(s):  
Literary Style ◽  
Devotional Writings ◽  
Do So

The traditional reputations of Hoadly and Law could hardly be more sharply contrasted. Hoadly’s latitudinarianism, his promotion on the bench for political reasons, his neglect of diocesan duties have long made him a favourite example for castigating the hanoverian episcopate. Law has been much more fortunate. Almost universally cited as a happy exception to the lax theology of his age; credited with a religious appeal to men of all parties; and praised for his literary style and powers of argument, Law has enjoyed a generally uncritical press, despite the difficulties of reconciling the early, orthodox controversial and devotional writings with his later and mystical works. Of the confrontation between Hoadly and Law over the Bangorian sermon, the prevailing opinion has been that of dean Hook: ‘Law’s “Letters” have never been answered, – may indeed be regarded as unanswerable’. Some, indeed, have suggested that Hoadly failed to reply directly to Law either through fear or inability to do so. Overton, however, with his customary fairness, allowed that Hoadly ‘was a very able controversialist and not afraid of any antagonist’. Hoadly claimed that others had replied to Law (who had not attempted to answer them), and that all of Law’s most important points had been answered in Hoadly’s Answer to the Representation.

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