A Matter of Life and Death: How the Covid-19 Pandemic Threw the Spotlight on Digital Financial Exclusion in the UK

Author(s):  
Whitney Gill ◽  
Hara Sukhvinder ◽  
Whitney Linda
2022 ◽  
Vol 6 ◽  
Author(s):  
Gill Green

Powerlessness generally denotes loss of control and may be experienced among those with a terminal diagnosis and, as such, empowerment is a dominant discourse in end-of-life policy in the western Anglo-Saxon world. This paper analyzes thematically blogs authored by three people with a terminal diagnosis to examine the “power to be oneself,” a concept which was identified in the “Ethics of Powerlessness” project conducted in the UK. The analysis demonstrates that the bloggers assert the “power to be themselves” which is expressed in three principal ways. Firstly, through assertion of agency to promote self-affirmation and control. Secondly, through claiming a “moral authority” expressed by providing advice not just on illness and death but also on how life should be lived. Thirdly, through discussing ideas about the future and creating a legacy. The blogs are a mechanism used to express and reinforce self-identity and to carve out a “sacred space” between life and death to nurture personal change and to project this onto a public arena. This analysis demonstrates the key role patient empowerment plays in constructing an identity with a terminal diagnosis, an element that is often overlooked in end-of-life policy.


Author(s):  
Philip Schlesinger

This chapter illustrates how ‘most of the Holyrood political class has been reluctant to explore the boundaries between the devolved and the reserved’, even on less life-and-death issues such as broadcasting. Conversely, it also tells of at least one post-devolution success story for classic informal pre-devolution-style ‘Scottish lobbying’ in Westminster. Scotland is presently one of the UK's leading audiovisual production centres, with Glasgow as the linchpin. The capacity of the Scottish Parliament to debate questions of media concentration but also its incapacity to act legislatively has been observed. There are both political and economic calculations behind the refusal to devolve powers over the media via the Communications Act 2003. Ofcom now has a key role in policing the terms of trade for regional production that falls within a public service broadcaster's target across the UK. The BBC's position as the principal vehicle of public service broadcasting has come increasingly under question. The Gaelic Media Service set up under the Communications Act 2003 has a line of responsibility to Ofcom in London. Scottish Advisory Committee on Telecommunications (SACOT) determined four key regulatory issues needing future attention by Ofcom.


2017 ◽  
Vol 49 (9) ◽  
pp. 2046-2064 ◽  
Author(s):  
N Henry ◽  
J Pollard ◽  
P Sissons ◽  
J Ferreira ◽  
M Coombes

In 2013, the UK Government announced that seven of the nation’s largest banks had agreed to publish their lending data at the local level across Great Britain. The release of such area based lending data has been welcomed by advocacy groups and policy makers keen to better understand and remedy geographies of financial exclusion. This paper makes three contributions to debates about financial exclusion. First, it provides the first exploratory spatial analysis of the personal lending data made available; it scrutinises the parameters and robustness of the dataset and evaluates the extent to which the data increase transparency in UK personal lending markets. Second, it uses the data to provide a geographical overview of patterns of personal lending across Great Britain. Third, it uses this analysis to revisit the analytical and political limitations of ‘open data’ in addressing the relationship between access to finance and economic marginalisation. Although a binary policy imaginary of ‘inclusion-exclusion’ has historically driven advocacy for data disclosure, recent literatures on financial exclusion generate the need for more complex and variegated understandings of economic marginalisation. The paper questions the relationship between transparency and data disclosure, the policy push for financial inclusion, and patterns of indebtedness and economic marginalisation in a world where ‘fringe finance’ has become mainstream. Drawing on these literatures, this analysis suggests that data disclosure, and the transparency it affords, is a necessary but not sufficient tool in understanding the distributional implications of variegated access to credit.


2005 ◽  
Vol 28 (1) ◽  
pp. 75-108 ◽  
Author(s):  
James F. Devlin
Keyword(s):  

2005 ◽  
pp. 45-81 ◽  
Author(s):  
Santiago Carbó ◽  
Edward P. M. Gardener ◽  
Philip Molyneux
Keyword(s):  

A maverick producer inspired by US indie lmmakers of the late 1980s and early 1990s, Andrew Macdonald gave British cinema a huge jolt with Shallow Grave (1994) and Trainspotting (1996). Born in Glasgow in 1966, Macdonald was from lmmaking stock. His grandfather was the mercurial Hungarian screenwriter Emeric Pressburger, who combined with Michael Powell to make such gilt-edged British movie classics as A Matter of Life and Death (1946) and The Red Shoes (1948). His uncle is James Lee, the boss of Goldcrest during the 1980s. Macdonald emerged as a producer in Scotland in the mid-1990s. He found important backers in Channel 4 and PolyGram Filmed Entertainment, who were both upping their commitment to lm just as his career was starting to blossom. After beginning to collaborate with doctor-turned-writer John Hodge, Macdonald hired Danny Boyle—then best known for TV work like Mr. Wroe’s Virgins (1993)—to direct Shallow Grave. With its style, morbidity and wit, the Edinburgh-set lm was as close as British cinema had come to the world of the Coen brothers. It was a minor box-ofce sensation in the UK. Irvine Welsh adaptation Trainspotting, a scabrous tale about heroin addicts in Leith, was even more successful. Both lms starred Ewan McGregor. From these beginnings, Macdonald began to strike outward. His rst American lm A Life Less Ordinary (1997) wasn’t as successful as its predecessors; The Beach (2000) was notable as Leonardo DiCaprio’s rst screen outing after Titanic had conrmed him as the biggest movie star in the world. The Beach made money, but was also mired in controversy. In 1997, Macdonald and Duncan Kenworthy formed DNA, a new British production company buttressed by around $46 million of national lottery funding. By now, the Macdonald/Hodge/Boyle axis had begun to slip apart. Macdonald was working with other lmmakers. After rocky beginnings and an eventual break with Kenworthy, DNA produced and co-produced some extraordinary lms, among them 28 Days Later (2002), The Last King of Scotland (2006) (directed by Andrew’s younger brother, Kevin Macdonald), The History Boys (2006), and Notes on a Scandal (2006).

2013 ◽  
pp. 127-128

Édith Piaf ◽  
2016 ◽  
pp. 153-170
Author(s):  
David Looseley
Keyword(s):  
The Us ◽  
The Usa ◽  

The chapter examines the ways in which Piaf has been remembered, commemorated and patrimonialised, from her death to the celebrations of her centenary in 2015. It notes the steady flow of films, songs, plays, documentaries and tribute acts that have been produced about her and at the growing tendency to mark significant anniversaries of her life and death. These phenomena have not been limited to France but have included the UK, the USA and Japan among others. The chapter identifies the ways in which her once transgressive persona has been normalised and legitimated by these processes of commemoration. It also compares the posthumous meanings Piaf has acquired in France, the UK and the US, concluding that the imagined Piaf of today is an intertext.


2021 ◽  
Author(s):  
Tuany Mariah Lima do Nascimento ◽  
Laura Emmanuella Alves dos Santos Santana ◽  
Márjory Da Costa Abreu

The dissemination of fake news is a problem that has already been addressed but by no means is solved. After the manipulation made by Cambridge Analytica which was based on classifying users by their political views and targeting specific political propaganda on the Brexit campaign, the Trump election and the Bolsonaro election, there is no doubt this issue can have a real impact on society in ‘normal times’. During a pandemic, any type of fake news can be the difference between life and death when the data shared can directly hurt the people who are believing in it. Moreover, there is also a new trend of using artificial robots to disseminate such news with a special target on Twitter which can be linked with political campaigns. Thus, it is essential that we identify and understand what kind of news is selected to be 'dressed' as fake and how it is disseminated. This paper aims to investigate the dissemination of fake news related with Covid-19 in the UK and Brazil in order to understand the impact of fake news on public sector actions, social isolation and quarantine imposition. Those two case studies are well versed on the fake news dissemination. Our initial dataset of Twitter posts have focused on posts from four different cities (Natal, São Paulo, Sheffield and London) and have shown interesting pointers that will be discussed.


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