Ryry: A Real-Time Score-Following Automatic Accompaniment Playback System Capable of Real Performances with Errors, Repeats and Jumps

Author(s):  
Shinji Sako ◽  
Ryuichi Yamamoto ◽  
Tadashi Kitamura
Keyword(s):  
Author(s):  
Ting-Ting Chou ◽  
Wen-Chieh Chen ◽  
Siang-An Wang ◽  
Ken-Ning Chang ◽  
Herng-Yow Chen
Keyword(s):  

Author(s):  
Guangyi Miao ◽  
Guangyu Zhu ◽  
Shuqiang Jiang ◽  
Qingming Huang ◽  
Changsheng Xu ◽  
...  

2014 ◽  
Vol 19 (3) ◽  
pp. 260-267 ◽  
Author(s):  
Lonce Wyse ◽  
Jude Yew

This article explores listening and communications strategies that arise with a collaborative scoring system we are developing for use within improvisational contexts. Performers generate notation on a scrolling score a short time before it is played or rendered into sound. Working a short time in the future allows performers to respond to sound as they would in any improvisatory situation, and yet coordinate their activity through notation in a way typically associated with pre-composed music. The ‘Anticipatory Score’ platform supports the exploration of different kinds of relationships between performers, composers and audience members, and different listening and engagement strategies that affect the musical experience for all participants.


Addiction ◽  
2017 ◽  
Vol 112 ◽  
pp. 34-42 ◽  
Author(s):  
Janice A. Vendetti ◽  
Bonnie G. McRee ◽  
Frances K. Del Boca
Keyword(s):  

2017 ◽  
Vol 41 (3) ◽  
pp. 21-35 ◽  
Author(s):  
Cat Hope

This article argues that animated notations are the most exciting new direction for music notation since the conception of the real-time score. The real-time score revolutionized performance practices in new music, with the composer Gerhard E. Winkler calling it a “third way” between improvisation and fixed scores. Developing upon the idea of dynamic notation epitomized by the real-time score, animated notation features movement as its foundation, and may be presented as an interactive program, video, or application environment generated in real time or preset. It extends the possibilities presented by graphic notations, engaging the processing power of computing toward new complexities of shape, color, movement dynamics, form, synchronicity, and the very performability of music scores. Beginning with a brief historic overview of trends and background that may have informed the development of animated notation, I then examine contemporary practices and their application to a range of music. I will argue that animated notation brings particular benefits for scoring music featuring electronics and aleatoric elements.


Author(s):  
Guangyi Miao ◽  
Guangyu Zhu ◽  
Shuqiang Jiang ◽  
Qingming Huang ◽  
Changsheng Xu ◽  
...  

2021 ◽  
Vol 3 ◽  
Author(s):  
Florian Henkel ◽  
Gerhard Widmer

The task of real-time alignment between a music performance and the corresponding score (sheet music), also known as score following, poses a challenging multi-modal machine learning problem. Training a system that can solve this task robustly with live audio and real sheet music (i.e., scans or score images) requires precise ground truth alignments between audio and note-coordinate positions in the score sheet images. However, these kinds of annotations are difficult and costly to obtain, which is why research in this area mainly utilizes synthetic audio and sheet images to train and evaluate score following systems. In this work, we propose a method that does not solely rely on note alignments but is additionally capable of leveraging data with annotations of lower granularity, such as bar or score system alignments. This allows us to use a large collection of real-world piano performance recordings coarsely aligned to scanned score sheet images and, as a consequence, improve over current state-of-the-art approaches.


2010 ◽  
Vol 29 (1) ◽  
pp. 89-100 ◽  
Author(s):  
Gerhard E. Winkler
Keyword(s):  

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