Ethnicity in Breaktime Interaction Rituals

2018 ◽  
pp. 101-143
Author(s):  
Jana Obrovská
Keyword(s):  
Interaction Rituals

scholarly journals Cocaine Rituals in Club Culture: Intensifying and Controlling Alcohol Intoxication

2021 ◽  
pp. 002204262098651
Author(s):  
Marit Edland-Gryt
Keyword(s):  
Young Adult ◽  
Young People ◽  
Alcohol Intoxication ◽  
Qualitative Interviews ◽  
Cocaine Use ◽  
Interaction Rituals ◽  
Collective Effervescence ◽  
Drinking Culture ◽  
Cocaine Users ◽  
And Control

Clubbing is an important part of the nighttime economy, and cocaine use is, for some young people, an essential part of this clubbing culture. However, the interaction rituals around the use of powder cocaine in this context remain understudied. This study is based on qualitative interviews with young adult recreational cocaine users ( n = 28) and explores how they use cocaine in club settings, in relation to rituals and drinking culture. The analysis identified three main explanations for using cocaine: (a) unity with friends because of shared transgression, (b) the high as a “collective effervescence,” and (c) the possibility to control, extend, and intensify drinking to intoxication. These three explanations illustrate how cocaine rituals were deeply integrated in drinking-to-intoxication rituals, and how the illegality of cocaine use reinforced feelings of unity with friends. In the nighttime economy, cocaine use and its related rituals are used to intensify and control alcohol-fuelled partying.

Effervescence Accelerators: Barriers to Outsiders in Christian Interaction Rituals

2021 ◽  
Author(s):  
Scott Draper
Keyword(s):  
Social Dynamics ◽  
Participant Observation ◽  
Strong Support ◽  
Social Solidarity ◽  
Latter Day Saints ◽  
Religious Rituals ◽  
Interaction Rituals ◽  
Collective Effervescence ◽  
Social Dynamic ◽  
Christian Congregations

Abstract In interaction ritual theory, barriers to outsiders are cues that communicate who is and is not excluded from a ritual. Prior research on religious rituals has established strong support for the hypothesis that barriers promote collective effervescence and social solidarity. Questions remain, though, regarding how this social dynamic impacts the practices, identities, missions, and conflicts of congregations who strive to be inclusive. We conducted microsociological analysis of rituals based on participant-observation and focus groups at six Christian congregations: Jehovah’s Witnesses, Latter-day Saints, Christian Scientists, Brethren, Catholics, and Episcopalians. Barriers were built in all the rituals, bringing congregational distinction through contrast with different types of outsiders. We also observed effervescent moments where barriers were low and inconsequential, suggesting that severe barriers are unnecessary. Rather, the special ritual function of barriers is to provide instant jolts of effervescence, especially when other social dynamics are failing.

Interaction Rituals and Religious Culture in the Tea Party

2018 ◽  
Vol 9 (1) ◽  
pp. 39-51
Author(s):  
Stacy M. K. George
Keyword(s):  
Political Influence ◽  
Religious Right ◽  
Religious Culture ◽  
Tea Party ◽  
Tea Party Movement ◽  
Group Solidarity ◽  
Conservative Christianity ◽  
Interaction Rituals ◽  
Christian Culture ◽  
Religious Perspectives

Scholars have noted the variety of ideological and religious perspectives present in the Tea Party movement. This study addresses why both religious and nonreligious individuals may be involved in the Tea Party despite its cultural connection to ‘traditional’ conservative Christianity. The article explores Tea Party participation and commitment, arguing that group membership is sustained by the party’s ability to create interaction rituals reflective of Christian culture as an acknowledgement of American Christian values. The Tea Party frames its ideology as sacred, thereby establishing group commitment and cohesion. As a result, it is capable of attracting constituents from inside and outside of the Religious Right. By validating the experiences of others and creating a system of interdependency, the Tea Party has the potential to create group solidarity leading to collective action and exceptional political influence.

MEDIATED INTERACTION RITUALS: A GEOGRAPHY OF EVERYDAY LIFE AND CONTENTION IN BLACK LIVES MATTER*

2020 ◽  
Vol 25 (3) ◽  
pp. 295-313
Author(s):  
Sander van Haperen ◽  
Justus Uitermark ◽  
Alex van der Zeeuw
Keyword(s):  
Social Media ◽  
Everyday Life ◽  
Image Recognition ◽  
Urban Areas ◽  
Interaction Ritual ◽  
Black Lives Matter ◽  
Geographically Dispersed ◽  
Interaction Rituals ◽  
Ritual Theory ◽  
Different Types

The Movement for Black Lives has connected millions of people online. How are their outrage and hope mediated through social media? To address this question, this article extends Randall Collins’s Interaction Ritual Theory to social media. Employing semisupervised image recognition methods on a million Instagram posts with the hashtag #blacklivesmatter, we identify four different interaction ritual types, each with distinct geographies. Instagram posts featuring interactions with physical copresence are concentrated in urban areas. We identify two different types of such areas: arenas where contention plays out and milieus where movement identities are affirmed. Instagram posts that do not feature physical copresence are more geographically dispersed. These posts, including memes and selfies, allow people to engage with the movement even when they are not embedded in activist environments. Our analysis helps to understand how different forms of engagement are embedded in particular places and connected through the circulation of social media posts.

scholarly journals The Music Room: Betty Freeman's Musical Soirées

2017 ◽  
Vol 14 (3) ◽  
pp. 391-409
Author(s):  
JAKE JOHNSON
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Art Music ◽  
Avant Garde ◽  
Western Art ◽  
Interaction Rituals ◽  
Salon Culture ◽  
History Of ◽  
Western Art Music

AbstractFor over ten years, Los Angeles arts patron Betty Freeman (1921–2009) welcomed composers, performers, scholars, patrons, and invited guests into her home for a series of monthly musicales that were known as ‘Salotto’. In this article, I analyse Freeman's musicales within a sociological framework of gender and what Randall Collins calls ‘interaction rituals’. I contextualize these events, which took place in a space in her Beverly Hills home known as the Music Room, within a broader history of salon culture in Los Angeles in the twentieth century – a history that shaped the city's relationship with the artistic avant-garde and made Los Angeles an important amplifier for many of the most important voices in contemporary Western art music of the last sixty years.

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