Institutional Oppression

2021 ◽  
pp. 505-505
2019 ◽  
Vol 13 (1) ◽  
pp. 94-105 ◽  
Author(s):  
Meir Muller ◽  
Gloria S. Boutte

Purpose Providing insights into the need to go beyond superficial equity efforts in classrooms, the authors present a standardized test analogy to make the concept of oppression accessible and relevant for educators. Three levels of oppression (individual, institutional and cultural/societal) are described along with a brief overview of Paulo Freire’s four dimensions of oppression. Drawing parallels from a children’s book, Testing Miss Malarkey (Finchler, 2014), strategies for recognizing and interrupting oppression are offered. The authors recommend resources that teachers can use to help children and themselves take reflective actions (praxis) to interrupt systemic types of oppressions in their classrooms and personal spaces. Design/methodology/approach This paper is grounded in the belief that to teach in socially just and equitable ways, educators benefit from a fundamental understanding of how systems of oppression work in classrooms and in society. The paper provides both a theoretical and practical approach to help guide educators’ efforts in such a way as to address systemic issues of racism, classism, sexism, heterosexism and other “isms” (systems of oppression). Findings This paper does not present findings such as those found in an empirical study. However, it does provide an overview of Freire’s levels of oppression along with instructional guidelines to assist teachers in helping provide children with tools to understand oppression and to take reflective actions (praxis) to make a dent in systemic types of oppressions in their classrooms and worldwide. Research limitations/implications There are many other decolonizing frameworks that are available. This translational study focuses on one of them (Freire’) and what it means for teachers. Practical implications Believing that the school years are foundational for providing children with the tools that they need to be able to identify and address the ongoing acts of oppression, this paper seeks to make the topic accessible to educators with the hope that they can make a lasting and positive difference in children’s lives (and in society in general). Recommended resources are provided. Social implications To interrupt and counter oppression, educators must be informed. The benefits of doing so readily extend to society in general; so, it is important for both educators and students to understand oppression and have tools for disrupting it. Originality/value This paper takes the original approach of using standardized tests as analogy to make the concept of oppression accessible and relevant for educators. The authors use this example because they recognize that many teachers can identify with feeling disempowered by the standardized testing mandates and frenzy. They believe that educators will be able to extrapolate the process by which the loss of their power occurs with standardized testing to understand how institutional oppression works. Neither author has seen an article that uses an analogy from the professional lives of teachers to illustrate oppression.


2019 ◽  
Vol 31 (2) ◽  
pp. 107-126
Author(s):  
Jian Xiao ◽  
Shuwen Qu

This article presents a study on the punk phenomenon in China, with a focus on how the punk musicians create new spaces within music production and performances. More importantly, it will examine how these spaces and acts of performance engage with political structures in contemporary China. By analyzing the impact that the political and economic changes of recent decades have had on the nature of Chinese society and culture, the article will first set out to understand the social context in which the punk phenomenon emerged and developed in China. Drawing on interviews with Chinese punk musicians, a discussion of the politics of place will show how a Chinese punk band has challenged a dominated space by performing in the Tiananmen Square. Informed by Attali’s theoretical discussion on “noise”, the next focus will be on an exploration of the process of power negotiation in performing punk music and seeking punk authenticity through non-conforming practices at government/institution-sponsored events. Overall, it is argued that punk performance can carve out a space for alternative political aspirations through interaction with authoritative figures (e.g. in resisting the existing powers), thus challenging state power and institutional oppression in China.


Author(s):  
YiShan Lea ◽  
Carol L. Butterfield

This chapter is an epic look at teachers' paths through teacher education, public school teaching, and teacher educators' work in a regional university. One teacher narrative intersects with the history of the teaching profession, on how this life is shaped and is also shaped by the social construction of an American education. Ideologies of patriarchy, economic development of human capital including the corporate culture in the university are examined. The discussion reveals the everlasting urgency for radicalization in the teaching profession through the illustration of a teacher development of critical consciousness, resistance, and the struggle against the institutionalized disciplined docility in the teaching profession. The examination of life in schools and in the university reveals a dialectic between contradictions of institutional oppression and a teacher's development of pedagogy.


Author(s):  
Stephen C. Behrendt

This chapter demonstrates that material culture responses to Peterloo (prints, textiles, ceramics, metalwork) were far more ambivalent about the consequences for civil and institutional reform than were most conventional print responses, which often advocated violent retaliation. Close examination of several examples reveals deep pessimism about the relative ineffectiveness of individual or even collective action and resistance to the superior and often deadly forces of physical, social, legal and institutional oppression wielded against even peaceful reformers. Caricature prints by Marks, Cruikshank and others, like other commemorative objects produced after Peterloo, emphasize the grotesquely disproportionate violence inflicted on orderly reformist citizens and leaders. These artifacts collectively imply that present active resistance, whether militant or non-violent, is largely futile and that the only genuinely tenable option lies in resigned but hopeful optimism about the prospect of a more enlightened future redress of social and political oppression.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Alyssa Jennings ◽  
Kristine Kinzer

PurposeThe purpose of the paper is two-fold. The first is to inform the readers of the racist origins of libraries in America. Readers will learn about historic instances of systemic racism in libraries and those that persist today. The second purpose is to give readers examples of antiracist actions they can take on an individual level, in concert with library administration, and on the institutional level.Design/methodology/approachThis paper gives an overview of systemic racism in librarianship. Part I outlines the history of libraries and their institutional oppression origins in America. Part II reviews some of the current racial issues in Libraries and Information Science (LIS). Part III gives the author's viewpoint on how to incorporate antiracist action within libraries and how to decenter whiteness at the national level.FindingsThe authors found that libraries were established on institutional oppression and systemic racism, which continue to this day to center whiteness and disadvantage BIPOC. Having said that, now is the time to make changes, decenter whiteness and remove systemic barriers through antiracist actions. These actions will help increase the number of BIPOC working in libraries and improve the retention and promotion of those BIPOC too. If the American Library Association (ALA) heeds this call to action, Critical Race Theory (CRT) will become part of the Master's of Library and Information Science (MLIS), BIPOC will be better funded and supported, and the credentialing stigma will be removed.Originality/valueThis article highlights concrete action that should be taken beyond individual bias awareness and into systemic changes. It advocates for more critical awareness and daily antiracist action within the LIS field.


Janus Head ◽  
2014 ◽  
Vol 13 (1) ◽  
pp. 78-96
Author(s):  
Neal DeRoo ◽  

Drawing on phenomenology’s account of “passive synthesis,” this paper seeks to provide a phenomenological vocabulary that could be useful in explaining institutional oppression to those who find it difficult to understand that we can be responsible for acts and meanings that we do not intend. Though the main goal of the paper is to justify the use of the terminology of passive synthesis in the discourse on oppression, the paper ends by suggesting how employing passive synthesis in this manner suggests ways of combating oppression.


Popular Music ◽  
2010 ◽  
Vol 29 (3) ◽  
pp. 325-350 ◽  
Author(s):  
Jada Watson ◽  
Lori Burns

AbstractIn 2003, Natalie Maines of the Dixie Chicks denounced President George W. Bush from a concert stage in London, England leading to serious career consequences for the country music trio. In response to three years of public criticism and radio boycotts, the Dixie Chicks released their single ‘Not Ready to Make Nice’, with an accompanying video critiquing the oppressive institutional power that sought to silence them. Through an analysis of music, text and images in this song, this paper explores how the Dixie Chicks responded to the backlash and regained their voice in the music industry. The paper offers a critical summary of the political incident, an interpretation of the images of symbolic containment and resistance that are prevalent in the video, and an interpretation of the musical elements in relation to the lyrics and images. Through the intersection of lyrics, music and images the Dixie Chicks create a platform of resistance to the social and institutional oppression they experienced.


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