An XML-Based Interface Customization Model in Digital Museum

Author(s):  
Rui Wang ◽  
Chengwei Yang ◽  
Jinyu Xu ◽  
Chenglei Yang ◽  
Xiangxu Meng
Keyword(s):  
2015 ◽  
Vol 11 (1) ◽  
pp. 13
Author(s):  
Yu Hui Yang ◽  
Hao Zhang ◽  
Bin You Jiang
Keyword(s):  

Author(s):  
Ulyana V. Aristova ◽  
Alexey Y. Rolich ◽  
Alexandra D. Staruseva-Persheeva ◽  
Anastasia O. Rolich
Keyword(s):  

1970 ◽  
pp. 131
Author(s):  
Tore Slaatta

The article reports from NODEM 06, the Nordic Digital Excellence in Museums Conference, which was held in Oslo on 7–9 December 2006. The NODEM conference was set up to promote interaction and learning enhanced by technology and digital design in museums.The conference had an impressive, ambitious programme and proved to be a successful meeting involving Nordic and International scholars from a total of 13 countries, museum researchers and curators, hardware and software developers, designers, consultants and students from a wide range of academic fields, institutions and organisations. Keynote speakers from the EPOCH network, and from the field of digital museum design in Ireland and Australia, were invited, and research papers about 30 ongoing projects featuring digital mediation in museums were presented, with a critical focus that provided a thorough presentation and discussion of the main contributions and themes.


2021 ◽  
Vol 15 (1) ◽  
pp. 65-83
Author(s):  
Christopher Morse ◽  
Carine Lallemand ◽  
Lars Wieneke ◽  
Vincent Koenig

2021 ◽  
pp. 120633122110665
Author(s):  
Elisabeth Punzi

Sites of oppression might be remembered in ways that contribute to dialogues about human rights and justice, exemplified by Sites of Conscience. Oppression was commonplace in former psychiatric institutions, yet such institutions are often subject to strategic forgetting and transformed into business parks, hotels, or residential areas. This article concerns Långbro Hospital, a digital museum presenting the former psychiatric institution Långbro, Sweden, now transformed into a residential area. I discuss how the former institution becomes a digital nonplace in which patients tend to be objectified or excluded, and the park and the buildings in which oppression occurred are reduced to representing beauty and functionality. I relate the analysis to digital Sites of Conscience such as British Museum of Colonialism and Pennhurst Memorial and Preservation Alliance and, thereby, show that thoughtful digitization might recognize prior as well as current injustice and oppression and contribute to change.


2021 ◽  
Author(s):  
Keiko Yamazaki ◽  
Fujiko Abe ◽  
Ichiro Hagiwara

Abstract The Japanese traditional fan, which is a form of origami originating in Japan with a folding culture, has a variety of three-dimensional expression that differs from two-dimensional expression. The image painted on the fan deforms when the fan is folded. In this study, we create a digital fan model for clarifying the deformation on the fan face according to parameters such as length of the bamboo bones. We then validate the digital model with an actual fan. Furthermore, we obtain the original plan view from images of the folded fan as a reverse problem. Because folding fans are made of paper and bamboo and held in the hand, old traditional folding fans are more or less damaged; for example, many culturally valuable folding fans have lost their bones and have damaged edges, have been stretched flat, and have been framed like paintings. Reproducing the original fan without information of the original form is difficult. In the present study, we provide a digital fan model for examining the original fan shape. Old valuable folding fans are treasured by museums and collectors around the world. In future research, we would like to capture such precious folding fans in three-dimensional space applying our digital fan model and to exhibit these fans in a digital museum, providing opportunities not only to enjoy the value of the fans but also to encourage the research of Japanese traditional culture.


2019 ◽  
Vol 13 (1) ◽  
pp. 81-88
Author(s):  
Yu-Jin Jeong ◽  
Ji-Young Yoo ◽  
Hyun-Soon Baek
Keyword(s):  

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