A Dynamic Field Architecture for the Generation of Hierarchically Organized Sequences

Author(s):  
Boris Durán ◽  
Yulia Sandamirskaya ◽  
Gregor Schöner
Keyword(s):  
Author(s):  
Anthony Jarrells

This chapter discusses some of the short fictional forms that persisted in as well as alongside the novel. These short fictional forms include chapbook and bluebook abridgements, religious tracts, and what would come to be called—by the end of the period covered here—the tale. Together, these forms highlight the dynamic field of writing that comprised the years that span the novel's rise and canonization. As it appeared in stand-alone collections, magazines, and literary annuals, the tale pushed the novel to consolidate its boundaries even as it developed its own mix of features to challenge the novel on its established ground. In the end, however, the novel won out in its generic competition with half-told and mangled tales.


1937 ◽  
Vol 33 (3) ◽  
pp. 340-343
Author(s):  
Joseph Larmor

In an excursus developing a modern view of the Carnot-Kelvin aspect of thermodynamics, appended recently to the letters from Clerk Maxwell to his friend W. Thomson reporting the early tentative evolution of the theory of the electro-dynamic field, the account presented by the writer stopped short at putting emphasis on the mystery of temperature, as a unique and supremely significant property of matter in bulk, with its trend to uniformity as presenting the basic thermal problem. The side of the subject involving dynamical analogy was there absent from the development, which was purely formal. It may be well, however, now to offer some general notions such as may be put on record, which arise naturally from that mode of approach to the subject.


Semiotica ◽  
2020 ◽  
Vol 2020 (236-237) ◽  
pp. 275-295
Author(s):  
Daniel Candel

AbstractPelkey’s anchoring of the semiotic square in embodiment is excellent news for cognitive literary theory, a dynamic field still in search of itself. However, his validation of the square, though theoretically unexceptionable, suffers in the execution, for his interpretation of the country song “Follow your Arrow” is less successful. The present article benefits from Pelkey’s validation as it organizes a tool of cultural-semantic analysis (CS-tool) as a ‘deviant’ semiotic square. The article then shows how this particular semiotic square allows us to analyze the song in terms which build on Pelkey’s analysis, but also arrive at more satisfying results. Where Pelkey sees liberation in the song and the square, the tool uncovers manipulation in the former and closure in the latter. The article then assesses the complementarity of and differences between the two squares: Pelkey works on a local sentence-level through direct implicature, thus following the narrative/authorial voice of the poem. The CS-tool starts from a position of higher abstraction requiring a less defined, but still sufficient and more wide-ranging, three-step implicature. This allows the tool to step back from the song’s authorial voice and uncover its manipulations. The article closes by discussing the deviant features of the present square.


2010 ◽  
Vol 9 (10) ◽  
pp. 790-803 ◽  
Author(s):  
Charles Dumontet ◽  
Mary Ann Jordan

2009 ◽  
Vol 135 (1) ◽  
pp. 54-66 ◽  
Author(s):  
Xianfei He ◽  
Babak Moaveni ◽  
Joel P. Conte ◽  
Ahmed Elgamal ◽  
Sami F. Masri

2021 ◽  
Author(s):  
◽  
Courtney Wilson

<p>Pasifika literature is an expanding, dynamic field which, like other Pasifika creative productions, is often seen as representative of exciting new directions, and reflective of a nascent generation of young Pasifika who are firmly established in New Zealand. This thesis considers the relationship between Pasifika literature and Pasifika identity, tracing some ways that Pasifika literature articulates, references, and mediates Pasifika identity through the creative work of two prominent New Zealand-born Pacific scholar-poets: Karlo Mila (Tongan, Palangi, Samoan) and Selina Tusitala Marsh (Samoan, Tuvaluan, French, English). Both these women are highly acclaimed, award winning poets and academics who are well respected in their respective Pacific communities. Reading their creative works firstly as examples of a mixed-race Pasifika literature and then as Pasifika feminist texts offers compelling insights into their worlds as young ‘brown’ women in New Zealand. Their work makes a significant contribution to Pacific literature and New Zealand literature, and offers many points of entry for exploring what it might mean to be a Pasifika person in Aotearoa today. This work is furthered in a final chapter, which gestures towards a new generation of Pasifika writers. By referencing some of the new writing being produced by young Pasifika, in particular the work of Grace Taylor and Courtney Sina Meredith, I illustrate how Mila and Marsh’s writing has opened up necessary creative spaces for Pasifika voices to be heard and their senses of identity to be affirmed. Ultimately, the connections between Pasifika literature and Pasifika identities that have been explored in this thesis continue to be strengthened and developed by a new generation of young Pasifika writers, who continue to affirm identities that are fluid, open, and progressive.</p>


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