Images of Women in Selected Works by Asian Female Writers

Author(s):  
Noor Hidayah Mohamed Yunan ◽  
Nurul Farehah Mohamad Uri
MANUSYA ◽  
2010 ◽  
Vol 13 (1) ◽  
pp. 16-23
Author(s):  
Duantem Krisdathanont

According to feminist critics, the “Images of Women” in literature created by most female writers lack “authenticity” and “real experience.” Susan Koppelman Cornillon, for example, states in “Images of Women in Fiction” (1972) that both male and female authors come in for harsh criticism for their creation of unreal female characters , and female writers are accused of being worse in this respect since they are betraying their own sex (Moi 2002: 42). However, Okamoto Kanoko2 was a feminist writer who shared her real experiences and provided a role model for a positive female identity in the form of main characters who are independent of men. In this study, I analyze , Boshijyojyō 『母子叙情』 (‘The Relationship between Mother and Son’)by Okamoto Kanoko(1937) to find out how her portrayal of the main character incorporates her own experiences describing the melancholy of a mother longing for her son. I also examine the question of whether “authenticity” and a “positive sense of female identity” truly exist in her work or not.


2018 ◽  
Vol 11 (2) ◽  
pp. 173-185
Author(s):  
Jesse Aberbach

This article considers how the children's books written by two nineteenth-century female writers, Eliza Tabor and Mary Martha Sherwood, when they accompanied their husbands to India, enabled them to navigate this new environment and their position as respectable middle-class women while revealing how India was deemed a place where British childhood was impossible. Just as many women took up botanical study to legitimise their ‘otherwise transgressive presence in imperial spaces’ (McEwan 219), writing for children enabled others to engage with the masculine world of travelling and earning money without compromising their femininity. Addressing their work to children also seems to have helped both writers to deal with the absence of their own children: the Indian climate made it impossibly challenging for most British infants and children. In this way their writing gives expression to what might be termed a crisis of imperial motherhood. Underlying the texts is an anxiety relating to British settlement and an attempt to comprehend and control a place that threatened their maternal roles.


2018 ◽  
Vol 28 (7) ◽  
pp. 2301-2308
Author(s):  
Fatime Liman ◽  
Mahmut Celik ◽  
Imer Yusufi

It is almost impossible to get some relevant results from researches on the topic- works of the Turkish female writers and Turkish female poets in Republic of Macedonia yet not considering the social and political circumstances that ocured in SFRJ, The Balcan Peninsula and all the countries under the Ottoman Empire reign. Before getting to topic, what is ,the works of the Turkish female writers and the Turkish female poets in Macedonia we would like to impose a retrospective of the social and political circumstances in the Balcan Peninsula and circumstances and events in Macedonia.We shall give a retrospective of some different time periods such as: before the Ottomans reign,during their reign and the period after their reign.The educational process and the Turkish sign will undouptly influence the Literature.Epmhases will be put on the literature of the Turks from Macedonia,and the circumstances on which that literature was able to survive in various conditions and quality.Therefore some Turkish female writers and poets will be presented from which in more detail-Melahat Engullu,Tulay Ibrahim,Leyla Husein,Meral Kayin and Rabiya Rusid.Some main themes from their works will also be presented.


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