A Personal Account of the History of Devcom: Beginning in 1964

Author(s):  
John A. Lent
Keyword(s):  
2014 ◽  
Vol 86 (1) ◽  
pp. 3-11 ◽  
Author(s):  
Daishi Fujita

Abstract One-to-one capture and confinement of a molecule within a finely designed synthetic scaffold is a highly topical field of research that aims to control the functions, properties, and stabilities of trapped molecules. In this account, a brief history of molecular encapsulation, for the design and synthesis of suitable molecular cages for large molecules, summarizes the daunting synthetic challenge associated with increasing molecular weight, and the attendant challenge to encapsulate macromolecules like proteins by synthetic hosts. Recent approaches toward the overall objective of large molecular encapsulation are discussed, and a personal account is given of the design and assembly of an advanced scaffolding system, which offers the promise of unprecedented progress toward this goal.


2015 ◽  
Vol 14 (2) ◽  
pp. 217
Author(s):  
Pankratius Husein ◽  
Asep Purnama ◽  
Raasdiana Rovigis

Pankratius Husein outlines basic information on the HIV virus and AIDS illness, what medication is available, preventative strategies, and healthy lifestyle. Asep Purnama continues with a personal account of how he became interested in HIV and AIDS since a medical student, and the history of the struggle to correct attitudes among medical staff in Maumere as well as in the general population. This includes the story of the establishment of the Voluntary Testing and Counselling Clinic at the District Hospital in Maumere. Rasdiana Rovigis details the formation and activities of the local support group among HIV carriers. Kata-kata kunci: HIV, AIDS, informasi, penanganan, stigmatisasi, support, group.


Universe ◽  
2021 ◽  
Vol 7 (11) ◽  
pp. 432
Author(s):  
Paula Chadwick

This paper provides a brief, personal account of the development of ground-based gamma-ray astronomy, primarily over the last 35 years, with some digressions into the earlier history of the field. Ideas related to the imaging of Cherenkov events and the potential for the use of arrays were in existence for some time before the technical expertise required for their exploitation emerged. There has been occasional controversy, great creativity and some heroic determination—all of it part of establishing a new window into the universe.


2018 ◽  
Vol 24 (3) ◽  
pp. 358-367
Author(s):  
Elke Murdock

There was a brief overlap between Gustav Jahoda’s path towards the end of his academic (pre-emeritus) career and my own as a student at the Saarland University – a prominent place in the development of cultural psychology. This article highlights some of Jahoda’s fruitful collaborations with Saarbruecken colleagues on the history of (cross-) cultural psychology as well as definitions of perspectives within the field. Gustav Jahoda has also inspired me to pursue the field of cross-cultural psychology and a personal account of this journey will be provided leading to some general observations about Gustav Jahoda’s legacy from a mature student’s perspective.


2004 ◽  
Vol 22 (2) ◽  
pp. 101-138
Author(s):  
Robert Cohan

The memoirs which follow, resulted from three extensive interviews (on 22 and 23 May 2004 in Nîmes, France, and on 23 July 2004 in London); the transcripts were then edited and submitted to Mr Cohan for amendment and approval. The text that follows is a full encapsulation of what was said, apart from a lengthy excursus on orientalism in Miss Graham's work and a shorter one on improvisation in dance. This is a personal account, not a connected history of Mr Cohan's activities: many episodes from a long and varied life in dance were not encompassed in the interviews, notably the dance company Robert Cohan formed after he left the Graham Company for the first time and the work in Broadway musicals that he also undertook at this stage of his performing career. The commentary on the Graham repertory and that of London Contemporary Dance Theatre (LCDT) is also indicative rather than exhaustive. Robert Cohan is aware of major episodes from the Graham years – such as the first Asian Tour – that form no part of this account. Similarly, he does not seek to retrace the ground so amply covered in the history of London Contemporary Dance Theatre. On the other hand, some of the subjects that did come up, have been discussed before – usually with some differences of emphasis or detail. But it is worth recalling in this regard that memory can exercise a refining and a condensing, as well, sometimes, as a distorting influence. In establishing the ‘truth’ about any matter it is as useful to have several accounts by the same witness as it is to have one account by several witnesses – just as in an epistolary novel by Richardson, an event looked at and described by the same person several times or by a number of different people, can produce a richer version of ‘reality’ than a single ‘definitive’ statement. Although every attempt has been made to rectify errors of minor detail, the decision has been taken not to provide any scholarly notes to the text. This contribution to the journal is best received as a primary historical document. Those seeking a chronological account of the events mentioned in the text, or further guidance on matters of detail, are referred to the standard works.


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