Influence of temperament on visual distortion of a simple geometrical figure

2010 ◽  
Vol 77 (3) ◽  
pp. 280-280 ◽  
Author(s):  
E.S. Fedorova ◽  
L.N. Medvedev
Keyword(s):  
Geometrical Figure ◽  
Visual Distortion

Multi-dimensional Visualisation of Laboratory Findings and Functional Test Results for Analysing the Clinical Course of Disease in Medicine

1995 ◽  
Vol 34 (03) ◽  
pp. 302-308 ◽  
Author(s):  
C. J. Luz ◽  
W. Giere ◽  
R. Lüdecke ◽  
D. Jonas ◽  
A. J. W. Goldschmidt
Keyword(s):  
Clinical Course ◽  
Test Results ◽  
Geometrical Figure ◽  
Laboratory Findings ◽  
Course Of Disease ◽  
Quantitative Examination ◽  
Ward Rounds ◽  
Patient’S History ◽  
Graphical Primitive ◽  
Computerized Medical Record

Abstract:The illustration of a patient’s history by a graphical primitive is discussed. Illustration technology is presented which simultaneously represents quantitative examination findings (e. g., laboratory values) and qualitative findings (e. g., from function diagnostics) by a single geometrical figure. Depending on the medical results, this figure takes on characteristic forms which can be identified as patterns typical for a specific disease. The procedure developed is integrated in a user interface which is implemented in the form of a computerized medical record for use on a pentop computer. This portable computer assists the physician during ward rounds, supplies additional, intelligence-based information, serves quality control, and streamlines working procedures making them more efficient.

A visual distortion detection method for textile cloth

2021 ◽  
Author(s):  
Zhu Xiao ◽  
Liu Zi Xiao ◽  
Zhang Xin ◽  
Li Ming
Keyword(s):  
Detection Method ◽  
Visual Distortion

scholarly journals Het labyrint in de letterkunde: Van de Barok tot het Postmodernisme

Literator ◽  
2001 ◽  
Vol 22 (1) ◽  
pp. 9-26
Author(s):  
H. Ester
Keyword(s):  
Middle Ages ◽  
Ancient Greece ◽  
The Other ◽  
Search For Meaning ◽  
Geometrical Figure ◽  
Garden Path ◽  
The World ◽  
History Of ◽  
Year 2000 ◽  
Significant Structure

The labyrinth in literature: From Baroque to Postmodernism The labyrinth has proved to be an essential symbol of postmodernist literature and the philosophy of our time. This symbol has apparently had the power to bridge the centuries between Ancient Greece and the year 2000. In reality the labyrinth as a geometrical figure has acquired various meanings in the course of time. The history of the labyrinth as symbol shows that the constant elements are as essential as the changes in meaning from the Middle Ages until the present day. Two of the new symbolic elements that accompany the labyrinth on its way through various cultural periods are the garden and the path of life. During the Baroque the labyrinth, for example, represented the synthesis of garden, path and maze. At the end of the twentieth century the labyrinth once more becomes a dominant and significant structure. The labyrinth reflects the inability and perhaps impossibility to find the key to the centre of the world and to discover the truth behind the words we use. On the other hand, the labyrinth suggests that the search for meaning and truth is an aim in itself or even that this search can lead to new forms of wisdom. The labyrinth therefore is an ambivalent and fascinating symbol of our time. Dedalus and Ariadne, however, have not yet brought the salvation we are waiting for.

CREATIVE PROBLEM POSING IN GEOMETRY: THE ROLE OF GEOMETRICAL FIGURE APPREHENSION

2021 ◽  
Author(s):  
Panagiotis Gridos ◽  
Evgenios Avgerinos ◽  
Joanna Mamona-Downs ◽  
Roza Vlachou
Keyword(s):  
Problem Posing ◽  
Geometrical Figure ◽  
Creative Problem

Imagination and Mathematics

2019 ◽  
pp. 129-146
Author(s):  
Dmitri Nikulin
Keyword(s):  
Sense Perception ◽  
Geometrical Object ◽  
Geometrical Figure ◽  
Logical Definition ◽  
And Mathematics ◽  
Different Levels

Chapter 8 considers the role of the imagination as it appears in Proclus’ commentary on Euclid, where mathematical or geometrical objects are taken to mediate, both ontologically and cognitively, between thinkable and physical things. With the former, mathematical things share the permanence and consistency of their properties; with the latter, they share divisibility and the possibility of being multiplied. Hence, a geometrical figure exists simultaneously on four different levels: as a noetic concept in the intellect; as a logical definition, or logos, in discursive reasoning; as an imaginary perfect figure in the imagination; and as a physical imitation or representation in sense-perception. Imagination, then, can be equated with the intelligible or geometrical matter that constitutes the medium in which a geometrical object can be constructed, represented, and studied.

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