scholarly journals On the fine regularity of the singular set in the nonlinear obstacle problem

2022 ◽  
Vol 218 ◽  
pp. 112770
Author(s):  
Ovidiu Savin ◽  
Hui Yu
Author(s):  
Agnid Banerjee ◽  
Donatella Danielli ◽  
Nicola Garofalo ◽  
Arshak Petrosyan

AbstractWe study the singular set in the thin obstacle problem for degenerate parabolic equations with weight $$|y|^a$$ | y | a for $$a \in (-1,1)$$ a ∈ ( - 1 , 1 ) . Such problem arises as the local extension of the obstacle problem for the fractional heat operator $$(\partial _t - \Delta _x)^s$$ ( ∂ t - Δ x ) s for $$s \in (0,1)$$ s ∈ ( 0 , 1 ) . Our main result establishes the complete structure and regularity of the singular set of the free boundary. To achieve it, we prove Almgren-Poon, Weiss, and Monneau type monotonicity formulas which generalize those for the case of the heat equation ($$a=0$$ a = 0 ).


2021 ◽  
Vol 10 (1) ◽  
pp. 1316-1327
Author(s):  
Ali Hyder ◽  
Wen Yang

Abstract We analyze stable weak solutions to the fractional Geľfand problem ( − Δ ) s u = e u i n Ω ⊂ R n . $$\begin{array}{} \displaystyle (-{\it\Delta})^su = e^u\quad\mathrm{in}\quad {\it\Omega}\subset\mathbb{R}^n. \end{array}$$ We prove that the dimension of the singular set is at most n − 10s.


2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Matteo Focardi ◽  
Emanuele Spadaro

AbstractBuilding upon the recent results in [M. Focardi and E. Spadaro, On the measure and the structure of the free boundary of the lower-dimensional obstacle problem, Arch. Ration. Mech. Anal. 230 2018, 1, 125–184] we provide a thorough description of the free boundary for the solutions to the fractional obstacle problem in {\mathbb{R}^{n+1}} with obstacle function φ (suitably smooth and decaying fast at infinity) up to sets of null {{\mathcal{H}}^{n-1}} measure. In particular, if φ is analytic, the problem reduces to the zero obstacle case dealt with in [M. Focardi and E. Spadaro, On the measure and the structure of the free boundary of the lower-dimensional obstacle problem, Arch. Ration. Mech. Anal. 230 2018, 1, 125–184] and therefore we retrieve the same results:(i)local finiteness of the {(n-1)}-dimensional Minkowski content of the free boundary (and thus of its Hausdorff measure),(ii){{\mathcal{H}}^{n-1}}-rectifiability of the free boundary,(iii)classification of the frequencies and of the blowups up to a set of Hausdorff dimension at most {(n-2)} in the free boundary.Instead, if {\varphi\in C^{k+1}(\mathbb{R}^{n})}, {k\geq 2}, similar results hold only for distinguished subsets of points in the free boundary where the order of contact of the solution with the obstacle function φ is less than {k+1}.


2019 ◽  
Vol 7 (1) ◽  
pp. 179-196
Author(s):  
Anders Björn ◽  
Daniel Hansevi

Abstract The theory of boundary regularity for p-harmonic functions is extended to unbounded open sets in complete metric spaces with a doubling measure supporting a p-Poincaré inequality, 1 < p < ∞. The barrier classification of regular boundary points is established, and it is shown that regularity is a local property of the boundary. We also obtain boundary regularity results for solutions of the obstacle problem on open sets, and characterize regularity further in several other ways.


Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 128
Author(s):  
Carles Sánchez Márquez

Since the late 19th century the wall paintings of Sant Miquel in Terrassa have drawn attention due to their singularity. From the early studies of Josep Puig i Cadafalch (1867–1956) to the present, both the iconographic program and the chronology of the paintings have fueled controversy among scholars. In particular, chronological estimates range from the time of Early Christian Art to the Carolingian period. However, a recent technical study of the paintings seems to confirm an early date around the 6th century. This new data allows us to reassess the question in other terms and explore a new possible context for the paintings. First, it is very likely that the choice of iconographic topics was related to the debates on the Arian heresy that took place in Visigothic Spain during the 5th and 6th centuries. Secondly, the paintings of Sant Miquel should be reconsidered as a possible reception of a larger 6th-century pictorial tradition linked to the Eastern Mediterranean, which is used in a very particular way. However, thus far we ignore which were the means for this artistic transmission as well as the reasons which led the “doers” of Terrassa to select such a peculiar and unique repertoire of topics, motifs, and inscriptions. My paper addresses all these questions in order to propose a new Mediterranean framework for the making of this singular set of paintings.


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