Nonstate Internationalism: From Claude McKay to Arundhati Roy

Keyword(s):  
2018 ◽  
Vol 10 (2) ◽  
pp. 151-159
Author(s):  
Anjali Singh

According to the social activist and renowned author Arundhati Roy, almost 30 million people have been displaced since 1990 due to dam and development projects undertaken by the Indian government. The new economic reform policies have triggered a massive movement of landless workers towards nearby towns and suburbs resulting in the mushrooming of slums on the outskirts of metropolitan cities with an intimidating promptness. The present dismal scenario proves the fact that the global India is heading towards a clean cleavage. There is an ongoing parallel life on the outskirts of the thriving city as in the middle of it. The thrust of this article is to deliberate on the growing discontent among the marginalized women as represented by themselves and understand the nuances of living on the periphery. They have reiterated their demands for Jal (water), Jungle (Forest) and Zameen (Land) with renewed vigour and lash out at the anti-people policies with double ferocity. The new crop of Dalit and tribal women writers have put their foot down and refused to accept the dark holes as home. They have expressed themselves through the genre of poetry and commented on the inhuman living conditions they are subjected to. Hence, under the light of given circumstances, this article endeavours to engage with the selected works of post-1990s Hindi Dalit women poets and study the rise of political consciousness in their literary representations. The selected works have autobiographical element or ‘testimonies’ as described by Arun Prabha Mukherjee adding depth to the poems. The trauma of leaving one’s village comes alive in the following lines from the poem Humne Chode Diye Hai Gaon (We Have Left Our Villages) by Poonam Tushamed (2017b), ‘We Have left our villages/and left behind that well, pond, temple and chaupal’.


1987 ◽  
Vol 74 (3) ◽  
pp. 1083 ◽  
Author(s):  
Judith Stein ◽  
Wayne F. Cooper

Lateral ◽  
2016 ◽  
Vol 5 (1) ◽  
Author(s):  
Anne Donlon

Anne Donlon delves into the history of the British Left after World War I to assert the significance of the Black and feminist interventions of Claude McKay and Sylvia Pankhurst. Donlon centers the publication of “A Black Man Replies,” McKay’s letter to the editor published in Pankhurst’s newspaper The Worker’s Dreadnought, against white supremacist logics mobilized by prominent 1920s leftists that contributed to the reestablishment of policing of and violence against black men. Donlon’s archival discoveries weave together biography, material cultural analysis, and histories of trans-Atlantic activism, and, in the process, reveal the labor of building radical intersectional solidarity that came before and followed the moment of “A Black Man Replies.”


Kandai ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 257
Author(s):  
M. Oktavia Vidiyanti

Penelitian ini bertujuan untuk mengungkap dan mendeskripsikan formasi ideologi dalam novel terjemahan Yang Maha Kecil karya Arundhati Roy,serta melihat hubungannya dengan ideologi pengarang dengan menggunakan kajian teori hegemoni yang digagas Antonio Gramsci. Tinjauan teori hegemoni Gramsci dalam penelitian ini melihat praktik hegemoni ideologi dalam Yang Maha Kecil melalui negosiasi ideologi yang dilakukan pengarang sebagai aparatur hegemoni. Metode yang digunakan adalah metode kualitatif melalui pendekatan deskriptif dan pemahaman arti secara mendalam. Penelitian ini menghasilkan temuan berupa teridentifikasinya sejumlah ideologi, yaitu ideologi (1) ultraortodoks (2) komunis, (3) anglofilia, (4) rasialisme, dan (5) patriarki. Adapun ideologi yang dinegosiasi ditunjukkan oleh ideologi komunisme dan ultraortodoks. Simpulan dari penelitian ini adalah adanya pertentangan dalam cara pandang pengarang tentang ideologi komunis dan ultraortodoks yang dinegosiasikan. Dalam hal ini, pengarang melihat bahwa ideologi komunis maupun ideologi ultraortodoks (agama) yang mengajarkan kesetaraan manusia secara sosial maupun di mata Tuhan, ternyata sama sekali tidak mengubah sistem pembedaan manusia.


2018 ◽  
Vol 9 (4) ◽  
pp. 138
Author(s):  
Md. Abdul Momen Sarker ◽  
Md. Mominur Rahman

Suzanna Arundhati Roy is a post-modern sub-continental writer famous for her first novel The God of Small Things. This novel tells us the story of Ammu who is the mother of Rahel and Estha. Through the story of Ammu, the novel depicts the socio-political condition of Kerala from the late 1960s and early 1990s. The novel is about Indian culture and Hinduism is the main religion of India. One of the protagonists of this novel, Velutha, is from a low-caste community representing the dalit caste. Apart from those, between the late 1960s and early 1990s, a lot of movements took place in the history of Kerala. The Naxalites Movement is imperative amid them. Kerala is the place where communism was established for the first time in the history of the world through democratic election. Some vital issues of feminism have been brought into focus through the portrayal of the character, Ammu. In a word, this paper tends to show how Arundhati Roy has successfully manifested the multifarious as well as simultaneous influences of politics in the context of history and how those affected the lives of the marginalized. Overall, it would minutely show how historical incidents and political ups and downs go hand in hand during the political upheavals of a state.


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