scholarly journals Reading social change on a potter's wheel: Chalcis (Euboea) from the Byzantine to the Modern Greek era

2021 ◽  
pp. 1-23
Author(s):  
Nikos D. Kontogiannis ◽  
Stefania S. Skartsis

In this article, the socio-economic and cultural identity of Chalcis is traced through, and combined with, the story of its material culture and, in particular, of its impressive pottery production and consumption. Through this lens, the historical conditions and daily life over more than ten centuries (from the ninth to the early twentieth century) of this relatively unknown provincial town are closely examined. This makes it possible to detect one field in which local communities reacted to, adjusted to, took advantage of, survived or sometimes succumbed to the wider turmoil of the Byzantine, Ottoman and Modern Greek eras.

Author(s):  
Vike Martina Plock

By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted fashion’s ability to provide resources for creative image construction but she simultaneously expressed criticism of its tendency to standardize female costumes and behaviour. Ultimately, Rhys demonstrates in her fiction that the radically modern couture of the early twentieth century was by no means the maker of social change and women’s political modernity. To offset the increased standardization of female images that she witnessed around her, Rhys created heroines and texts that relied on an overt display on difference.  


2012 ◽  
Vol 120 (1) ◽  
pp. 39-82 ◽  
Author(s):  
Seth Koven

This essay examines an early twentieth-century Christian revolutionary habitus—a “technique of Christian living”—based on the conviction that everyday life was an essential site for reconciling the claims of individual and community, the material and the spiritual. The pacifist-feminist members of London’s first “people’s house,” Kingsley Hall, linked their vision of Jesus’s inclusive and unbounded love for humanity to their belief in the ethical imperative that all people take full moral responsibility for cleaning up their own dirt as part of their utopian program to bring social, economic, and political justice to the outcast in London, Britain, and its empire. In imagining what a reconstructed post-World War I Britain might become, Kingsley Hall’s cross-class band of workers used mundane practices to unmake and remake the late-Victorian and Edwardian philanthropic legacy they inherited.


Author(s):  
Jenny Tone-Pah-Hote

During the early twentieth century, Kiowa people expertly deployed material culture as symbols of themselves as a people. Beadwork specifically illustrated the significance of kinship and is use and exchange among people, which constructed family relationships and a sense of belongingness. Beadwork and other expressive forms were highlighted in the American Indian Exposition, a fair, and an event, which provided a venue of public display that encouraged intertribal competition. The chapter also examines the representation of young women as American Indian Exposition princesses.


2020 ◽  
pp. 1-36
Author(s):  
Eduardo Williams

Abstract This article deals with the cultural activities linked to subsistence in aquatic environments (fishing, hunting, gathering, and manufacture) in Michoacán from ca. a.d. 1540 to the present. First, I present an ethnohistorical account of aquatic landscapes and resources based on the major written sources from the sixteenth to the nineteenth centuries. Second, I discuss the extant ethnographic information about subsistence activities in the Lake Pátzcuaro Basin (Michoacán) during the twentieth century. Finally, I discuss the archaeological implications of all the information presented here, through an ethnoarchaeological analysis of the subsistence strategies and the material culture associated with the aquatic lifeway in the study area. The main goal of this study is to provide bridging arguments for the reconstruction and interpretation (through analogy) of the archaeological assemblages associated with production and consumption activities in aquatic landscapes within the Tarascan region and elsewhere in Mesoamerica.


2017 ◽  
Vol 86 (4) ◽  
pp. 632-660 ◽  
Author(s):  
Anne Rees

Australian women travelers in early twentieth-century New York often recoiled from the frenetic pace of the city, which surpassed anything encountered in either Britain or Australia. This article employs their travel accounts to lend support to the growing recognition that modernity took different forms throughout the world and to contribute to the project of mapping those differences. I argue that “hustle” was a defining feature of the New York modern, comparatively little evident in Australia, and I propose that the southern continent had developed a model of modern life that privileged pleasure-seeking above productivity. At a deeper level, this line of thinking suggests that modernization should not be conflated with the relentless acceleration of daily life; it thus complicates the ingrained assumption that speed and modernity go hand-in-hand.


1994 ◽  
Vol 21 ◽  
pp. 191-217 ◽  
Author(s):  
David Newbury

Chronology used to be an object of great interest among African historians because it was seen as essential to history, it provided exactitude where so much else was analytic, and it was such a difficult feature to handle in oral accounts. More recently, historical analysis has been concerned more with processes and periods than with defined events and dates. Although deemed to be useful when available, precise chronology is now seen as less essential to historical reconstruction; it is accepted that chronologies are subject to interpretation and debate, and that these debates themselves illuminate the way in which local communities reconstruct—and historians understand—history.This paper addresses such issues of debate, contestation, and negotiation—that is, it explores the nature of intellectual hegemony—but it does so across cultural boundaries. It thus illustrates a fundamental contradiction in the manner by which historians have treated cultural units defined as distinct: while as independent polities they have been assumed to be culturally autonomous, source material from one is often drawn on to fill in the gaps of others. This procedure was especially common where there were powerful kingdoms whose political boundaries were assumed to be rigid and inviolate. The states of the western Interlacustrine area, each believed to be ruled by an established dynastic line whose origins reached far back into antiquity, provide an exemplary illustration of this process.By the early twentieth century, at the time of European conquest, Rwanda was one of the most powerful of these states, having either conquered and absorbed, or at least dominated, many of the distinct kingdoms with which it formerly competed.


Anthropos ◽  
2019 ◽  
Vol 114 (2) ◽  
pp. 495-514
Author(s):  
Inbal Livne

This article focuses on the Tibetan collections of the National Museum of Scotland, which were formed by colonial agents from the mid-nineteenth to early twentieth century. The meanings and values given to Tibetan material culture in the British colonial context was often predicated on modes of categorisation, whereby objects could be denoted as “artistic,” “ethnographic,” “religious” or as symbols authenticating personal experience and family ties. This article examines how these categories, and the values given to them by collectors, can be used to unpack a complex series of relationships between objects and people in the context of British-Indian colonial society.


Sign in / Sign up

Export Citation Format

Share Document