scholarly journals Purposiveness, Intelligibility and Kant's Scepticism: Reconsidering Ng's Account of Hegel's Response to Kant

2021 ◽  
pp. 1-14
Author(s):  
Karen Koch

Hegel's integration of the concept of Life in the Logic has long been disputed and rejected by many scholars. The most common objection was that it seemed counterintuitive to integrate an empirical phenomenon such as Life into a Logic that, in fact, ought to present an immanent development of pure concepts. Hegel was often accused of bringing empirical considerations into his Logic in order to develop his logical account of Life. Consequently, there has been a great discussion about the question as to whether a Logic is an appropriate place for this concept—a discussion that did not occur with respect to other categories in Hegel's Logic. Now, in contemporary literature on Hegel, there is a surge of genuine interest in Hegel's logical account of Life, accompanied by the insight that the concept of Life plays an important and indispensable role in Hegel's philosophy. However, what this role is precisely is a controversial issue.

2014 ◽  
Vol 4 (1) ◽  
pp. 43-54
Author(s):  
Jowita Gromysz

Summary Disease in the family is a literary motif used by many authors. The article contains a description of various ways of representing the disease in contemporary texts for young children. Pedagogical context of reading literary narratives refers to the way the rider repons to the text ( relevance to the age of the reader, therapeutic and educational function). The analyzed texts concern hospitalization, disability of siblings, parent’s cancer. There always relate to the family environment and show the changeability of roles and functions in family.


2015 ◽  
Vol 60 (2) ◽  
pp. 49-65
Author(s):  
Christian Grüny

Die musikalische Hermeneutik ist ein umstrittenes Unternehmen, das heute vor allem für eine historisch-kulturwissenschaftliche Analyse musikalischer Bedeutungen steht. Daneben besteht aber eine wilde Alltagshermeneutik, in der das Verstehen mit dem alltäglichen Umgang mit Musik verwoben ist. Meg Stuarts Tanzstück Built to last wird gelesen als Reflexion auf diese Alltagshermeneutik. Es wendet Stuarts Technik der Erforschung und Verfremdung von Ausdrucksbewegung auf die Bewegung der und zur Musik an, und sein dezidiert »falscher« Umgang mit der klassischen Musik lässt mehr über deren Gegenwart erkennen als ein formalerer, »richtiger« Ansatz. <br><br>Musical hermeneutics is a controversial issue. Today it is primarily associated with historical research into musical meanings in the context of cultural studies. Besides this, there is an everyday hermeneutics where understanding is inextricably linked to the daily use of music. Meg Stuart’s dance piece Built to last is interpreted as a reflection of this everyday hermeneutics. It applies Stuart’s technique of researching and distorting expressive movement to the movement of and to music, and its decidedly “wrong” way of doing this reveals more about classical music’s presence than a more formal, “right” approach.


2020 ◽  
pp. 446-460
Author(s):  
Nadezhda N. Starikova ◽  

In 1920, the native Slovenian lands of southern Carinthia were included into the Austrian Republic, and the Slovenian population fell under the jurisdiction of the state, the official language of which was German. Under these conditions, literature in the native language became an important factor in the resistance against assimilation for the Carinthian Slovenes. However, decades later, the national protective function of the artistic word gradually came to naught. The contemporary literature of the Slovenian minority in Austria is a special phenomenon combining national and polycultural components and having two cultural and historical contexts, two identities - Slovenian and Austro-German. In aesthetic, thematic, linguistic terms, this literature is so diverse that it no longer fits into a literature of a national minority, and can no longer be automatically assigned to only one of the two literatures - Slovenian or Austrian. A variety of works, including proper Slovenian texts, hybrid bilingual forms, and compositions in German, of course, requires a new research methodology that would expand existing approaches and could cover the literary practice of those who create a panorama of Carinthian reality, which is in demand both in Slovenia and in Austria.


2020 ◽  
Author(s):  
Marie Blaise ◽  
Małgorzata Sokołowicz ◽  
Sylvie Triaire

This volume, the result of a conference held in Warsaw in December 2019 as a part of a Franco-Polish research project on crises in literature, focuses on the relationships that the literature maintains with other fields of knowledge. These relationships, made up of sharing, collaboration or tension, were primarily theorized in the 19th century when the founding "disciplines" of our universities and research practices were established, but they had existed before. The texts presented in this volume allow us to verify this, from the Renaissance period to contemporary literature. They deal with historical circumstances and aesthetic changes in the course of which literature has forged links with religious or historical thought and discourse, accompanied the emergence of sociology or ethnography, and prepared new disciplines, such as demography. And it has always reinvested this new knowledge with a humanist and poetic dimension. Does the literature crisis lay in its capacity for reinvestment of what seems to escape from it and aiming at autonomy?


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