Between fasting and feasting: the literary and archaeobotanical evidence for monastic diet in Late Antique Egypt

Antiquity ◽  
2001 ◽  
Vol 75 (290) ◽  
pp. 758-768 ◽  
Author(s):  
Mary Harlow ◽  
Wendy Smith

Fasting was an important element of early Christian behaviour in Egypt. In spite of a wealth of Late Antique monastic sources describing acts of fasting, the reality must be that food was consumed at regular intervals. To date, discussion of monastic dietary practice has been largely a historical debate. Although we do not discount this approach and will use it ourselves, this paper departs from this academic tradition by incorporating new archaeobotanical evidence from the recent excavations of the 5th–7th-century AD monastery at Kom el-Nana. Middle Egypt into the study of monastic diet. It is our belief that the use of independent forms of evidence (in this case written sources on attitudes to fasting and archaeobotanical evidence) is the best way forward to answering fundamental questions about what monastic diet was like in Late Antique Egypt.

2012 ◽  
Vol 41 (2) ◽  
pp. 22-27
Author(s):  
Sissel Undheim

The description of Christ as a virgin, 'Christus virgo', does occur at rare occasions in Early Christian and late antique texts. Considering that 'virgo' was a term that most commonly described the sexual and moral status of a member of the female sex, such representations of Christ as a virgin may exemplify some of the complex negotiations over gender, salvation, sanctity and Christology that we find in the writings of the Church fathers. The article provides some suggestions as to how we can understand the notion of the virgin Christ within the context of early Christian and late antique theological debates on the one hand, and in light of the growing interest in sacred virginity on the other.


2020 ◽  

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions brings together thirteen scholars of late-antique, medieval, and renaissance traditions who discuss magic, religious experience, ritual, and witch-beliefs with the aim of reflecting on the relationship between man and the supernatural. The content of the volume is intriguingly diverse and includes late antique traditions covering erotic love magic, Hellenistic-Egyptian astrology, apotropaic rituals, early Christian amulets, and astrological amulets; medieval traditions focusing on the relationships between magic and disbelief, pagan magic and Christian culture, as well as witchcraft and magic in Britain, Scandinavian sympathetic graphophagy, superstition in sermon literature; and finally Renaissance traditions revolving around Agrippan magic, witchcraft in Shakespeare’s Macbeth, and a Biblical toponym related to the Friulan Benandanti’s visionary experiences. These varied topics reflect the multifaceted ways through which men aimed to establish relationships with the supernatural in diverse cultural traditions, and for different purposes, between Late Antiquity and the Renaissance. These ways eventually contributed to shaping the civilizations of the supernatural or those peculiar patterns which helped men look at themselves through the mirror of their own amazement of being in this world.


AJS Review ◽  
2021 ◽  
Vol 45 (1) ◽  
pp. 76-94
Author(s):  
Reuven Kiperwasser

This study is a comparative reading of two distinct narrative traditions with remarkably similar features of plot and content. The first tradition is from the Palestinian midrash Kohelet Rabbah, datable to the fifth to sixth centuries. The second is from John Moschos's Spiritual Meadow (Pratum spirituale), which is very close to Kohelet Rabbah in time and place. Although quite similar, the two narratives differ in certain respects. Pioneers of modern Judaic studies such as Samuel Krauss and Louis Ginzberg had been interested in the question of the relationships between early Christian authors and the rabbis; however, the relationships between John Moschos and Palestinian rabbinic writings have never been systematically treated (aside from one enlightening study by Hillel Newman). Here, in this case study, I ask comparative questions: Did Kohelet Rabbah borrow the tradition from Christian lore; or was the church author impressed by the teachings of Kohelet Rabbah? Alternatively, perhaps, might both have learned the shared story from a common continuum of local narrative tradition? Beyond these questions about literary dependence, I seek to understand the shared narrative in its cultural context.


Zograf ◽  
2015 ◽  
pp. 1-10
Author(s):  
Olga Spehar

Explanation of the purpose of early Christian martyria as places of collective memory is a complex of many different circumstances and meanings and must be observed in accordance. First of all, martyria are architectural monuments dedicated to the martyrs, historical evidences of the martyrial death of those who suffered for Christ - this is a simple explanation of their real meaning. Yet, their social role is even more important than their historical role - martyria continuously transferred an idea of Salvation among the people, becoming thus the places of collective memory. But what happen when the martyr?s relics are ?usurped? by one wealthy family? This paper aim to shed some light on what could have been the real purpose of one such example, the martyrium attached to the basilica on the necropolis in Jagodin Mala in Naissus (modern Nis).


2021 ◽  
Vol 58 (2) ◽  
pp. 105-124
Author(s):  
Larisa Orlov Vilimonović

This paper deals with the ideas of queer experiences in the Early Christian movement, seen through early Christian epistemologies of gender and patristic thought focused on sex differences. The lives and passions of transgender nuns are used in discussing various aspects of gender fluidity in early Christianity. Theoretically, the paper rests on the idea of the performativity of gender, that is, on the ways gender was constructed and how body modifications enabled renegotiation of gender categories. It also focuses on the social context of queer experiences in the late antique period with regard to Roman social norms.


Author(s):  
Krzysztof Babraj ◽  

The author explores the interpretation of the Greek letter tau on the robe of Christ represented on the 4th-century apsidal mosaic in the church of Santa Pudenziana in Rome, as well as the sign of the Ogdoad that Christ makes with his fingers. He discusses the ancient written sources for the symbolic meaning of the letter, as well as the letters iota and gamma, also found in similar early Christian contexts, as well as the iconographic evidence for the use of the letter tau, seen as a cross in shape, in glyptics, amulets, inscriptions and relief sculpture on sarcophagi, among others. In the context of the Santa Pudenziana mosaic, the presence of the letter is significant for the interpretation of the representation as symbolizing the redemption of man through the Passion of the Lord. The sign of the Ogdoad should be seen as evocation of the universal nature of the resurrection of Christ for all mankind, making the presence of the tau on Christ’s robes in this representation entirely comprehensible.


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