Editing entomology: natural-history periodicals and the shaping of scientific communities in nineteenth-century Britain

2019 ◽  
Vol 52 (3) ◽  
pp. 405-423 ◽  
Author(s):  
MATTHEW WALE
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Life Sciences ◽  
Time Frame ◽  
Turn Of The Century ◽  
Scientific Communities ◽  
Scientific Authority ◽  
Complex Processes ◽  
Recent Scholarship ◽  
Professional Practitioners

AbstractThis article addresses the issue of professionalization in the life sciences during the second half of the nineteenth century through a survey of British entomological periodicals. It is generally accepted that this period saw the rise of professional practitioners and the emergence of biology (as opposed to the older mode of natural history). However, recent scholarship has increasingly shown that this narrative elides the more complex processes at work in shaping scientific communities from the 1850s to the turn of the century. This article adds to such scholarship by examining the ways in which the editors of four entomological periodicals from across this time frame attempted to shape the communities of their readership, and in particular focuses upon the apparent divide between ‘mere collectors’ and ‘entomologists’ as expressed within these journals. Crucially, the article argues that non-professional practitioners were active in defining their own distinct identities and thereby claiming scientific authority. Alongside the periodicals, the article makes use of the correspondence archive of the entomologist and periodical editor Henry Tibbats Stainton (1822–1892), which has hitherto not been subject to sustained analysis by historians.

Natural history and the philosophical societies of late Victorian Yorkshire

2003 ◽  
Vol 30 (2) ◽  
pp. 342-358 ◽  
Author(s):  
Samuel J. M. M. Alberti
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Middle Class ◽  
Voluntary Associations ◽  
Turn Of The Century ◽  
Middle Classes ◽  
Natural Knowledge ◽  
Cultural Life

Natural history, so popular a pursuit in nineteenth-century Britain, was a thriving part of the activities of the literary and philosophical societies that epitomized urban middle-class cultural life. The “lit and phils” are most famous for their museums, but this paper outlines the range of other activities pertaining to natural knowledge that went on within their walls, focusing on the thriving societies in England's largest county, Yorkshire. Foremost among these were regular lectures: this paper discusses the speakers, audience and content, as well as the significance of the architecture of the halls in which they were staged. More exclusive meetings and didactic classes are also examined, as well as their (often extensive) libraries. After a brief examination of the purported decline of the philosophical societies around the turn of the century, a conclusion outlines the importance of science within these voluntary associations both to the provincial middle classes and the emerging professional men of science.

scholarly journals Illustrating natural history: images, periodicals, and the making of nineteenth-century scientific communities

2018 ◽  
Vol 51 (3) ◽  
pp. 395-422 ◽  
Author(s):  
GEOFFREY BELKNAP
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Scientific Practice ◽  
Imagined Communities ◽  
Scientific Communities ◽  
Public Meetings

AbstractThis paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a specifically British naturalist community. Following three ‘amateur’ natural-history periodicals (Science Gossip, Midland Naturalist and the Journal of the Quekett Microscopical Club) the article demonstrates how the production and reproduction of natural history in the nineteenth century was contingent on community debate – and that this debate both was highly visual and moved across printed and geographical boundaries. This paper investigates images both for their purported success and for their ascribed value to natural history. Additionally, it considers the debates over their limitations and alleged failures of printing. Altogether, the article argues that investigating the communal practices of observation, writing, drawing and engraving allows for a better understanding of the shared practices of nineteenth-century natural history.

Edward Blyth, John M'Clelland, the curatorship of the Asiatic Society's collections and the origins of the Calcutta journal of natural history

2015 ◽  
Vol 42 (2) ◽  
pp. 265-278 ◽  
Author(s):  
J. Mathew
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Asiatic Society ◽  
Part Time

This paper explores the origins of the Calcutta journal of natural history (1841–1848) and the search from the 1830s for a permanent curator for the collections of the Asiatic Society of Bengal. Edward Blyth (1810–1873) was appointed, even though John M'Clelland (or McClelland) (1805–1883), who founded the Calcutta journal of natural history, had acted as part-time curator of the collections for two years before Blyth's arrival in Calcutta. An analysis of the Society and the journal allows reconsideration of the significance of natural history in India in the mid-nineteenth century.

The Dupont family: collectors, dealers and naturalists in nineteenth-century Paris

2016 ◽  
Vol 43 (2) ◽  
pp. 191-207 ◽  
Author(s):  
Richard Mearns ◽  
Laurent Chevrier ◽  
Christophe Gouraud
Keyword(s):  
Nineteenth Century ◽  
Family History ◽  
Natural History ◽  
North Africa ◽  
Special Interest ◽  
Early Life ◽  
Anatomical Models ◽  
The Family ◽  
Small Collection

In the early part of the nineteenth century the Dupont brothers ran separate natural history businesses in Paris. Relatively little is known about their early life but an investigation into the family history at Bayeux corrects Léonard Dupont's year of birth from 1795 to 1796. In 1818 Léonard joined Joseph Ritchie's expedition to North Africa to assist in collecting and preparing the discoveries but he did not get beyond Tripoli. After 15 months he came back to Paris with a small collection from Libya and Provence, and returned to Provence in 1821. While operating as a dealer-naturalist in Paris he published Traité de taxidermie (1823, 1827), developed a special interest in foreign birds and became well known for his anatomical models in coloured wax. Henry Dupont sold a range of natural history material and with his particular passion for beetles formed one of the finest collections in Europe; his best known publication is Monographie des Trachydérides (1836–1840). Because the brothers had overlapping interests and were rarely referred to by their forenames there has been confusion between them and the various eponyms that commemorate them. Although probably true, it would be an over-simplification to state that birds of this era named for Dupont refer to Léonard Dupont, insects to Henry Dupont, and molluscs to their mother.

Peeping at nature with the Reverend Charles A. Hall FRMS (1872–1965)

2015 ◽  
Vol 42 (1) ◽  
pp. 10-22 ◽  
Author(s):  
P. G. Moore
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Production Costs ◽  
Visual Appeal ◽  
Young Readers ◽  
Simple Language ◽  
Quality Production

Attention is drawn to the contents, pedagogic style and visual appeal of the 17-volume “Peeps at nature” series published by A. & C. Black between 1911 and 1935. Edited by the Reverend Charles Albert Hall (a Swedenborgian minister), who also contributed most of the titles, this series was a quality production but one that was cheap enough to be readily accessible to young readers. Its volumes were written in simple language and included colour pictures. With time, the flamboyant artistry of the covers that so characterized the earlier volumes was replaced by more muted designs, possibly to reduce production costs. Later contributors abandoned anthropomorphism and the moralizing tone of many nineteenth-century popularizers of natural history, although styles of writing varied between the early and later contributors to the series, becoming less technical with time.

Correspondence between Adolphe Brongniart and Robert Schomburgk: trading natural history collections for honours

2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU
Keyword(s):  
Nineteenth Century ◽  
Natural History ◽  
Dominican Republic ◽  
Southeast Asia ◽  
Herbarium Specimens ◽  
British Guiana ◽  
Natural History Collections ◽  
History Of ◽  
Source Of Information ◽  
German Naturalist

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.

‘Each Song Was Just Like a Little Sermon’

2018 ◽  
Author(s):  
Isaac Land
Keyword(s):  
Nineteenth Century ◽  
Golden Age ◽  
Military Training ◽  
One Dimensional ◽  
National Pride ◽  
Recent Scholarship ◽  
The Relationship

This chapter is central to the volume’s chronological contentions, as its argument accounts for the specialized, one-dimensional Dibdin of ‘Tom Bowling’ that has endured into recent scholarship. Focusing on Dibdin’s posthumous reception, it examines the moral and rhetorical difficulties of repackaging Dibdin’s works for a Victorian sensibility; it explores the specifics of mid-century concert culture previously highlighted by Derek Scott and William Weber as central to changes in nineteenth-century taste and programming; and it develops the theme of nostalgia into a revelatory consideration of the relationship between new naval technologies, national pride, and military training, and the songs, people, and language of a remembered Napoleonic ‘golden age’—to which Dibdin proves to have been as central, in the Victorian imagination, as Nelson.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

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