THE TEXT OF THE ARISTOTELIAN MECHANICS

2013 ◽  
Vol 63 (1) ◽  
pp. 183-198 ◽  
Author(s):  
Joyce Van Leeuwen

The present article examines the textual transmission of the Aristotelian Mechanics, a treatise on mechanical questions now generally ascribed to the Peripatetic School. The treatise was edited three times in the nineteenth century, namely by Johannes van Cappelle (1812), Immanuel Bekker (1831) and Otto Apelt (1888); most recently, an edition was produced in the twentieth century by Maria Elisabetta Bottecchia (1982). Bottecchia's edition is a clear improvement over the previous editions in the extent of its research. Whereas the other editors of the Mechanics altogether consulted a total of nine manuscripts, Bottecchia considered nearly the complete manuscript material for her critical edition of the text. When I started my project I did not expect to find significant new results which would make a completely new critical edition of the text necessary.

Author(s):  
Leah Price

This chapter suggests that two phenomena that usually get explained in terms of the rise of electronic media in the late twentieth century—the dematerialization of the text and the disembodiment of the reader—have more to do with two much earlier developments. One is legal: the 1861 repeal of the taxes previously imposed on all paper except that used for printing bibles. The other is technological: the rise first of wood-pulp paper in the late nineteenth century and then of plastics in the twentieth. The chapter then looks at Henry Mayhew's London Labour and the London Poor (1861–62), the loose, baggy ethnography of the urban underclass that swelled out of a messy series of media. Mayhew's “cyclopaedia of the industry, the want, and the vice of the great Metropolis” so encyclopedically catalogs the uses to which used paper can be turned.


2021 ◽  
pp. 89-104
Author(s):  
Hilary Poriss

This chapter situates The Barber of Seville in the context of the twentieth century, a time when the Rossini Renaissance and a growing sense of fidelity to the “work concept” led to a desire to adhere closely to Rossini’s intent. Following a brief overview of sporadic attempts to access the “original” opera during the nineteenth century, the focus falls on the development of the critical edition project, exploring the various singers, directors, and musicologists who played a role in accessing an authentic version of The Barber of Seville. The chapter concludes with a comparison of the two modern critical editions of the opera.


PMLA ◽  
1956 ◽  
Vol 71 (5) ◽  
pp. 900-909
Author(s):  
Henry A. Grubbs

A critical cliché often heard today is that Proust was fundamentally a poet rather than a novelist. The historians of literature and the critics do not put it quite as crudely as that, but their remarks frequently permit such an assumption on the part of the reader. Thus the Castex and Surer manual, in its twentieth-century volume, finds in “toute l'œuvre [de Proust] un climat d'intense Poesie” (p. 82). And Georges Cattaui, in his recent survey of the present status of Proust, though he does not in so many words call Proust a poet or his novel a poem, does say that Proust is above all the heir “de Nerval, de Baudelaire, de Mallarmé,—de ces poètes qui lui ont enseigné l'art de transfigurer les choses, l'art de délivrer la beauté prisonnière … ” Now all this is true if it is merely taken as a vivifying figure of speech, if it merely means that Proust was not a realistic novelist, and that he shows the influence of the great French poets of the late nineteenth century, or that, to use a convenient term, he was a symbolist, like his contemporaries, Claudel, Gide, and Valéry. But it has so often been said in our time that the twentieth century has seen the breaking down of the distinctions between the novel and poetry, that it seems to me useful to demonstrate, by studying two treatments of the same subject, one that of a novelist, Proust, the other that of a poet, Valéry, that there remains a fundamental and profound difference between the intent and the method of prose fiction and of poetry, at least the type that is today called “pure” poetry.


2018 ◽  
Vol 10 (1) ◽  
pp. 106-126
Author(s):  
Bahar Gürsel

The swift and profound transformations in technology and industry that the United States began to experience in the late 1800s manifested themselves in school textbooks, which presented different patterns of race, ethnicity, and otherness. They also displayed concepts like national identity, exceptionalism, and the superiority of Euro-American civilization. This article aims to demonstrate, via an analysis of two textbooks, how world geography was taught to children in primary schools in nineteenth century America. It shows that the development of American identity coincided with the emergence of the realm of the “other,” that is, with the intensification of racial attitudes and prejudices, some of which were to persist well into the twentieth century.


PMLA ◽  
1960 ◽  
Vol 75 (5) ◽  
pp. 577-582
Author(s):  
Harry Modean Campbell

In his discerning book entitled Emerson's Angle of Vision, Sherman Paul has pointed out two fundamental ways in which Whitehead, in spite of some obvious differences, is like Emerson. Both Emerson and Whitehead, says Paul, exalted the moral, ethical, and imaginative science of the seventeenth century over the analytical rationalism of the eighteenth century, and, as a logical consequence of this emphasis, both condemned Lockean sensationalism in the same way. Following Professor Paul's suggestion, the purpose of this study is to explore in some detail the basic views of Emerson and Whitehead about religion—man's relation to Nature and God. The remarkable similarities between the views of Emerson and those of Whitehead on this subject may not indicate much, if any, indebtedness of the twentieth-century philosopher to his nineteenth-century predecessor, but if these parallels are extensive and important enough, they may well indicate that Whitehead's total achievement in the philosophy of religion is like that of Emerson—that, religiously, Whitehead may be said to be a kind of twentieth-century Emerson, in one important way, as may appear, more of a transcendentalist than Emerson. Indeed, though the obscurity of his style will prevent him from being as popular as his predecessor, Whitehead's influence as a leader in the religious revolt against the “philosophy of logical analysis” and the other philosophies that make ours an “age of analysis” may in time be as great as that of Emerson in the similar romantic-transcendentalist revolt against the analytical rationalism of the age of “Enlightenment.” More of this later, but first let us examine the evidence.


2012 ◽  
Vol 56 (2) ◽  
pp. 156-183 ◽  
Author(s):  
Lutz D.H. Sauerteig

AbstractThis paper analyses how, prior to the work of Sigmund Freud, an understanding of infant and childhood sexuality emerged during the nineteenth century. Key contributors to the debate were Albert Moll, Max Dessoir and others, as fin-de-siècle artists and writers celebrated a sexualised image of the child. By the beginning of the twentieth century, most paediatricians, sexologists, psychologists, psychiatrists, psychoanalysts and pedagogues agreed that sexuality formed part of a child’s ‘normal’ development. This paper argues that the main disagreements in discourses about childhood sexuality related to different interpretations of children’s sexual experiences. On the one hand stood an explanation that argued for a homology between children’s and adults’ sexual experiences, on the other hand was an understanding that suggested that adults and children had distinct and different experiences. Whereas the homological interpretation was favoured by the majority of commentators, including Moll, Freud, and to some extent also by C.G. Jung, the heterological interpretation was supported by a minority, including childhood psychologist Charlotte Bühler.


1991 ◽  
Vol 6 (1) ◽  
pp. 73-87 ◽  
Author(s):  
Margaret M. Marshall

Louisiana French Creole (LFC) has clearly been undergoing decreoli-zation in the twentieth century; its exact nature is difficult to determine, since the only evidence from the previous century available up to now has come from literary texts of that time. Language data was elicited from elderly informants whose parents were the last monolingual creole speakers living in the vicinity of Mobile, Alabama. Since communication between the speakers of New Orleans Creole and Mobile Creole was quite commonplace, Mon Louis Island Creole (MLIC) represents new evidence relating to nineteenth century LFC. This study presents an analysis of the MLIC and LFC noun phrase and verb phrase. Mon Louis Island (MLI) speakers use two-stem verbs which are not attested in nineteenth century LFC texts. On the other hand, there are developments in LFC, such as preposed definite articles, that were not documented in MLIC. Thus, the MLIC data might help distinguish the features already present in the nineteenth century from those which represent more recent changes in LFC.


1960 ◽  
Vol 19 (3) ◽  
pp. 255-272 ◽  
Author(s):  
W. G. Beasley

Despite the existence of an enormous literature dealing with the Meiji Restoration and its origins, it is still surprisingly difficult to acquire precise information about some aspects of Japanese society in the middle of the nineteenth century. One such difficulty is that of obtaining general quantitative data about the great feudal domains (han) which constituted the major political and economic units of the country. This is not to say that details concerning the domains are impossible to find. Many records are readily available, even in print, and some have been used by scholars to support or illustrate general statements. It is commonly accepted, for example, that agrarian productivity increased greatly in Japan between the seventeenth and nineteenth centuries and that land dues were extremely high, especially at the end of the period. It is possible to cite domains as examples for each of these generalisations. On the other hand, it is never very clear whether the examples themselves are typical or merely random, how far they approximate to or differ from the norm. Nor has there been much attempt to discover whether the wide differences which existed between one domain and another in these matters followed any identifiable pattern. It is with these problems that the present article will deal.


Author(s):  
David Assaf

This chapter turns to the fall of the Seer of Lublin. At the turn of the nineteenth century one of the most revered figures among Polish and non-Polish hasidic leaders and their flock was the tsadik Rabbi Jacob Isaac Horowitz, better known as the Seer of Lublin (1745?–1815). In 1814 the Seer fell out of a window in his house, suffering critical injuries that led to his death nine months later in 1815. Although these bare facts are not disputed, their interpretation, as rendered by hasidic and maskilic writers as well as others, differs substantially. Of these varying interpretations, the maskilic version was the earliest. Written in the style of a journalistic exposé, this satiric account followed upon the heels of the fall itself, making its initial appearance even prior to the Seer’s death. The hasidic counter-version, on the other hand, with its clearly apologetic and polemical overtones is late, dating only from the early twentieth century. The chapter traces the transmission of these opposing traditions, showing how their divergent treatments of the Seer’s fall illustrate patterns of imagery, memory, and dispute.


2018 ◽  
pp. 94-128 ◽  
Author(s):  
Kama Maclean

This chapter discusses the racist environment in late nineteenth-century Australia which resulted in the Immigration Restriction Act of 1901 designed to prohibit entry of non-white immigrants from the Commonwealth. The chapter discusses the evolution of various collective terms like ‘alien’, ‘coolie’ or ‘Hindoo’ to identify Indians as the ‘other’ of the national community. From biographical details and photographs in the Certificates Exempting from Dictation Test (CEDTs), which monitored the movement and identities of non-white residents, the chapter reveals how many Indians had undergone a change of name during immigration, an important marker of individual identity. The chapter argues that the most commonly ascribed name ‘Charlie’, was a means of ‘infantilizing and subordinating’ Indian migrants. The CEDT images of migrants in Indian clothes and identified with their new names are seen as locating Indian settlers in early twentieth-century Australia in a position of subordination within the colonial social hierarchy.


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