French Far Eastern Policy in the 1930s

1989 ◽  
Vol 23 (1) ◽  
pp. 117-149 ◽  
Author(s):  
John F. Laffey

The completion in 1986 of the Documents diplomatiques français, 1932–1939 permits a review of French Far Eastern policy during that troubled time characterized by J.-B. Duroselle as ‘la décadence.’ This massive documentary collection, however, still dose not provide a full picture of the forces which shaped French East Asian policy in the years before the outbreak of the Pacific War. Understandably focused upon European developments, it begins and ends, from the Far Eastern perspective, in medias res; that is, after the outbreak of the Manchurian crisis and before the Japanese occupation of Indochina. Moreover, like other compilations of what statesmen and diplomats said to each other, this one slights economic factors and, though to a lesser extent, the role of public opinion. Even taken in their own terms, the documents perhaps reveal more about what others said and did to the French than about what they themselves accomplished. That points to a more fundamental problem, for one can question whether anything so gelatinous as the French responses or lack thereof to developments largely beyond their control can even be described as ‘policy.’ Still, although much more work in archives and private papers will be necessary before the entire story can be pieced together, these documents do shed light on what passed for French policy in East Asia during the years before the outbreak of World War II.

Author(s):  
Ginanjar Setia Mulyana ◽  
Agus Mulyana ◽  
Leli Yulifar

The main purpose of this research is to describe the Role of Douglas MacArthur in the Reconstruction of Japan after World War II in 1945-1951. Historical method is being used in this research paper, the method consists of : heuristic, critic, interpretation, and historiography. While the main topic of this research is how is the role of Douglas MacArthur in the reconstruction of Japan after World War II. Since he was appointed as SCAP in Japan by president Truman, with the supreme authority more than the Emperor himself, the U.S military officer made many reconstructive policies for Japan which was U.S main enemy of the Pacific War. With so many critics threw upon him from the Western countries, MacArthur rebuilt Japan from the political and economical sector with some changes especially liberalism and democratic view. The purpose of the reconstruction in to make Japan as the same side with the United States in the middle of Cold War with Soviet Union.


Author(s):  
Ginanjar Setia Mulyana ◽  
Agus Mulyana ◽  
Leli Yulifar

The main purpose of this research is to describe the Role of Douglas MacArthur in the Reconstruction of Japan after World War II in 1945-1951. Historical method is being used in this research paper, the method consists of : heuristic, critic, interpretation, and historiography. While the main topic of this research is how is the role of Douglas MacArthur in the reconstruction of Japan after World War II. Since he was appointed as SCAP in Japan by president Truman, with the supreme authority more than the Emperor himself, the U.S military officer made many reconstructive policies for Japan which was U.S main enemy of the Pacific War. With so many critics threw upon him from the Western countries, MacArthur rebuilt Japan from the political and economical sector with some changes especially liberalism and democratic view. The purpose of the reconstruction in to make Japan as the same side with the United States in the middle of Cold War with Soviet Union.


Author(s):  
Putut Widjanarko

The Japanese occupation of East Asia during World War II was accompanied by its propaganda targeted to the local population. In Indonesia, the military government, among other things, published Djawa Baroe, a fortnightly magazine published from January 1, 1943 to August 1, 1945.Compared to other magazines, this bilingual magazine (in Japanese and Bahasa Indonesia) Djawa Baroe was unique: it featured ample photographs and illustrations. Qualitative content analysis method enables this study to find the meaning of a theme in its holistic political, social, and cultural contexts beyond the number of its occurrences in the text offered by quantitative content analysis. All the issues of Djawa Baroe are examined in detail and reiteratively. Six themes can be found in Djawa Baroe, i.e., the friendship between Japanese and Indonesians, the description of Japanese military prowess, the exaltation of nationalism and the preparation for the war, the evil nature of Western power, the role of women in society, and entertainment. The study concludes that along with the development of the Pacific War that turned against the Japanese, Djawa Baroe moved its emphasis on long-range goals at the high psychological level to influence and win the hearts and minds of Indonesian people, to a more immediate result and practical guide in facing the imminent war. On the other hand, against the original intention of the Japanese propaganda, Djawa Baroe may have helped its educated readers to imagine their future nation-state, Indonesia. Keywords: Djawa Baroe; Wartime propaganda; Japanese occupation; nation-building


2020 ◽  
Vol 20 (1) ◽  
pp. 108
Author(s):  
Syahrur Marta Dwisusilo ◽  
Lucitra A. Yuniar

The period of Japanese occupation for 3 years in Indonesia is sort when compared to the Dutch colonial period. However, at that time it was a critical time for the formation of various ideological thoughts. One of the ideologies that emerged in the Japanese colonial era was the ideology of "Greater Asia", which is known as the ideology of unification of Asia. During the Pacific War, Japanese writers who underwent military service in Indonesia published many of his writings for the purposes of Japanese military propaganda, especially those related to prapaganda of Greater Asia ideology. One of the most active writers in spreading this ideology was Asano Akira. This research clarifies the role of Asano Akira in spreading the ideology of Greater Asia through its activities and mobility in Java with the approach of new historicism and orientalism.


1990 ◽  
Vol 38 ◽  
pp. 29-45 ◽  
Author(s):  
Richard Rice

Apart from the intrinsic value of understanding the fate of Japanese workers during the war, Japanese labor history in World War II also gives us a non-Western point of comparison for studies of wartime labor in the West. To facilitate that comparison, we should consider government policy, the response of the labor movement, and the conditions of workers during the war. In Japan, labor and economic history periodization of World War II does not conform to the European and American conceptions. For the Japanese, the war began with the outbreak of the “China incident” in 1937; Pearl Harbor, traumatic as it was for the United States, only marks the beginning of a new stage the Japanese call the “Pacific War.” It is not surprising, then, that Japanese labor history begins its wartime phase in 1937. In fact, to comprehend changes during the 1937–45 war, at least brief mention must be made of earlier developments.


1979 ◽  
Vol 94 (2) ◽  
pp. 381
Author(s):  
Akira Iriye ◽  
Saburo Ienaga

1979 ◽  
Vol 43 (2) ◽  
pp. 106
Author(s):  
Alvin D. Coox ◽  
Saburo Ienaga

Author(s):  
Jennifer Coates

A distinctive feature of post-war Japanese cinema is the frequent recurrence of imagistic and narrative tropes and formulaic characterizations in female representations. These repetitions are important, Jennifer Coates asserts, because sentiments and behaviours forbidden during the war and post-war social and political changes were often articulated by or through the female image. Moving across major character types, from mothers to daughters, and schoolteachers to streetwalkers, Making Icons studies the role of the media in shaping the attitudes of the general public. Japanese cinema after defeat in the Asia Pacific War and World War II is shown to be an important ground where social experiences were explored, reworked, and eventually accepted or rejected by audiences emotionally invested in these repetitive materials. An examination of 600 films produced and distributed between 1945 and 1964, as well as numerous Japanese-language sources, forms the basis of this rigorous study. Making Icons draws on an art-historical iconographic analysis to explain how viewers derive meanings from images during this peak period of film production and attendance in Japan.


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