China in World War II, 1937–1945: Experience, Memory, and Legacy

2011 ◽  
Vol 45 (2) ◽  
pp. 225-240 ◽  
Author(s):  
RANA MITTER ◽  
AARON WILLIAM MOORE

AbstractChina's long war against Japan from 1937 to 1945 has remained in the shadows of historiography until recently, both in China and abroad. In recent years, the opening of archives and a widening of the opportunity to discuss the more controversial aspects of the wartime period in China itself have restored World War II in China (‘the War of Resistance to Japan’) to a much more central place in historical interpretation. Among the areas that this issue covers are the new socio-political history of the war that seeks to restore rationality to the policies of the Guomindang (Nationalist) party, as well as a new understanding in post-war China of the meaning of the war against Japan in shaping Cold War and post-Cold War politics in China. In doing so, it seeks to make more explicit the link between themes that shaped the experience of World War II in China to the war's legacy in later politics and the uses of memory of the conflict in contemporary Chinese society.

Author(s):  
Alejandro Pérez Vidal

Resumen: Esta comunicación estudia algunos aspectos de la memoria de experiencias concentracionarias en los años inmediatamente posteriores a la II Guerra Mundial. En la primera parte se centra en la historia editorial de K.L. Reich, novela de Joaquim Amat-Piniella, señalando en particular su publicación parcial en una revista del exilio y un proyecto de publicación completa en Barcelona en 1948. La segunda parte intenta explicar el limitado éxito inicial de K.L. Reich por comparación con lo que sucedió con obras parecidas en otros países europeos, y en particular con Se questo è un uomo, de Primo Levi; se intenta mostrar que el anticomunismo de la guerra fría dejaba poco espacio para la memoria pública de los campos de concentración y que fue en los ambientes de la izquierda antifascista en los que ésta tendió a cultivarse.Palabras clave: Joaquim Amat-Piniella, Primo Levi, testimonios de los campos de concentración, recepción, guerra fría.Abstract: The present study considers some aspects of the remembrance of concentration camp experiences in the years immediately following World War II. The first part focuses on the publishing history of K.L. Reich, by Joaquim Amat-Piniella, pointing out specially its partial publication in France in 1945 and a project to publish the whole novel in Barcelona in 1948. The second part seeks to explain the limited success of K.L. Reich when it was first published, by considering what happened to similar works in other European countries and, in particular, Primo Levi's Se questo è un uomo. It argues that the anti-communism of the Cold War left little room for the public remembrance of the concentration camps and that it was the anti-fascist leftists who were most inclined to keep this memory alive. Keywords: Joaquim Amat-Piniella, Primo Levi, concentration camp testimonies, reception, Cold War.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Kimia Zare ◽  
Habibollah Saeeidinia

Iran and Russia have common interests, especially in political terms, because of the common borders and territorial neighborhood. This has led to a specific sensitivity to how the two countries are approaching each other. Despite the importance of the two countries' relations, it is observed that in the history of the relations between Iran and Russia, various issues and issues have always been hindered by the close relations between the two countries. The beginning of Iran-Soviet relations during the Second Pahlavi era was accompanied by issues such as World War II and subsequent events. The relations between the two countries were influenced by the factors and system variables of the international system, such as the Cold War, the US-Soviet rivalry, the Second World War and the entry of the Allies into Iran, the deconstruction of the relations between the two post-Cold War superpowers, and so on.The main question of the current research is that the political relations between Iran and Russia influenced by the second Pahlavi period?To answer this question, the hypothesis was that Iran's political economic relations were fluctuating in the second Pahlavi era and influenced by the changing system theory of the international system with the Soviet Union. The findings suggest that various variables such as the structure of the international system and international events, including World War II, the arrival of controversial forces in Iran, the Cold War, the post-Cold War, the US and Soviet policies, and the variables such as the issue of oil Azerbaijan's autonomy, Tudeh's actions in Iran, the issue of fisheries and borders. Also, the policies adopted by Iranian politicians, including negative balance policy, positive nationalism and independent national policy, have affected Iran-Soviet relations. In a general conclusion, from 1320 (1942) to 1357 (1979), the relationship between Iran and Russia has been an upward trend towards peaceful coexistence. But expansion of further relations in the economic, technical and cultural fields has been political rather than political.


Author(s):  
Dora Vargha

Concerns over children’s physical health and ability were shared experiences across post–World War II societies, and the figure of the child was often used as a tool to reach over the Iron Curtain. However, key differences in how children with polio were perceived, and as a result treated, followed Cold War fault lines. Concepts of an individual’s role in society shaped medical treatment and views of disability, which contributed to the celebrated polio child in one environment and her invisibility in another. Thus, through the lens of disability, new perspectives have emerged on the history of the Cold War, polio, and childhood.


Author(s):  
Andrew Preston

Assessing the application of the liberal consensus idea to postwar foreign policy, this chapter contends that myths about the bipartisan spirit of U.S. foreign policy have too long found ready acceptance from historians. Politics did not stop at the water’s edge, even when bipartisanship was at its supposed zenith during World War II and the early Cold War. While there was unanimity during the post-war era that the growth of international communism was a threat to U.S. interests, this did not mean that foreign policy was free of political conflict, and partisan charges that the government of the day was losing the Cold War were commonplace. Meanwhile, non-elite opinion evinced little support for confrontation with the main Communist powers, reluctance to engage in another land war like Korea, and concern about survival in the nuclear era. The divisiveness wrought by Vietnam was supposed to have brought an end to the “Cold War consensus,” but uncertainty over its meaning was evident well before this.


Art History ◽  
2017 ◽  
Author(s):  
Evonne Levy

The rise of the propaganda production in World War I coincided with art history’s consolidation as a discipline. Immediately, the modern category “propaganda” was taken up to describe the relations between art, politics (sacred and secular), and power. After World War II, and in the Cold War, the use of the word “propaganda” shifted and many North American and European art historians resisted the categorization of “art” (associated with freedom) and propaganda (associated with fascist instrumentalization), although historians were less troubled by its use for “images.” The end of the Cold War loosened the prohibition on the term, though many art historians still prefer cognate terms, “persuasion” or “rhetorical,” when pointing to the key element of audience and effectiveness; similarly, many speak of “power,” “politics,” or “ideology” when pointing to institutions and their messages. Because there are alternatives for “propaganda,” the emphasis here is on the literature that have engaged the term itself and the problems it poses to art history, including its ongoing toxicity. Because propaganda arts are so closely associated with the modern regimes that perfected their use (communist Russia, fascist Italy, Nazi Germany), one of the major questions in the art historical literature is the appropriateness of the concept before the 20th century and for nonautocratic regimes. While some periods have attracted the term more than others, since Foucault and post–Cold War, there has been at once an understanding of all institutions, sacred and secular, as imbricated in power relations and on the other, a relaxation of rigid definitions of propaganda as “deceptive” or “manipulative.” These factors have opened scholars in art history considerably to a use of the term, although a reductive understanding of propaganda as inherently deceptive still persists. Three main criteria were used in compiling this article: periods of political upheaval or change in government that have attracted the term in particularly dense ways and generated dialogue over these issues; works that explicitly frame the study of objects as propaganda or substitute terms, rhetoric, persuasion, and ideology; and works by historians of images that explicitly engage with the category of propaganda (excluding, with a few exceptions, popular forms like posters as well as film, television, and digital media). Whenever possible, propaganda’s specificity is insisted on here in relation to art, for art poses special problems to the use of the word propaganda, and its invocation in art history often makes an explicit point.


Author(s):  
Karen Hagemann ◽  
Sonya O. Rose

The chapter focuses on the development from the Global Cold War and anticolonial struggle to the global conflicts of the post–Cold War period. It first provides an overview of the complex features of a period that starts in the immediate aftermath of the Second World War with the challenges of the aftermath of the conflict and a post war reordering of economies, societies and national and international politics, and continues with the rise of the Global Cold War and the spread of the Wars of Decolonization in Asia and Africa that led to the decline of European empires. Then it explores the consequences of the collapse of communism, the end of the Global Cold War, and the proliferation of Wars of Globalization along with new forms of humanitarianism and peacekeeping. In the last section, it discusses the research by gender scholars from different disciplines on the Global Cold War and the Wars of Globalization and their attempts to rewrite mainstream narratives.


2012 ◽  
Vol 9 (3) ◽  
pp. 565-595 ◽  
Author(s):  
NICOLE SACKLEY

The history of the rise and fall of “modernization theory” after World War II has been told as a story of Talcott Parsons, Walt Rostow, and other US social scientists who built a general theory in US universities and sought to influence US foreign policy. However, in the 1950s anthropologist Robert Redfield and his Comparative Civilizations project at the University of Chicago produced an alternative vision of modernization—one that emphasized intellectual conversation across borders, the interrelation of theory and fieldwork, and dialectical relations of tradition and modernity. In tracing the Redfield project and its legacies, this essay aims to broaden intellectual historians’ sense of the complexity, variation, and transnational currents within postwar American discourse about modernity and tradition.


2020 ◽  
Vol 5(160) ◽  
pp. 221-228
Author(s):  
Paweł Gotowiecki

The reviewed publication contains post-conference materials, presented during the conference held in 2016 in Warsaw, entitled “The Deposit of Independence. National Council of the Republic of Poland in Exile (1939–1991)”. The volume consists of 18 articles, published in chronological and topical order, devoted to the selected issues of the history of the Polish parliamentarianism in exile during World War II and in the post-war period. The authors of the articles discussed various aspects of the activities of the National Council of the Republic of Poland in Exile, such as the participation of national minorities in the work of the quasi-parliament, biographies of the chosen parliamentarians, or the selected elements of “parliamentary practices”. This publication is not a synthesis but it supplements and develops the current state of research on the activities of the Polish quasi-parliamentary institutions in exile.


Sign in / Sign up

Export Citation Format

Share Document