What's wrong with ‘expeditioner’?

Polar Record ◽  
2016 ◽  
Vol 53 (1) ◽  
pp. 105-106
Author(s):  
Elizabeth Leane ◽  
Carolyn Philpott

Some – particularly Australasian – authors who have published in Polar Record may be familiar with the debate around the acceptability of the word ‘expeditioner’. The term is regularly used by Australians and New Zealanders, in both casual and official contexts. In The Antarctic Dictionary, Bernadette Hince (herself Australian) classifies the word as particularly (although not solely) Australian, notes its regular use by the Australian national programme, which publishes an Expeditioner Handbook, and defines it as ‘A member of an [A]ntarctic expedition, including a government expedition’ (Hince 2000: 118–119). However, ‘expeditioner’ appears in the Oxford English Dictionary only as a rare and obsolete term. The sole example cited in the OED Online is from 1758, in a non-polar context; the definition provided is ‘One engaged in an expedition’. Neither The Australian Oxford Dictionary (2nd edition, 2004) nor The New Zealand Oxford Dictionary (2005) includes ‘expeditioner’, although the term is included in the Australian Macquarie Dictionary (5th edition, 2009) and the US-based Webster's Third New International Dictionary (1993). There is clearly significant national variation in the term's acceptability and its use in an academic publication can draw negative attention (Stone 2003: 172 – not coincidentally, a British review of a book by an Australian author). This note argues that ‘expeditioner’ should not be dismissed as an idiolectic ungrammatical term unsuitable for use in British publications. We make a case for the use of ‘expeditioner’ on three grounds: conceptual appropriateness, precedence and convenience of expression.

Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


2021 ◽  
pp. 1-6
Author(s):  
Michele Connolly ◽  
Kalinda Griffiths ◽  
John Waldon ◽  
Malcolm King ◽  
Alexandra King ◽  
...  

The International Group for Indigenous Health Measurement (IGIHM) is a 4-country group established to promote improvements in the collection, analysis, interpretation and dissemination of Indigenous health data, including the impact of COVID-19. This overview provides data on cases and deaths for the total population as well as the Indigenous populations of each country. Brief summaries of the impact are provided for Canada and New Zealand. The Overview is followed by. separate articles with more detailed discussion of the COVID-19 experience in Australia and the US.


Author(s):  
Liana MacDonald ◽  
Adreanne Ormond

Racism in the Aotearoa New Zealand media is the subject of scholarly debate that examines how Māori (Indigenous Peoples of New Zealand) are broadcast in a negative and demeaning light. Literature demonstrates evolving understandings of how the industry places Pākehā (New Zealanders primarily of European descent) interests at the heart of broadcasting. We offer new insights by arguing that the media industry propagates a racial discourse of silencing that sustains widespread ignorance of the ways that Pākehā sensibilities mediate society. We draw attention to a silencing discourse through one televised story in 2018. On-screen interactions reproduce and safeguard a harmonious narrative of settler–Indigenous relations that support ignorance and denial of the structuring force of colonisation, and the Television Code of Broadcasting Practice upholds colour-blind perceptions of discrimination and injustice through liberal rhetoric. These processes ensure that the media industry is complicit in racism and the ongoing oppression of Indigenous peoples.


1983 ◽  
Vol 72 (288) ◽  
pp. 466-472 ◽  
Author(s):  
Laurie Barber ◽  
Michael Selby

1998 ◽  
Vol 19 (1) ◽  
pp. 61-85 ◽  
Author(s):  
Elizabeth Gordon

New Zealand English has evolved in the past 150 years, at a time when it is possible to find both written and spoken evidence of its development. This paper takes evidence gained from an analysis of written comments on early New Zealand English and compares this with data taken from an analysis of spoken New Zealand English obtained from recordings collected in the 1940s of old New Zealanders born in the 1850s-1890s — the period when the New Zealand accent was developing. By putting the written data beside the spoken data it is now possible to assess the accuracy of written records as a basis for the reconstruction of the earliest form of New Zealand English.


Polar Record ◽  
2021 ◽  
Vol 57 ◽  
Author(s):  
Peter D. Shaughnessy ◽  
Mark Pharaoh

Abstract Sir Douglas Mawson is a well-known Antarctic explorer and scientist. Early in his career, he recognised opportunities for commerce in Antarctic and sub-Antarctic regions. While at Cape Denison, Antarctica, in 1913 on the Australasian Antarctic Expedition (AAE), the Adelie Blizzard magazine was produced. Mawson contributed articles about Antarctic natural resources and their possible use. Later, he advocated Australia be involved in pelagic whaling. He collected seal skins and oil for their commercial value to be assessed by the Hudson’s Bay Company. During the AAE, Mawson visited Macquarie Island where an oiling gang was killing southern elephant seals and royal penguins. Mawson was concerned that they were over-exploited and lobbied successfully to stop the killing. His plans for Macquarie Island included a wildlife sanctuary, with a party to supervise access, send meteorological observations to Australia and New Zealand, and be self-funded by harvesting elephant seals and penguins. Macquarie Island was declared a sanctuary in 1933. Although Mawson has been recognised as an early proponent of conservation, his views on conservation of living natural resources were inconsistent. They should be placed in their historical context: in the early twentieth century, utilisation of living natural resources was viewed more favourably than currently.


2018 ◽  
Vol 24 (1) ◽  
pp. 205-214
Author(s):  
James Hollings

Many countries have their Watergate moment, a scandal that envelopes not only mystery, intrigue, and human tragedy, but also something bigger, some kind of challenge to a country’s deepest beliefs about itself. What the US journalism scholar Michael Schudson called a country’s central moral values. For New Zealand, a good case could be made that our Watergate moment was the Thomas case. Like Watergate, it revealed ugly truths about corruption within some of our most respected institutions, and investigative journalism played a central role. Like Watergate, it was also a collective loss of innocence, and opened a very deep wound.


2021 ◽  
Author(s):  
Kim Turner

<div>Our main report, Good Ideas from Successful Cities: Municipal Leadership in Immigrant Integration, explores these themes through a selection of nearly 40 profiles of municipal practice and policies from cities across Canada, the US, Europe and Australasia. In this companion report, New Zealand: Good Ideas from Successful Cities, we present an additional snapshot of municipal leadership and excellence in immigrant integration from cities in New Zealand. Each of these five city profiles in the snapshot report also includes a selection of related international city practices.</div>


2021 ◽  
Author(s):  
◽  
Catherine Falconer-Gray

<p>In 1844, George French Angas, the English traveller, artist, natural historian and ethnographer spent four months travelling in New Zealand. He sought out and met many of the most influential Maori leaders of the time, sketching and recording his observations as he went. His stated intention was to provide a ‘more correct idea’ of New Zealand and the New Zealanders. In Australia and then Britain he held exhibitions of his work and in 1847 he published two works based on this time in New Zealand: a large volume of full-colour lithographs, The New Zealanders Illustrated and a travel narrative based on his journal, Savage Life and Scenes in Australia and New Zealand. These exhibitions and publications comprised the nineteenth century’s largest collection of works about Maori and Maori culture. This thesis is a study of the ‘more correct idea’ that Angas sought to provide: his creation of colonial knowledge about Maori. Angas is most commonly described in New Zealand as being an unremarkable artist but as providing a window onto New Zealand in the 1840s. This thesis opens the window wider by looking at Angas’s works as a record of a cultural encounter and the formation of a colonial identity. The works were shaped by numerous ideological and intellectual currents from Britain and the empire, including humanitarianism and the aesthetic of the picturesque. Ideas about gender and the body form a central part of the colonial knowledge created in Angas’s work. Particularly notable is what this thesis terms ‘sartorial colonisation’ – a process of colonisation through discourse and expectations around clothes. Angas also travelled and worked in a dynamic middle ground in New Zealand and Maori played a vital role in the creation of his works. Angas represented Maori in a sympathetic light in many ways. Ultimately however, he believed in the superiority of the British culture, to the detriment of creating colonial knowledge that placed Maori as equal partners in the recently signed Treaty of Waitangi. This thesis also examines the ways in which Angas’s body of work has been engaged with by the New Zealand public through to the present. As a study of the products of a British traveller who spent time in other parts of the empire as well as in New Zealand, this thesis contributes to histories of New Zealand, and British imperial and transcolonial history.</p>


2020 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Anthony Snider ◽  
Shanhong Luo ◽  
Theresa Schell ◽  
Jeffery Hill

While there has been a substantial amount of literature published on environmental beliefs and behaviors, cross-cultural research in this area, particularly comparisons between indigenous vs. non-indigenous people, remains limited. The current study conducted a comparison of the environmental beliefs and behaviors, as well as political attitudes, between an indigenous and a non-indigenous sample of New Zealand and the US (total n=322). Respondents included students at the University of Waikato in New Zealand (Māori and European New Zealanders) and the University of North Carolina Pembroke in the US (Lumbees and non-indigenous Americans). The participants provided responses regarding their ecological worldview, belief in global climate change, and participation in environmentally responsible behaviors as well as their political attitudes, including system justification and political liberalism. Results showed that the New Zealand sample was more politically liberal and demonstrated more environmentally friendly beliefs and behaviors than the US sample. The indigenous group did not differ in their environmental beliefs or behaviors from their non-indigenous counterpart, but did endorse less system justification. Mediation analyses indicated that ecological worldview and belief in global climate change together fully mediated the link between political liberalism and environmentally responsible behavior. Implications of these findings for environmental behavior research and education are discussed.


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