Constructing the (m)other: A-prefixing, stance, and the lessons of motherhood

2013 ◽  
Vol 42 (3) ◽  
pp. 239-258 ◽  
Author(s):  
Allison Burkette

AbstractThe present study examines two unprompted versions of the same story, related by a mother and daughter in separate sociolinguistic interviews. Following a quantitative intraspeaker comparison of their use of grammatical features associated with Appalachian English within the entirety of their interviews, this study undertakes a close reading of the narratives (along with additional passages from the daughter) to demonstrate the manner in which the two women construct their identities as “mother” and as “other” through conversational narrative and the use of local dialect features. Specifically, this article addresses the use of regional grammatical variables to enact speaker stances toward mothering, focusing on two women's independent recollections of a single incident and how these narratives dialogically construct the (m)other. (Language variation, Appalachian English, stancetaking, motherhood)*

2018 ◽  
Vol 30 (3) ◽  
pp. 315-336 ◽  
Author(s):  
Johan Gross

AbstractThis paper examines the effects of housing segregation on variation in the vowel systems of young speakers of Swedish who have grown up in different neighborhoods of Gothenburg. Significant differences are found for variants of the variables /i:/ and /y:/, which are strongly associated with the local dialect; these two vowels also exhibit coherence. Another vowel pair, /ε:/ and /ø:/, are involved in a coherent leveling process affecting many of the central Swedish dialects but differing in degree of openness in different neighborhoods of Gothenburg. The results show that the variation is not simply a reflection of foreign background, nor of groups of youth adopting single variants; rather, a number of social factors conflate in housing segregation, which interferes with the transmission of more abstract aspects of the local dialect's vowel system to young speakers in certain neighborhoods.


2018 ◽  
Vol 38 (5) ◽  
pp. 447-480 ◽  
Author(s):  
Irmtraud Kaiser ◽  
Gudrun Kasberger

Children in Austria are exposed to a large amount of variation within the German language. Most children grow up with a local dialect, German standard language and ‘intermediate’ varieties summarized as ‘Umgangssprache’. Using an ABX design, this study analyses when Austrian children are able to discriminate native varieties of their L1 German (standard German vs local dialect). The results show children’s early ability to register differences and similarities on an across-speaker level when sentences are held constant (i.e. to discriminate translation equivalents in the two varieties) and a later, rather sudden emergence of more abstract categories of the varieties, which encompass different phonological and lexical variables and enable children to match sentences which also differ lexically. In sum, discrimination ability seems to be relatively stable and consistent at the age of 8/9. Other than age, the mother’s educational background, language variation at home and the immediate sociolinguistic setting (urban/rural) predict children’s discrimination performance.


1970 ◽  
Vol 12 (1) ◽  
pp. 81-92
Author(s):  
Sunahrowi Sunahrowi

 Teaching sociolinguistics is so important since it involves at least two disciplines, i.e. social studies and lingusitics. Sociolinguistics is a study of language linking to social circumstance. There are so many varieties of social classification, such as sex, age, status and classes in collective life that rise so many languange variation. Language variation is usually influenced by at least three factors; geographical area that rise local dialect, social factors relating to social classes and status, and educational background. Those aspects develop social dialect and register. Keywords: Variation, Register, Sociolinguistics, and Teaching.


2014 ◽  
Vol 44 (2) ◽  
pp. 272-287 ◽  
Author(s):  
Sharon Tighe-Mooney

This essay reassesses Kate O'Brien's The Flower of May, and argues that the novel presents as close to a conclusion as practicable to the themes O'Brien worked on throughout her fiction – the freedom to choose one's path in life, the negotiation of cultural, ethical and familial mores, as well as the importance of education for women. A close reading of the text suggests that the mother-daughter relationship symbolizes the rejection by the heroine, Fanny Morrow, of her mother Julia, who represents Mother Ireland, its customs and conventions, towards the fulfilment of Fanny's ambition for independence through education. This aspiration is achieved by Julia's death, which leaves Fanny free to live her life on her own terms, outside the constraints of familial bonds. Intertwined with the unfolding of the narrative is the recurring motif of the lighthouse, with its haunting presence during key moments of the plot, which is utilized as a symbol of nation, as well as a means of framing the diverging paths of mother and daughter.


2010 ◽  
Author(s):  
Asuncion M. Austria ◽  
A. Marie M. Austria
Keyword(s):  

CounterText ◽  
2020 ◽  
Vol 6 (2) ◽  
pp. 232-238
Author(s):  
Nicholas Birns

This piece explores the fiction of John Kinsella, describing how it both complements and differs from his poetry, and how it speaks to the various aspect of his literary and artistic identity, After delineating several characteristic traits of Kinsella's fictional oeuvre, and providing a close reading of one of Kinsella's Graphology poems to give a sense of his current lyrical praxis, the balance of the essay is devoted to a close analysis of Hotel Impossible, the Kinsella novella included in this issue of CounterText. In Hotel Impossible Kinsella examines the assets and liabilities of cosmopolitanism through the metaphor of the all-inclusive hotel that envelops humanity in its breadth but also constrains through its repressive, generalising conformity. Through the peregrinations of the anti-protagonist Pilgrim, as he works out his relationships with Sister and the Watchmaker, we see how relationships interact with contemporary institutions of power. In a style at once challenging and accessible, Kinsella presents a fractured mirror of our own reality.


2013 ◽  
Vol 7 (4) ◽  
pp. 456-474
Author(s):  
Beatrice Monaco

This paper explores some key texts of Virginia Woolf in the context of Deleuzian concepts. Using a close reading style, it shows how the prose poetry in Mrs Dalloway engages a complex interplay of repetition and difference, resulting in a remarkably similar model of the three syntheses of time as Deleuze understands them. It subsequently explores Woolf's technical processes in a key passage from To the Lighthouse, showing how the prose-poetic technique systematically undoes the structures of logical fact and rationality inscribed in both language and everyday speech to an extremely precise level.


2018 ◽  
Vol 12 (1) ◽  
pp. 29-44
Author(s):  
Srajana Kaikini

This paper undertakes an intersectional reading of visual art through theories of literary interpretation in Sanskrit poetics in close reading with Deleuze's notions of sensation. The concept of Dhvani – the Indian theory of suggestion which can be translated as resonance, as explored in the Rasa – Dhvani aesthetics offers key insights into understanding the mode in which sensation as discussed by Deleuze operates throughout his reflections on Francis Bacon's and Cézanne's works. The paper constructs a comparative framework to review modern and classical art history, mainly in the medium of painting, through an understanding of the concept of Dhvani, and charts a course of reinterpreting and examining possible points of concurrence and departure with respect to the Deleuzian logic of sensation and his notions of time-image and perception. The author thereby aims to move art interpretation's paradigm towards a non-linguistic sensory paradigm of experience. The focus of the paper is to break the moulds of normative theory-making which guide ideal conditions of ‘understanding art’ and look into alternative modes of experiencing the ‘vocabulary’ of art through trans-disciplinary intersections, in this case the disciplines being those of visual art, literature and phenomenology.


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