scholarly journals Towards a Critical Reappraisal of Kate O'Brien's The Flower of May

2014 ◽  
Vol 44 (2) ◽  
pp. 272-287 ◽  
Author(s):  
Sharon Tighe-Mooney
Keyword(s):  
Close Reading ◽  
The Novel ◽  
Mother Daughter Relationship ◽  
Familial Bonds ◽  
Mother And Daughter

This essay reassesses Kate O'Brien's The Flower of May, and argues that the novel presents as close to a conclusion as practicable to the themes O'Brien worked on throughout her fiction – the freedom to choose one's path in life, the negotiation of cultural, ethical and familial mores, as well as the importance of education for women. A close reading of the text suggests that the mother-daughter relationship symbolizes the rejection by the heroine, Fanny Morrow, of her mother Julia, who represents Mother Ireland, its customs and conventions, towards the fulfilment of Fanny's ambition for independence through education. This aspiration is achieved by Julia's death, which leaves Fanny free to live her life on her own terms, outside the constraints of familial bonds. Intertwined with the unfolding of the narrative is the recurring motif of the lighthouse, with its haunting presence during key moments of the plot, which is utilized as a symbol of nation, as well as a means of framing the diverging paths of mother and daughter.

scholarly journals THE DISCONNECTED VOICES OF MOTHERHOOD AND DAUGHTERHOOD IN TONI MORRISON’S PARADISE: JOURNEY FROM UNCERTAINTY TO CHAOS

2020 ◽  
Vol 4 (2) ◽  
pp. 212-222
Author(s):  
Ahdiyeh Alipour ◽  
Zanyar Kareem Abdul
Keyword(s):  
Black Women ◽  
Black Woman ◽  
Coming Of Age ◽  
Female Identity ◽  
Black Communities ◽  
The Novel ◽  
True Love ◽  
Mother Daughter Relationship ◽  
Mother And Daughter ◽  
The Way

This paper is an attempt of analysing the problematic mother-daughter relationship in Paradise (1998), a female coming-of-age novel by Toni Morrison. In the novel, a black woman and her daughter had an uneasy relationship. The daughter strived to shape her own identity and future, but her uneasy relationship with her mother profoundly affected her choices and the way she lived. Undoubtedly, the patriarchal environment that had moulded the female identity and shaped a woman’s world resulted in a dysfunctional relationship between mother and daughter. Although the seed of maternal love existed in her heart as in all mothers, she was often incapable of transferring this love into words and actions, overwhelmed as she was by the pressures patriarchal society. The oppressive pressure on black women is depicted far surpassed that on the whites, and the former were ostracized from society merely because of who they were and by the colour of their skin. This paper explores how patriarchy and conventional beliefs could influence the mother-daughter relationship and prevented the expression of a mother’s true love, consequently depriving them of the opportunity or ability to perform physiologically and psychologically as mothers, biological or otherwise, in black communities. To liberate herself, the daughter had to struggle in the swamp, which her ancestors had created by the force of convention and patriarchy. However, when she eventually discovered the way to free herself from the swamp, she felt no welcome from society and so continued to remain isolated and ostracised.

scholarly journals Family Psychic Transmission and Anorexia Nervosa

Psico-USF ◽  
2016 ◽  
Vol 21 (3) ◽  
pp. 635-649 ◽  
Author(s):  
Élide Dezoti Valdanha-Ornelas ◽  
Manoel Antônio dos Santos
Keyword(s):  
Anorexia Nervosa ◽  
Young Woman ◽  
Family Relationships ◽  
Emotional Development ◽  
Female Body ◽  
Maternal Grandmother ◽  
Three Generations ◽  
Mother Daughter Relationship ◽  
Mother And Daughter

Abstract Studies show that family relationships can act as mediating agents in triggering and maintaining the symptoms of anorexia nervosa (AN), especially the mother-daughter relationship configuration, which contains unconscious elements transmitted inter-generationally. This study aimed to understand the role of intergenerational psychic transmission in the articulation of anorexic symptoms in a young woman in treatment. Three generations of women of the same family were interviewed: maternal grandmother, mother and daughter, all diagnosed with AN. Some psychic contents that could not be elaborated were identified in the reports and these were, subsequently, converted into legacies transmitted to later generations. Feelings of inhibition and shame regarding sexuality and the female body, transmitted from grandmother to mother and from mother to granddaughter, seem to have blocked the emotional development in all generations. Incorporating these findings into treatment may facilitate the processing of the transmitted unconscious contents, contributing to the reorganization of the family's psychodynamic functioning.

scholarly journals On freedom in the times of Economic Crisis – A Close Reading Of Margaret Atwood's The Heart Goes Last

2018 ◽  
Vol 30 (2) ◽  
pp. 137-154
Author(s):  
Ewelina Feldman-Kołodziejuk ◽  
Keyword(s):  
North America ◽  
Economic Crisis ◽  
Margaret Atwood ◽  
Civil Liberties ◽  
Close Reading ◽  
The Novel ◽  
Economic Experiment ◽  
Experimental Project ◽  
The Times ◽  
Far Future

In her fifth dystopian novel, The Heart Goes Last, Margaret Atwood portrays North America in the not so far future, in the wake of a global economic crisis. Parts of the country are in the state of complete chaos, subjected to a ruthless gang rule. The solution to the system's breakdown comes in the form of the socio-economic experiment that requires from its participants relinquishing their freedom as every other month they will spend in prison. The seemingly preposterous experimental project enables Atwood to explore principal questions about the limits of our freedom in the times of an economic crisis or a neoliberal model of economy. The satirical form the novel takes, especially towards its end, helps the writer to decry people's over-willingness to give away their freedom and civil liberties in exchange for happy, uninterrupted consumption. The following article aims to demonstrate that the notion of freedom and free will permeate The Heart Goes Last, which is, in that respect, a politically and socially engaged satire.

scholarly journals Epilepsy, Forgetting, and Convalescence in Ondaatje’s Warlight

2021 ◽  
Vol 13 (2) ◽  
Author(s):  
Jan Gresil S. Kahambing ◽  
Keyword(s):  
Medical Humanities ◽  
Short Circuit ◽  
Epileptic Seizures ◽  
Close Reading ◽  
The Novel ◽  
Health Humanities ◽  
Do So

Michael Ondaatje’s Warlight (2018), his latest novel to-date, contains nostalgic elements of strangeness and cartography. In this paper, I short-circuit such themes with health under medical humanities, which heeds a Nietzschean counsel of close reading in literature. To do so, I explore the case of Rachel’s illness, namely her epileptic seizures, as an instance that drives her impetus for active forgetting and eventual convalescence. A close hermeneutical reading of the novel can reveal that both of Nietzsche’s ideas on active forgetting and convalescence provide traction in terms of what this paper constructs as Rachel’s pathography or narration of illness. Shifting the focus from the main narrator, Nathaniel, I argue that it is not the novel’s reliance on memory but the subplot events of Nathaniel’s sister and her epilepsy that form a substantial case of medical or health humanities.

scholarly journals Biblical Echoes and Communal Home in Jesmyn Ward's Salvage the Bones

2021 ◽  
Vol 62 ◽  
pp. 91-107
Author(s):  
Vicent Cucarella-Ramon
Keyword(s):  
African American ◽  
African Americans ◽  
Hurricane Katrina ◽  
African American Family ◽  
The Novel ◽  
American Family ◽  
National Belonging ◽  
National Space ◽  
Familial Bonds ◽  
Communal Healing

Jesmyn Ward’s second novel, Salvage the Bones (2011), offers a literary account of an African American family in dire poverty struggling to weather the horrors of Hurricane Katrina on the outskirts of Bois Sauvage, Mississippi. This article focuses on the novel’s ‘ideology of form’, which is premised on biblical models of narration —grounded on a literary transposition of The Book of Deuteronomy— that serves to portray the victimization of African Americans in mythical tones to evoke the country’s failed covenant between God and his chosen people. It also brings into focus the affective bonds of unity and communal healing relying on the idiosyncratic tenet of home understood as national space— following Winthrop’s foundational ideology. As I will argue, the novel contends that the revamped concept of communal home and familial bonds —echoing Winthrop’s emblem of national belonging— recasts the trope of biblical refuge as a potential tenet to foster selfassertion and to rethink the limits of belonging and acceptance.

scholarly journals Aracoeli di Elsa Morante

2018 ◽  
Author(s):  
Silvia Camilotti
Keyword(s):  
Personal Experience ◽  
Close Reading ◽  
The Novel ◽  
Elsa Morante ◽  
Literary Device ◽  
Literary Devices

I propose a close reading of Elsa Morante’s latest book, Aracoeli, drawing upon three key literary devices: escapism, metamorphosis and paradox, which I use in relation to both the principal characters in the book, Aracoeli and her son Emanuele. Moreover, my reading will also bring to light the author’s personal experience and how it is relevant to the novel particularly in relation to the literary device of escapism.

scholarly journals Emotions vocabulary and the reconceptualisation of emotions in Ann Radcliffe’s “The Italian, or the Confessional of the Black Penitents”

2019 ◽  
Vol 5 (1) ◽  
pp. 40-58
Author(s):  
Elena D. Andonova-Kalapsazova
Keyword(s):  
Eighteenth Century ◽  
David Hume ◽  
Adam Smith ◽  
Emotional Experience ◽  
Close Reading ◽  
The Novel ◽  
Emotional Experiences ◽  
Critical Studies ◽  
Francis Hutcheson ◽  
History Of

The article undertakes the analysis of Ann Radcliffe’s novel The Italian, or the Confessional of the Black Penitents (1797) from a history of literary emotions perspective which, I argue, yields insights into the attitudes towards emotions embedded in Radcliffe’s works. A reading of the novel from such a perspective also complements the critical studies of the artist’s engaging with the eighteenth-century cult of sensibility. The novel is read as a text that registered but also participated in the dissemination of an epistemology of emotional experience articulated in the idiom of eighteenth-century moral philosophers – Francis Hutcheson, David Hume and Adam Smith - at the same time as it retained some of the older, theology-based conceptions of passions and affections. The dynamic in which the two frameworks for understanding the emotions exist in the novel is explored through a close reading of the vocabulary in which Radcliffe rendered the emotional experiences of her fictional characters. In this reading it is the passions which are found to have been invested with a variety of meanings and attributed a range of moral valences that most noticeably foreground the movement from a generally negative towards a more complex appreciation of powerful emotions.

Alternative Literary Modernities: A Voice from Colonial Punjab

2018 ◽  
Vol 66 (1) ◽  
pp. 35-48
Author(s):  
Arti Minocha
Keyword(s):  
Middle Class ◽  
Literary Culture ◽  
The Self ◽  
Subject Position ◽  
Close Reading ◽  
The Novel ◽  
Discursive Space ◽  
Political Subject ◽  
The Subject ◽  
Language Content

Abstract This paper looks at the formation of colonial print publics in Punjab, the gendered subjectivities that emerged in this new discursive space, and middle-class women’s deployment of print to articulate the self. This will be done through a close reading of one of the first novels in English, Cosmopolitan Hinduani, which was published in Lahore, Punjab, by a woman in 1902. The essay examines the narrator’s notion of a gendered cosmopolitanism and the subject position that it affords, her attempt at going beyond the fault lines of religion to articulate a liberal and modern political subject, while reworking the cosmopolitan/local binary. How does her insertion of herself as a gendered subject in the provincial, national, cosmopolitan imaginary reflect in the author’s choice of language and genre? My attempt will be to see the novel and its author as part of a literary culture in which she made certain choices about the form, language, content, and audience.

The Tree of Knowledge: New Insights on Katherine Mansfield, Oscar Wilde and ‘A Woman’

2017 ◽  
pp. 175-189
Author(s):  
Giles Whiteley
Keyword(s):  
Oscar Wilde ◽  
Close Reading ◽  
The Novel ◽  
Katherine Mansfield ◽  
Unknown Source ◽  
Tree Of Knowledge ◽  
Critical Heritage ◽  
John Middleton Murry

This article examines in detail a number of unattributed quotations taken from the journals of 1907, signed ‘O.W.’, ‘A Woman’ and ‘A.W.’. I call into question the critical heritage on these signatures, which has taken them to refer to Oscar Wilde and to Mansfield herself, an error traced to the early work of John Middleton Murry. This article instead establishes Mansfield’s hitherto unknown source as the novel The Tree of Knowledge, by an anonymous author, and offers a close reading of the Mansfield’s use of the novel in these pages. The article concludes by speculating as to the author, and as to how Mansfield came to read the text.

Womb with a View

2020 ◽  
pp. 187-206
Author(s):  
Ally Wolfe
Keyword(s):  
New World ◽  
Significant Part ◽  
Duty Of Care ◽  
Close Reading ◽  
The Novel ◽  
Working Through ◽  
Brave New World

This chapter conducts a close reading of Lois McMaster Bujold’s ‘problem’ novel Ethan of Athos, in which an all-male world, Athos, is posited, reliant for reproduction on the ‘uterine replicator’ or artificial womb. Close reading demonstrates how the novel proves more complex than initial readings might suggest in its careful working-through of the ramifications of the uterine replicator for parenting, motherhood, and the duty of care towards the young. The chapter argues how the existence of Athos with the wider Vorkosigan series is significant, part of an ongoing and series-wide project by Bujold to demonstrate the range of possible futures that the uterine replicator might permit. At various points, Ethan of Athos is brought into conversation with Huxley’s Brave New World to contrast Bujold and Huxley’s visions of reproductive futurities. The chapter shows how Bujold’s saga-length project of creating a diverse science-fictional heterotopia involves a thorough working-through of the ramifications of the uterine replicator, of detaching reproduction from a gestational body, in which Ethan of Athos plays a necessary part.

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