Tomb Architecture of Dynastic China: Old and New Questions

2004 ◽  
Vol 47 ◽  
pp. 1-24
Author(s):  
Qinghua Guo

A significant number of tombs have survived from the Han dynasty (Western Han 206 BC-AD 8, Eastern Han 25–220), an important period for tomb architecture in China. The number of examples is in stark contrast to the lack of evidence of other architecture from the period. In fact, no timber architecture built before the Tang dynasty (618–907) exists today. While much care and scholarly effort has been devoted to the interpretation of ancient architecture, funeral architecture has not received adequate study and scrutiny.

2015 ◽  
Vol 11 (4) ◽  
pp. 3567-3595
Author(s):  
Y. Su ◽  
L. Liu ◽  
X. Q. Fang ◽  
Y. N. Ma

Abstract. In ancient China, the change in regional agriculture and animal husbandry productivity caused by climate change led to either wars or peaceful relations between nomadic and farming groups. From the Western Han Dynasty to the Tang Dynasty there were 367 wars between the two groups. The nomadic people initiated 69 % of the wars, but 62.4 % were won by the farmers. On a 30 year-period timescale, warm climates corresponded to a high incidence of wars. The conflicts between the nomadic and farming groups took place in some areas which are sensitive to climate change. During the cold periods, the battlefields were mostly in the southern regions. The main causes which leading to the above results are following: (1) warm climate provided a solid material foundation for nomadic and farming groups, especially contributed to improve the productivity of nomadic group; meanwhile, the excessive desire for essential means of subsistence in nomadic group could led to wars. (2) During the cold periods, people of farming group moved to the south and construct the south, meanwhile, nomadic group occupied the central plains, thus the battlefields also changed. As the background, climate change plays an indirect role in wars between groups.


2017 ◽  
Vol 7 (8) ◽  
pp. 690
Author(s):  
Yiming Zhao ◽  
Yeli Shi

In the process of thousands of years’ dynasties change and social development, it is not difficult to find the sustained impact of foreign trade on Chinese society. Trade has output both the goods and culture of China. At the same time it also brought in the material and non-material civilization from other places of the world. As a product of foreign culture, loan words are not only a microcosm of the outcome of trade activities in specific periods, but also enrichment to Chinese language. This article intends to elaborate the influence of trade activities on Chinese loan words with the development of history as the pointcut, focusing on the typical periods of the development of foreign trade in China, including the Han Dynasty, the Tang Dynasty, the late Qing Dynasty and the Republic of China.


NAN Nü ◽  
2013 ◽  
Vol 15 (2) ◽  
pp. 179-218 ◽  
Author(s):  
Keith McMahon

“Women Rulers in Imperial China”is about the history and characteristics of rule by women in China from the Han dynasty to the Qing, especially focusing on the Tang dynasty ruler Wu Zetian (625-705) and the Song dynasty Empress Liu. The usual reason that allowed a woman to rule was the illness, incapacity, or death of her emperor-husband and the extreme youth of his son the successor. In such situations, the precedent was for a woman to govern temporarily as regent and, when the heir apparent became old enough, hand power to him. But many women ruled without being recognized as regent, and many did not hand power to the son once he was old enough, or even if they did, still continued to exert power. In the most extreme case, Wu Zetian declared herself emperor of her own dynasty. She was the climax of the long history of women rulers. Women after her avoided being compared to her but retained many of her methods of legitimization, such as the patronage of art and religion, the use of cosmic titles and vocabulary, and occasional gestures of impersonating a male emperor. When women ruled, it was an in-between time when notions and language about something that was not supposed to be nevertheless took shape and tested the limits of what could be made acceptable.


2007 ◽  
Vol 1 (2) ◽  
pp. 23-57 ◽  
Author(s):  
Pei-chuan WEI

There is a great number of question particles in Chinese dialects that can be traced back to the negatives bu 不 and wu 無, which appeared in the negative part of A-not-A questions before turning into question particles. It remains debatable when and how this change occurred. We pinpoint the time when these two negatives changed into question particles according to several criteria in this paper. The time when bu became used as a question particle can be roughly dated to the Later Han dynasty and that of wu to the Tang dynasty, and the characters for these two words were then replaced by others. The interaction between bu and wu in history draws a picture of dynamic interaction. Some dialects show an extension from bu to wu, and some the other way round; the former is predominant in Middle Chinese, and the latter after the Tang dynasty. The way that bu changed into a question particle appears different from wu, which can be depicted as follows: The negative bu might have been seen as equivalent to the question particles hu 乎 and ye 耶 by holding a position identical to these two particles, which lost their function of interrogation and, as a result, were supplanted by bu subsequently. As a negative, wu is not only parallel with bu in syntactic behaviors, but also overlaps with the latter in the history, which made wu turn into a question particle after bu had done so.


2016 ◽  
Vol 12 (1) ◽  
pp. 137-150 ◽  
Author(s):  
Y. Su ◽  
L. Liu ◽  
X. Q. Fang ◽  
Y. N. Ma

Abstract. In ancient China, shifts in regional productivity of agriculture and animal husbandry, caused by climate change, either led to wars or peaceful relations between nomadic and farming groups. During the period spanning the Western Han Dynasty to the Tang Dynasty, 367 wars were waged between these groups. While 69 % of the wars were initiated by nomads, 62.4 % were won by the farming groups. On a centennial timescale, the battlegrounds were mostly in northern areas (at an average latitude of 38.92° N) during warm periods, moving southward (at an average latitude of 34.66° N) during cold periods. On a decadal timescale, warm climates corresponded to a high incidence of wars (a correlation coefficient of 0.293). While farming groups were inclined to initiate wars during dry and cold periods, their chances of achieving victory were reduced at such times. The main reasons for this are, first, that a warm climate provided a solid material foundation for nomadic and farming groups, contributing especially to enhanced productivity among the former. However, the overriding desire of nomadic groups to expand essential subsistence means led to wars. Second, during cold periods, farming groups moved to and settled in the south, while nomadic groups occupied the Central Plain. Thus, the locations of the battlefields also changed. While other factors also influenced these wars, climate change served as a backdrop, playing an indirect role in wars between these groups.


This chapter studies the development and basic ideas of Chinese aesthetics by reviewing the history of aesthetic perspective from the Han Dynasty; the Wei, Jin, and Southern and Northern Dynasties; the Tang Dynasty; the Five Dynasties; the Song and Yuan Dynasties; and the Ming and Qing Dynasties. The ancient Chinese artists pursued the artistic conception of beauty, namely, the integration of mind and objects, sentiments, and scenes, and the fusion of subjective emotions and objective landscape. Nevertheless, this conception overlooks the function of practice, the intermediary between mind and objects. Actually, there are three fundamental elements: emotion (first feeling) of aesthetic subjects; artistic conception sensed through the painting brush in practice (perception); poetry, books, songs, and paintings as artistic finished products (containing essence and sentiments). It is the combination, conformity, and harmonious co-existence of these three essentials (namely subject–practice–object) that constitute the art system aesthetics or design aesthetics.


2019 ◽  
pp. 129-142
Author(s):  
Mieczysław Jerzy Künstler

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