Recent Work at the Lower Palaeolithic Site of Corfe Mullen, Dorset, England

2012 ◽  
Vol 78 ◽  
pp. 35-50 ◽  
Author(s):  
John McNabb ◽  
Robert Hosfield ◽  
Kevin Dearling ◽  
Dominic Barker ◽  
Kristian Strutt ◽  
...  

Changes in the geological interpretation of the history of the ancient Solent river basin have focused attention on the handaxes discovered in the Corfe Mullen area during quarrying before the Second World War. Recent geological research suggests that the fluvial terrace the handaxes are associated with may pre-date the Anglian glaciation. This is important because it contributes to the question of just when the Solent basin was first occupied by hominins, and how this relates to other areas of possible contemporary pre-Anglian occupation such as the Boxgrove Marine embayment. However, the artefacts were believed to come from the bluff of the river terrace and were thus not in situ. This paper explores that question and re-examines the context from which the handaxes at Corfe Mullen were discovered.

1966 ◽  
Vol 25 (4) ◽  
pp. 589-605 ◽  
Author(s):  
Harry J. Benda

The history of Indonesia in the last two or three decades of Dutch colonial rule still has to be written, and it can only be written when the abundant archival materials for this period, both in Indonesia and in the Netherlands, come to be opened up for scholarly investigation. Scholars who, since the Second World War, have turned their attention to modern Indonesian history have tended to focus on the development of Indonesian nationalism, and for understandable reasons. The Indonesian Revolution, crowned by the attainment of Indonesian independence in 1949, rendered an understanding of the Indonesian nationalist movement in colonial times imperative not only to Indonesian historians attempting to come to grips with their country's recent past but also to an ever-increasing number of foreign students. Welcome as this ongoing re-examination of Indonesian nationalism is, it, too, must remain incomplete until documentary evidence, whether archival or (auto)-biographical, can substantially enrich it.


Author(s):  
Ian Whittington

Writing the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain. Through chapters focusing on the ‘broadbrow’ radicalism of J.B. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston, and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalized on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire. By combining literary aesthetics with the acoustics of space, accent, and dialect, writers created aural communities that at times converged, and at times contended, with official wartime versions of Britain and Britishness. Though rarely controversial, the broadcasts of these writers navigated an environment of political compromise in order to present new articulations of British and imperial identity that set the stage for the postwar multi-ethnic welfare state to come.


HISTOREIN ◽  
2021 ◽  
Vol 19 (2) ◽  
Author(s):  
Christos Triantafyllou

During the first decades after the Second World War, Greek society had to deal with a vast array of issues, including its relationship with the past. In this context, Eleftherios Venizelos, a great statesman of the early twentieth century, was frequently used both as a symbol in contemporary political debates and as a metonymy in various attempts to contextualise the history of the first half of the century. An important part of these attempts was the corpus of public narratives produced about Venizelos and his era, either as historiographical accounts or autobiographical texts. These narratives, published in newspapers and books, were not, for the most part, academic; their authors were usually journalists, retired military officers, or politicians, who formed a political-historical nexus and who produced a new discourse on a historical period which had hitherto received little or no historiographical attention. In fact, this discourse left its mark on Greek political and historical culture for decades to come.


2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


1992 ◽  
Vol 13 (2) ◽  
pp. 101-126
Author(s):  
Hans Levy

The focus of this paper is on the oldest international Jewish organization founded in 1843, B’nai B’rith. The paper presents a chronicle of B’nai B’rith in Continental Europe after the Second World War and the history of the organization in Scandinavia. In the 1970's the Order of B'nai B'rith became B'nai B'rith international. B'nai B'rith worked for Jewish unity and was supportive of the state of Israel.


Author(s):  
David Hardiman

Much of the recent surge in writing about the practice of nonviolent forms of resistance has focused on movements that occurred after the end of the Second World War, many of which have been extremely successful. Although the fact that such a method of civil resistance was developed in its modern form by Indians is acknowledged in this writing, there has not until now been an authoritative history of the role of Indians in the evolution of the phenomenon.The book argues that while nonviolence is associated above all with the towering figure of Mahatma Gandhi, 'passive resistance' was already being practiced as a form of civil protest by nationalists in British-ruled India, though there was no principled commitment to nonviolence as such. The emphasis was on efficacy, rather than the ethics of such protest. It was Gandhi, first in South Africa and then in India, who evolved a technique that he called 'satyagraha'. He envisaged this as primarily a moral stance, though it had a highly practical impact. From 1915 onwards, he sought to root his practice in terms of the concept of ahimsa, a Sanskrit term that he translated as ‘nonviolence’. His endeavors saw 'nonviolence' forged as both a new word in the English language, and as a new political concept. This book conveys in vivid detail exactly what such nonviolence entailed, and the formidable difficulties that the pioneers of such resistance encountered in the years 1905-19.


1972 ◽  
Vol 44 (1) ◽  
pp. 104-105
Author(s):  
Gordon A. Craig

Sign in / Sign up

Export Citation Format

Share Document