scholarly journals MATERIAL TURNS IN BRITISH HISTORY: IV. EMPIRE IN INDIA, CANCEL CULTURES AND THE COUNTRY HOUSE

2021 ◽  
Vol 31 ◽  
pp. 1-21
Author(s):  
Margot C. Finn

ABSTRACTThis lecture seeks to historicise the so-called cancel culture associated with the ‘culture wars’ waged in Britain in c. 2020. Focusing on empire and on the domestic, British impacts of Georgian-era imperial material cultures, it argues that dominant proponents of these ‘culture wars’ in the public sphere fundamentally distort the British pasts they vociferously claim to preserve and defend. By failing to acknowledge the extent to which eighteenth- and nineteenth-century British men and women themselves contested imperial expansion under the aegis of the East India Company – and decried its impact on British material culture, including iconic stately homes – twenty-first-century exponents of culture wars who rail against the present-day rise of histories of race and empire in the heritage sector themselves erase key layers of British experience. In so doing, they impoverish public understanding of the past.

2017 ◽  
Vol 56 (4) ◽  
pp. 836-854 ◽  
Author(s):  
Peter Lake

AbstractThis article responds to the pieces collected in this special issue of the Journal of British Studies, all of which seek to take some notion of the politics of the public sphere and either apply it to, or break it upon the wheel of, various versions of British history during the post-Reformation period. It seeks to bring the other articles into conversation both with one another as well as with existing work on the topic.


2021 ◽  
Author(s):  
Martin Franchi

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.


2018 ◽  
Vol 8 (1) ◽  
pp. 56-84
Author(s):  
Uganda Sze Pui Kwan

Abstract James Summers occupied the professorship of Chinese for two decades at King’s College London. He was also a trailblazer in promoting the study of Japanese culture in Victorian Britain, but he has been an underrated and understudied figure in British history. Summers was an ardent supporter of modern printing. He believed printed media was the most effective medium to transform British perceptions of Asia, which in turn would help support Britain’s foreign political, commercial and missionary enterprise. He also orchestrated the printing of catalogues and journals in his capacity as library assistant to the British Museum and the India Office Library. He even set up his own press to print a newspaper in order to disseminate knowledge of East Asia to a broader readership. Based on primary materials that have rarely been used before, this paper positions Summers in the study of book history, material culture and print mediums in order to reassess his pioneering efforts in Sinological studies.


Noir Affect ◽  
2020 ◽  
pp. 197-221
Author(s):  
Pamela Thoma

This chapter explores a surprising shift that has occurred in postfeminist popular culture and more specifically “chick culture” in the wake of the global economic crisis. Chick noir forms itself in opposition to those two standbys of twenty-first-century U.S culture, chick lit and the chick flick. If these latter genres perform a humorous remodelling of romance as the “happy object” around which young women should orient self-making or self-improvement projects for the promise of a good life and future feelings of happiness, chick noir has emerged across popular culture to chronicle widespread economic hardship and social decline under neoliberalism. Chick noir narratives are driven by negative affect and deal in the dark side of relationships, domesticity, and the public sphere for women. The chapter takes Gone Girl as its focus. This chapter pays particular attention to ways in which both texts shine a light on modern surveillance culture to explore the textual production of empathy and coercion and the ways in which these texts imagine femininity as a site of surveillance. What emerges is a form of noir affect that dramatizes the absolute lack of a stable or noncontradictory space for the contemporary female subject.


Anthropology ◽  
2020 ◽  
Author(s):  
Cara Krmpotich

Repatriation is the return of persons, material heritage, and/or associated knowledge to its place of origins. Within anthropology, this frequently refers to the return of items collected and held within museums or other institutional collections to originating communities. Origins and originating communities are variously identified as nation-states, Indigenous or ethnic groups, kin groups, cities or villages, or sites of removal. It is repatriation from cultural institutions, as opposed to battlefield repatriation or repatriation of displaced persons, that the bibliography focuses on. Anthropology is well into its second generation of focused repatriation scholarship, whereas the material culture and human remains at the heart of repatriation requests have frequently had a much longer place in anthropological research. Many items now returning through repatriation processes were originally collected and made objects of study by anthropologists and archaeologists. During the formation of anthropology and archaeology as disciplines, museums, material culture (see the separate Oxford Bibliographies article Material Culture), and physical anthropology were central. Collecting, documenting, and measuring the physical bodies and material heritage of cultural groups were understood by anthropologists to generate data, while museums were sites where comparative analysis could occur, training of students happened, and emerging theories could be presented to scholars and the public alike. Given this history, it is unsurprising that anthropologists have been actively engaged in scholarly debate about the repatriation of materials (whether ethnographic or otherwise), as well as participants in the development of institutional policies, national legislation, and public understanding. In the contemporary moment, anthropologists frequently find themselves working with Indigenous peoples who are vying to hold colonial and settler nations to account for injustice, and who are asserting the viability and legitimacy of their cultural practices into the future. Repatriating ancestral remains and material heritage is one form of redress and expression of sovereignty for many nations and cultural groups. Thus, repatriation is increasingly understood as an expression of contemporary Indigeneities and nationalisms, pushing anthropologists to ask what roles repatriation—and museums more broadly—play in processes of decolonization, reconciliation, indigenization, and nation-building.


2007 ◽  
Vol 14 ◽  
Author(s):  
Stephanie Ho

Blogging is a twenty-first century phenomenon that has heralded an age where ordinary people can make their voices heard in the public sphere of the Internet. This article explores blogging as a form of popular history making; the blog as a public history document; and how blogging is transforming the nature of public history and practice of history making in Singapore. An analysis of two Singapore ‘historical’ blogs illustrates how blogging is building a foundation for a more participatory historical society in the island nation. At the same time, the case studies also demonstrate the limitations of blogging and blogs in challenging official versions of history.


MELUS ◽  
2020 ◽  
Vol 45 (1) ◽  
pp. 185-200
Author(s):  
Timothy S Lyle

Abstract Janet Mock—writer, activist, television host, director—has become a leading voice for transgender women of color in the twenty-first century. In 2014, Mock published Redefining Realness with Atria Books. Shortly thereafter, Mock became a New York Times best-selling writer and garnered the critical praise of folks such as bell hooks, Melissa Harris-Perry, Oprah Winfrey, and more. Hooks described Mock’s work as a guide to transformation, Harris-Perry situated her work in the deep tradition of life writing in African American literature, and Winfrey called her a “fearless new voice” who “changed my way of thinking.” In 2017, Mock published her second memoir, Surpassing Certainty, marking a rare moment in which a transgender woman-of-color writer released a second book with a major publisher. During our conversation at Babbalucci, a restaurant in her beloved Harlem neighborhood, Mock reflected on her first book in light of the writing of her sophomore release. She also shared insight about writing love and dating storylines for transgender women of color, an amplified focus in Surpassing Certainty, and she discussed the dynamics of disclosure in narrative and life. Further, she ruminated about what constitutes home for her and how to write about space and place. Such remarks importantly center her Hawaiian roots and her multi-ethnic identity. Finally, Mock offered her most recent thoughts on being a trans woman of color in the public sphere in a turbulent national climate—particularly for folks on the margins of the already-marginalized.


2019 ◽  
Vol 38 (2) ◽  
pp. 373-407
Author(s):  
Zak Leonard

Beginning in the 1840s, high-ranking officials within the East India Company began a concerted effort to confiscate and annex princely states, citing misrule or a default of blood heirs. In response, metropolitan reformers and their Indian allies orchestrated a sustained legalistic defense of native sovereignty in the public sphere and emerged as vocal opponents of colonial expansionism. Adapting concepts put forth by both law of nations theorists and contemporary jurists, they sought to preserve longstanding treaties and defend the princes' exercise of internal sovereignty. The colonial government's failure to adequately define the basis of its modern “paramountcy” invited such creative maneuvering. Reformist opposition to the annexation of Awadh, the dispossession of the Nawab of the Carnatic, and the confiscation of Mysore demonstrates that international law did not simply function as a Eurocentric tool of subordination, but could also provide a bulwark against colonial depredations.


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