scholarly journals Institutional Restructuring in Response to the Changing Mission of Land Grant Colleges

1973 ◽  
Vol 2 (2) ◽  
pp. 282-296
Author(s):  
Robert O. Sinclair

The advertisement of one of our automobile manufacturers 10 to 15 years ago ended with the slogan, “Ask the man who owns one.” Probably my presence on this program on institutional restructuring can be explained best by paraphrasing this ad to read “Ask the man who's been through one.” Although I shall describe Vermont's experience with reorganization, in the process I want to discuss a few ideas on the changing role of the university and the land grant college in the last half of the 20th century. I readily confess that many of the ideas expressed in this paper are not original; I have drawn heavily upon recent writings of James Bonnen (1), Emery Castle (2, 3), and Earl Heady (4), and I recommend the original articles to you.

2015 ◽  
Vol 36 (7) ◽  
pp. 1407-1433 ◽  
Author(s):  
TIAGO MOREIRA

ABSTRACTDeparting from the proposition that, in the sociological debate about whether there has been a shift towards a de-standardised lifecourse in advanced economies, little attention has been devoted to the infrastructural arrangements that would support such a transition, this paper explores the changing role of standards in the governance of ageing societies. In it, I outline a sociological theory of age standard substitution which suggests that contradictory rationalities used in the implementation of chronological age fuelled the emergence of a critique of chronological age within the diverse strands of gerontological knowledge during the 20th century. The paper analyses how these critiques were linked to a proliferation of substitute, ‘personalised’ age standards that aimed to conjoin individuals’ unique capacities or needs to roles or services. The paper suggests that this configuration of age standards’ production, characterised by uncertainty and an opening of moral and epistemic possibilities, has been shrouded by another, more recent formation where institutional responses to decentred processes of standardisation moved research and political investment towards an emphasis on biological age measurement.


System ◽  
1977 ◽  
Vol 5 (1) ◽  
pp. 38-45 ◽  
Author(s):  
Norman F. Davies
Keyword(s):  

2020 ◽  
pp. 107385842097638
Author(s):  
Letizia Maria Cupini ◽  
Paolo Calabresi

Giacomo Balla, a famous Italian Futurist painter, was a great observer of both human motion and emotion. He showed a profound interest toward neurophysiological and neurological sciences. During his search of his personal artistic style, he attended the lessons of Cesare Lombroso, a criminal anthropologist, who at the time was also professor of neurology at the University of Turin. Some years later, he became a close friend of Doctor Francesco Ghilarducci, who had spent a few years in Paris at Jean-Martin Charcot’s “School.” Balla spent most of his career studying the dynamics of movement and speed. Some of his most famous paintings were inspired by photographic studies on the locomotor system, such as those of the French physiologist Étienne-Jules Marey. His personal painting style reveals his deep interest in neurosciences. We hereby illustrate the role of some of Giacomo Balla’s paintings as historical records of the neuroscience environment at the turn of the 20th century.


PEDIATRICS ◽  
1992 ◽  
Vol 90 (1) ◽  
pp. 50-57
Author(s):  
Robert L. Brent

There is considerable literature dealing with the responsibilities of clinical department chairmen, which primarily emphasizes the importance of developing a sound and facilitating administration. This is dependent on the hiring of appropriate support personnel, developing a representative committee structure, being available to the faculty for their needs, and establishing departmental guidelines, procedures, and policies that apply equally to everyone. Nascent chairmen have an extensive literature available to them concerning academic administration, but a chairman's success is primarily dependent on the possession or development of certain interpersonal skills. Developing a concern and interest in the faculty and staff will come naturally to some and may have to be learned by others. A chairman can attempt to create an excellent esprit de corps by introducing a departmental philosophy that is perceived by the faculty to be supportive. Qualities of the chairman that convey this philosophy are fairness, integrity, compassion, confidentiality, effectiveness, judiciousness, and the willingness to exert considerable effort and time in obtaining recognition and rewards for the faculty. Some of the most difficult tasks for a chairman are (1) the prioritization of his or her responsibilities and activities, (2) representing both the university and the department when their goals appear to conflict, (3) recognizing that an autocratic chairman may administer the department with less difficulty and even appear to have more respect than a democratic chairman, (4) learning to expect less accolades and appreciation from faculty than the clinical chairmen of yesteryear, and (5) resisting the commitment of valuable time to negotiations or battles that cannot be won or to activities that do not benefit the department or the university. There are more than 25 areas of responsibility that are mentioned in this paper. Only a few of them are discussed in any detail. There are many positive aspects of the role of chairmanship. As the years go by, the position becomes easier and more enjoyable and represents the most rewarding and fulfilling position in the medical administration hierarchy. It offers the individual an unusual degree of independence and autonomy not available in any of the other administrative positions in medicine, while still permitting involvement in the scholarly and clinical pursuits of academic medicine and the development of future clinicians and academicians.


2000 ◽  
Vol 16 (2) ◽  
pp. 163-174
Author(s):  
Dagmar Inštitorisová ◽  
Daniela Bačová

At the cusp of the ‘eighties and ’nineties, theatre in what was soon to become the Slovak Republic had to come to terms not only with the disintegration of the communist system, but with the break-up of the former Czechoslovakia into its constituent nations. During the previous decade, the theatre had in many ways helped to undermine the decaying authoritarian regime, but now many of its practitioners found themselves disaffected by the disappointment of early ideals, and their livelihoods threatened by the loss of state funding, which had at least acknowledged the importance of theatre to the nation's cultural prestige. In this article, the authors trace the distinguishing strands of the work of major directors and writers of both the older and the younger generations, and attempt to define the changing role of theatre – not forgetting the influence of the puppet theatre tradition – as the Slovak nation seeks a renewed vitality through reclaiming its cultural past while re-defining its present. Daniela Bacova teaches English literature and drama at the Department of English and American Studies in the University of Constantine the Philosopher, Nitra, Slovakia, and is one of the editors of the journal Dedicated Space. Dagmar Institorisová works in the Institute of Literary Communication in the University of Constantine the Philosopher, and has just published her doctoral thesis on Variety of Expression in a Theatrical Work.


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