scholarly journals Social continuity and religious coexistence: the Muslim community of Tudela in Navarre before the expulsion of 1516

2011 ◽  
Vol 26 (3) ◽  
pp. 309-331
Author(s):  
CARLOS CONDE SOLARES

ABSTRACTThis article evaluates the presence of Muslim communities in the Kingdom of Navarre in the late Middle Ages. Following the Christian Reconquest of the Navarrese bank of the Ebro in 1119, a sizeable Muslim community remained in Christian territory until 1516. This article focuses on the fifteenth century, a period for which religious coexistence in the smallest of the Iberian Christian kingdoms is in need of further contextualisation. An analysis of existing scholarship and new archival evidence throws light on the economic activities of the Muslims in Tudela as well as on their relationship with the Navarrese monarchy, their collective identity, their legal systems and their relationships not only with their Christian and Jewish neighbours, but also with other Iberian Muslim communities including those of Al Andalus, or Moorish Iberia.

Author(s):  
Pavlína Rychterová

This chapter examines the growing importance of the vernacular languages during the later Middle Ages in shaping the form, content, and audiences of political discourse. It presents a famously wicked king of the late Middle Ages, Wenceslas IV (1361–1419), as a case study and traces the origins of his bad reputation to a group of fourteenth- and fifteenth-century writings. These have often been dismissed as fictions or studied solely as literature, but in fact they represent new modes of articulating good and bad kingship. The chapter shows that, in the context of an increasingly literate bourgeois culture, especially in university cities, these vernacular works transformed Latin theological approaches to monarchy, while rendering mirrors for princes and related literatures accessible to an unprecedented audience.


1994 ◽  
Vol 3 (1) ◽  
pp. 23-43
Author(s):  
Peter Wright

A badly trimmed ascription can be more a matter for relish than regret: if enough of the composer's name survives to permit informed speculation, the musicologist's sense of pleasure is likely to outweigh his sense of loss. Most musical manuscripts from the late Middle Ages have visibly suffered at the hands of the binder's knife, but perhaps none more so than the famous ‘Aosta Manuscript’ (I-AO15), one of the central sources of early fifteenth-century sacred polyphony. In his inventory of the manuscript Guillaume de Van reported no fewer than twenty names as surviving in varying states of incompleteness. In fifteen instances he was able to decipher the composer's name or supply it from the manuscript's index or a concordant source, while the other five apparently defeated him. Two of the names have since been deciphered, and a third has been identified from another source, but the remaining two have attracted no further comment.


Author(s):  
Roi Wagner

This chapter offers a historical narrative of some elements of the new algebra that was developed in the fourteenth to sixteenth centuries in northern Italy in order to show how competing philosophical approaches find an intertwining expression in mathematical practice. It examines some of the important mathematical developments of the period in terms of a “Yes, please!” philosophy of mathematics. It describes economical-mathematical practice with algebraic signs and subtracted numbers in the abbaco tradition of the Italian late Middle Ages and Renaissance. The chapter first considers where the practice of using letters and ligatures to represent unknown quantities come from by analyzing Benedetto's fifteenth-century manuscript before discussing mathematics as abstraction from natural science observations that emerges from the realm of economy. It also explores the arithmetic of debited values, the formation of negative numbers, and the principle of fluidity of mathematical signs.


Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.


1996 ◽  
Vol 47 (3) ◽  
pp. 446-477 ◽  
Author(s):  
Jens Röhrkasten

Much attention has been paid to the role and functions of the mendicant orders in their urban environment. Among the topics discussed have been the friars' importance for urban development, their coexistence with other religious institutions, their economic practices and their relations with the secular authorities. As far as their spiritual and social significance is concerned their spectacular success and rapid development in the thirteenth century are generally accepted. There were some setbacks, particularly in towns where the Dominicans or Franciscans became involved in the suppression of heresy, but these had little impact on the rapid expansion of the orders. Members from all social groups, academics as well as aristocrats, merchants and artisans as well as the poor, felt the attraction of their sermons and way of life, some to such an extent that they decided to join one of the orders. But while the attraction of the mendicant ideal in the decades following the friars' arrival is undisputed, the problem of their importance for the religious life of the late medieval urban population is far more difficult to discuss. While there are assertions that the friars remained particularly popular, the orders' decline and their need of reform were already obvious in the fourteenth century and the various efforts to bring about a reinvigoration confirm this impression. In the fifteenth century famous mendicant preachers from Vincent Ferrer and Bernardino of Siena to Girolamo Savonarola attracted large crowds in many parts of Europe, but was this indicative of the population's general attitude towards the orders? Were the mendicants still perceived by the people as responding to their spiritual needs? How did the public react to signs of decadence, to disputes among the brothers? A general answer to such questions needs to be based on a large number of local studies and this is still a task for the future.


Religions ◽  
2020 ◽  
Vol 11 (11) ◽  
pp. 606
Author(s):  
Teng Li ◽  
Matteo Salonia

This article examines the regulation of religious life in the late Middle Ages (14th and 15th centuries), focusing comparatively on Catholic monastic communities in pre-Reformation England and Buddhist monasticism in early Ming China. This comparative approach to two of the most important monastic traditions across Eurasia allows us to problematize the paradigm of ideas and praxes surrounding monastic self-governance in Latin Christendom and to integrate the current scholarship on Ming regulation of religious communities by investigating the pivotal changes in imperial religious policies taking place in the early period of this dynasty. We find that monks and secular authorities at the two ends of Eurasia often shared the same concerns about the discipline of religious men and women, the administration of their properties, and the impact of these communities on society at large. Yet, the article identifies significant differences in the responses given to these concerns. Through the analysis of primary sources that have thus far been overlooked, we show how in early Ming China the imperial government imposed a strict control over the education, ordination and disciplining of Buddhist monks. This bureaucratic system was especially strengthened during the reign of Zhu Yuanzhang (r. 1368–1398), when the figure of the Monk-Official and other tools of secular regulation were introduced, and limits to property claims and economic activities of monasteries were imposed. Instead, during the same period, English monasteries benefited from the previous disentangling of the Church from secular political authorities across Europe. In fact, in late medieval England, the Benedictine tradition of self-governance and independence from the secular sphere was arguably even more marked than in the rest of the continent.


2006 ◽  
Vol 59 (3) ◽  
pp. 537-630 ◽  
Author(s):  
ANNE WALTERS ROBERTSON

Abstract God's dramatic curse of Adam, Eve, and the serpent, as recorded in Genesis 3:14–15, contains a theological ambiguity that played out in the visual arts, literature, and, as this article contends, music of the fifteenth and sixteenth centuries. Translations of this passage leave in doubt whether a male, a female, or both, will defeat sin by crushing Satan's head (“caput”). This issue lies at the heart of the three Caput masses by an anonymous Englishman, Johannes Ockeghem, and Jacob Obrecht, and the Caput Motet for the Virgin by Richard Hygons from the Eton Choirbook. Fifteenth-century discussions of the roles of Christ and Mary in confronting sin, often called the “head of the dragon,” help unravel the meaning of these works. The Caput masses are Christ-focused and emphasize the Savior or one of his surrogates suppressing the beast's head, as seen in illumination, rubric, and canon found in the masses. Folklorically based rituals and concepts of liturgical time are similarly built around the idea of the temporary reign of the Devil, who is ultimately trodden down by Christ. Hygons's motet appears after celebration of the Immaculate Conception was authorized in the late fifteenth century. This feast proclaimed Mary's conquest of sin through her own trampling on the dragon; the motet stresses Marian elements of the Caput theology, especially the contrast between the Virgin's spotlessness and Eve's corruption. Features of the Caput tradition mirror topics discussed in astrological and astronomical treatises and suggest that the composer of the original Caput Mass may also have been an astronomer. The disappearance of the Caput tradition signals its lasting influence through its progeny, which rise up in yet another renowned family of polyphonic masses. Together, the Caput masses and motet encompass the multifaceted doctrine of Redemption from the late middle ages under one highly symbolic Caput rubric.


1991 ◽  
Vol 1 ◽  
pp. 137-150 ◽  
Author(s):  
John Bossy

In 1945, which is beginning to seem a long time ago, Dom Gregory Dix published The Shape of the Liturgy. In the last two chapters of the book he expressed a view about the devotional and liturgical practice of the late Middle Ages which will provide a convenient starting-point for my subject. He said that the trouble about the medieval Mass was its separation of the ‘corporate offering’ assumed to have occurred in the primitive liturgy from the ‘priesthood of the priest’; the notion of worship it expressed, like the doctrine of the eucharist it exemplified, was ‘inorganic’. The effect of this was to let in, especially during the fifteenth century, non-liturgical, individualist forms of devotion which were unparticipatory and obsessed with historical facts about the life of Christ, notably with the facts of his Passion. ‘The quiet of low mass afforded the devout an excellent opportunity for using mentally the vernacular prayers which they substituted for the Latin text of the liturgy as their personal worship … The old corporate worship of the Eucharist is declining into a mere focus for the subjective devotion of each separate worshipper in the isolation of his own mind.’ Liturgical doing had subsided into inactive seeing and hearing, on the way to being engulfed in a miasma of private thinking and feeling. The Protestant reform of the liturgy amounted to pickling this pre-Reformation devotional tradition while dropping the ritual performance to which it had been loosely attached.


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