Coloquio sobre arte y bibliotecas en occasion del centenario de la Biblioteca ‘Jose Maria Lafragua’ de la ciudad de Puebla, Mexico

1986 ◽  
Vol 11 (4) ◽  
pp. 24-30
Author(s):  
Elsa Barberena ◽  
Marco Diaz
Keyword(s):  
19Th Century ◽  
New Spain ◽  
Public Library ◽  
European Culture ◽  
The Arts ◽  
Access To Books ◽  
The City

One of a number of events which marked the reopening of the José Maria Lafragua Library, an important 19th century Mexican public library, was a dialogue between a librarian, Elsa Barberena, and an art historian, Marco Diaz. José Maria Lafragua was a historian, politician, writer, and supporter of the arts in the city of Puebla; the dialogue deals not only with his Library, but also with other libraries founded with the intention of disseminating European culture in the ‘New Spain’, the collections of which contain many rare and fine books. Access to books and the experience of handling them has tended to be a privilege of the few in spite of Lafragua’s purpose in founding a public library; the reopening of his Library, which belongs to the Universidad Autonoma de Puebla, is a signal contribution to implementation of the principle that books are for all.

Evolution of the Textile Industry of Puebla 1544–1845

1964 ◽  
Vol 7 (1) ◽  
pp. 56-69 ◽  
Author(s):  
Jan Bazant
Keyword(s):  
19Th Century ◽  
Economic History ◽  
Textile Industry ◽  
New Spain ◽  
History Of ◽  
Textile Industries ◽  
The 19Th Century ◽  
The City ◽  
Industrial Center

This article deals with an important chapter in the economic history of Mexico. Throughout its history Puebla was an industrial center. Well into the 19th century it was the prime center of the country's chief manufacture — textiles. The city became the commercial and industrial capital of New Spain within a few years of its foundation. I shall concentrate on the ways in which the several branches of the textile industry were organized, comparing their development with that of the textile industries of medieval and early industrial Europe.

Reading and Print Cultures in Waterford, 1865–1939

2021 ◽  
pp. 033248932110341
Author(s):  
David Toms
Keyword(s):  
Public Library ◽  
Book Trade ◽  
Second World War ◽  
World War ◽  
Moral Self ◽  
Reading Culture ◽  
Access To Books ◽  
Print Cultures ◽  
The City ◽  
Second World

This article sets out to explore the emergence of reading and print cultures in Waterford over the period from the opening of the city’s Free Public Library to the outbreak of the Second World War in the twentieth century. It is intended to add to the growing body of writing emerging on reading and books in Ireland by honing in on the development of a local reading culture in an era of more democratic access to books, periodicals and other printed matter. By surveying the development of various lending and circulation libraries up to the establishment of the Waterford Free Public Library in 1896 and beyond into the Free State era, the argument will be made that many of the concerns around self-improvement and literacy remained constant despite the shift from member-run libraries to municipal libraries and from Victorian concerns about moral self-improvement to early Irish state concerns about nation-building and Catholic morality in the 1920s and 1930s. The article will also explore the publishing and book trade in the city throughout the same period. This small but significant industry provided employment for some of the very people who were the target of self-improvement and concerns about their ability to consume ‘morally dubious’ literature.

Russian art in a British public library

1992 ◽  
Vol 17 (2) ◽  
pp. 37-40
Author(s):  
Lorraine Williams
Keyword(s):  
Public Library ◽  
Library Services ◽  
Art Galleries ◽  
Russian Art ◽  
The Arts ◽  
Wide Range ◽  
The City

The City of Westminster Libraries provide library services in a unique area of central London which includes a number of art galleries and most of London’s theatres. Users of the Library, among them many with professional or other interests in the arts, are served by collections which include a wide range of material on Russian art.

scholarly journals Music education of Zhytomyr in terms of the creative period of Victor Kosenko in the city (dedicated to the 125th anniversary of his birth)

2021 ◽  
Author(s):  
Petro Datsenko
Keyword(s):  
Music Education ◽  
Public Library ◽  
Educational Institutions ◽  
Cultural Tradition ◽  
Musical Life ◽  
Soviet Government ◽  
European Culture ◽  
125Th Anniversary ◽  
The Right ◽  
The City

The purpose of the article is to study the music education of Zhytomyr on the eve and during the creative path in the specified city of Viktor Kosenko. Research methodology. The methodology of work is based on the application of analytical, systematic, biographical methods, which revealed the place and significance of the figure of V. Kosenko in the development of the musical culture of Zhytomyr during the life and work of the composer in this place in 1918-1929. Features of tendencies in the educational musical movement of that period, in particular, sociocultural and artistic factors of formation of music education and its positioning in the context of musical life of the specified period. The scientific novelty of the article is that for the first time the level of development of music education in Zhytomyr during the stay of the famous composer V. Kosenko (1918-1929) was analyzed and evaluated, which influenced the further development of educational and cultural branches of Zhytomyr region. Conclusions. The article outlines the peculiarities of music education in Zhytomyr on the eve and during the period of creativity in the city of Viktor Kosenko. It is established that at the beginning of the last century Zhytomyr was one of the important cultural and educational centers of the Right Bank of Ukraine, where there were schools and gymnasiums, theological and teacher's seminaries, as well as dozens of educational institutions of various specializations. It was found that one of the first in Ukraine in Zhytomyr opened a public library, theater, and cinemas. It was found out that the stay in Zhytomyr was a unique opportunity for V. Kosenko to be in Ukrainian (and not Russian or Polish) center (after Warsaw and St. Petersburg, where the urban cultural tradition prevailed, oriented differently) (not only Ukrainian but also European culture). It was important for Ukrainian music to position itself as European, and for the composer to have a kind of shelter from the control of the Soviet government, he had the opportunity to delve into himself, to find his own style.

Book Review

2016 ◽  
Vol 6 (2) ◽  
pp. 386-389
Author(s):  
Eduardo Oliveira
Keyword(s):  
Urban Planning ◽  
Urban Design ◽  
Olympic Games ◽  
City Image ◽  
European Capital Of Culture ◽  
The Arts ◽  
The World ◽  
The City ◽  
The Olympic Games

Evinç Doğan (2016). Image of Istanbul, Impact of ECoC 2010 on The City Image. London: Transnational Press London. [222 pp, RRP: £18.75, ISBN: 978-1-910781-22-7]The idea of discovering or creating a form of uniqueness to differentiate a place from others is clearly attractive. In this regard, and in line with Ashworth (2009), three urban planning instruments are widely used throughout the world as a means of boosting a city’s image: (i) personality association - where places associate themselves with a named individual from history, literature, the arts, politics, entertainment, sport or even mythology; (ii) the visual qualities of buildings and urban design, which include flagship building, signature urban design and even signature districts and (iii) event hallmarking - where places organize events, usually cultural (e.g., European Capital of Culture, henceforth referred to as ECoC) or sporting (e.g., the Olympic Games), in order to obtain worldwide recognition. 

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

Meïr Goldschmidt and the main currents in 19th-century Judaism

2001 ◽  
Vol 22 (1) ◽  
pp. 7-45 ◽  
Author(s):  
Kenneth Ober
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
Public Image ◽  
Complete Understanding ◽  
Literary Works ◽  
European Languages ◽  
Jewish Heritage ◽  
The Arts ◽  
Phenomenal Knowledge

Although the noted nineteenth-century Danish-Jewish writer Meïr Goldschmidt (1819–1887) made his entry into literature with a novel on Jewish themes, his later novels treated non-Jewish subjects, and his Jewish heritage appeared progressively to recede into the background of his public image. Literary historians have paid little attention to his complex perception of his own Jewishness and have made no effort to discover the immense significance he himself felt that Judaism had for his life and for his literary works. Moreover, no previous study has comprehensively treated Goldschmidt’s far-reaching network of interrelationships with an astonishing number of other major Jewish cultural figures of nineteenth-century Europe. During his restless travels crisscrossing Europe, which were facilitated by his phenomenal knowledge of the major European languages, he habitually sought out and associated with the leading Jewish figures in literature, the arts, journalism, and religion, but this fact and the resulting mutually influential connections he formed have been overlooked and ignored. This is the first focused and documented study of the Jewish aspect of Goldschmidt’s life, so vitally important to Goldschmidt himself and so indispensable to a complete understanding of his place in Danish and in world literatures.

Historiography of one city: colonialism, colonization, frontir. On the historiography of the history of functioning of the fortress city of the left wing of the Caucasian cordon line on the example of the history of Kizlyar in the first half of the 19th century

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva
Keyword(s):  
19Th Century ◽  
Historical Context ◽  
Left Wing ◽  
Theoretical Concepts ◽  
History Of ◽  
The 19Th Century ◽  
The City

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.

scholarly journals A humanistic gift from the Brazilian Emperor D. Pedro II (1825 - 1891) to the Brazilian nation: the first lunatic asylum in Latin America

2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa
Keyword(s):  
Latin America ◽  
Key Words ◽  
19Th Century ◽  
Psychiatric Patients ◽  
Lunatic Asylum ◽  
Specialized Treatment ◽  
Key Words Psychiatry ◽  
The Social ◽  
The 19Th Century ◽  
The City

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.

THE CONSTITUTION OF MEDINA: A SOCIOLEGAL INTERPRETATION OF MUHAMMAD'S ACTS OF FOUNDATION OF THE UMMA

2009 ◽  
Vol 41 (4) ◽  
pp. 555-575 ◽  
Author(s):  
Saïd Amir Arjomand
Keyword(s):  
19Th Century ◽  
Solid Rock ◽  
Islamic History ◽  
The Subject ◽  
The 19Th Century ◽  
The City

One of the oldest extant documents in Islamic history records a set of deeds executed by Muhammad after his migration (hijra) in 622 from Mecca to Yathrib, subsequently known as “the City [madīna] of the Prophet.” Marking the beginning of the Islamic era, the document comprising the deeds has been the subject of well over a century of modern scholarship and is commonly called the “Constitution of Medina”—with some justification, although the first modern scholar who studied it at the end of the 19th century, Julius Wellhausen, more accurately described it as the “municipal charter” (Gemeindeordnung) of Medina. In 1889, Wellhausen highlighted the text's antiquity, which has been acknowledged by even the most skeptical of contemporary “source-critical” scholars, Patricia Crone, who thinks that, in Ibn Ishaq's Sira, “it sticks out like a piece of solid rock in an accumulation of rubble.”

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