Feminist Processes and Performance: Interventions in Anamika Haksar's Antar Yatra

2017 ◽  
Vol 42 (3) ◽  
pp. 333-341
Author(s):  
INDU JAIN
Keyword(s):  
Identity Politics ◽  
Cultural Policy ◽  
Collaborative Work ◽  
Women Directors ◽  
Policy Documents ◽  
National Community ◽  
And Performance ◽  
Performance Interventions ◽  
The Ideal

Since independence, theatre in India has been touted as a platform to foster a sense of national community and exhibit the ideal citizen. The new theatre, and official cultural-policy documents since independence, prescribed ways to become an ideal citizen–actor of a new nation's cultural manifestation. A conscious modification and disruption of the post-independence national canon, as I argue in this essay, came in the late 1980s from a group of teachers and directors with a gendered sensibility. The essay will focus on the unique performance and theatre-making processes of these women directors, with Anamika Haksar's Antar Yatra being the case study. The question it will raise is, how successful was Haksar in decentring the various hierarchies? Could her collaborative work engage her students as co-creators of knowledge rather than as citizens created out of hegemonic pedagogy, conditioned by the state's national identity politics?

Competitive Coffee Making and the Crafting of the Ideal Barista

2020 ◽  
Vol 20 (2) ◽  
pp. 79-90
Author(s):  
Sabine Parrish
Keyword(s):  
The United States ◽  
Coffee Shop ◽  
Workplace Issues ◽  
Economic Exploitation ◽  
Specialty Coffee ◽  
And Performance ◽  
Gender Impacts ◽  
The Relationship ◽  
The Ideal

Despite widespread attention to issues of gender and economic exploitation at coffee's agricultural origins, works within coffee scholarship systematically overlook the workers at the final stage of production: baristas, the coffee shop employees who prepare and serve beverages. This article draws from data collected from over four hundred female American specialty coffee baristas to examine how their gender impacts their experiences at coffee competitions. I argue that barista competitions exist in order to legitimize the barista as a type of skilled laborer, but that these attempts rest on highly gendered understandings of skill, professionalism, and performance. Barista competitions attempt to present a unified industry face, but gender remains a salient issue through its unequal presence that renders female baristas as distinct and different from the ideal barista, who is assumed to be male. The conclusions drawn from this case study have broad significance for our understandings of gender and precariousness in the food industry, and the relationship between, and negotiation of, skill and perceived value. The rarefied world of specialty coffee competition magnifies and illuminates extant workplace issues regarding gender, which are characteristic of many forms of low-wage service labor in the United States.

scholarly journals Narrating the ‘city problem’ and ‘city policy’ in post war France: The case of Montpellier

2020 ◽  
Author(s):  
Naoki Odanaka
Keyword(s):  
Identity Politics ◽  
The Common ◽  
Post War ◽  
Collective Housing ◽  
City Policy ◽  
The City ◽  
The Ideal

This article examines the characteristics of the narrative framing discussions of the so-called ‘city problem’ and city policy in post war France and identify the ideal narrative for discussing and analysing them, based on a case study of two collective housing complexes located in Montpellier city: namely, Le Petit Bard and La Pergola. We draw two conclusions. First, the common narrative of the city problem, which emphasises ‘identity politics’ as its origin, is intentionally and artificially constructed. Second, the development of effective city policy requires the consideration of not only the cultural but also the socio-economic and spatial aspects of the city problem.

PELAKSANAAN HUKUM KEWARISAN ISLAM DI PENGADILAN AGAMA BANTEN

ALQALAM ◽  
2013 ◽  
Vol 30 (1) ◽  
pp. 158
Author(s):  
Yusuf Somawinata
Keyword(s):  
Key Words ◽  
Islamic Law ◽  
Survey Methods ◽  
Adopted Children ◽  
Inheritance Law ◽  
Library Research ◽  
The Ideal

This article aims at describing the obseroance of wasiat wajibah (compulsory bequeathment) in the Islamic court of Banten, analyzing the provision of the substitute heir and adopted children in the Compilation of  Islamic Law (KHI). In addition, the ideal laws to manage the innheritance rules in Indonesia. This article is library research by using doctrinal approach and using case study and survey methods. The data was, then, analyzed by using analytical descriptive and analytical correlative methods. The result showed that the observance of wasiat wajibah in the Islamic court of  Banten employed by judges is by using the Mawali Hazairin’s Doctrine. The criteria of the adoption of substitute heir and adopted children in the KHI is the attempts of Ulama and many judgees junst in giving legal justice and certainty to the society.   Key Words: Islamic Inheritance Law, Compilation of Islamic Law, Islamic court of  Banten

Theoretizing A New Sustainable Business Event: Extension of Mair and Jago Model

2015 ◽  
Vol 3 (2) ◽  
pp. 55
Author(s):  
Norol Hamiza Zamzuri ◽  
Khairil Wahidin Awang ◽  
Yuhanis Abdul Aziz ◽  
Zaiton Samdin
Keyword(s):  
Social Impact ◽  
Geographical Area ◽  
Infrastructure Development ◽  
Structured Interviews ◽  
Sustainable Business ◽  
Knowledge Resources ◽  
Business Events ◽  
And Performance ◽  
Event Based

The growth of the event sector is underpinned by the demand of organizing a business event.  Thus, it leads to an increase in economic and social impact. However, the problems from the growth of this sector potentially results from the use of several event materials, transportation and infrastructure development.  Organizing a green event is seen as one of the strategies to reduce the environmental impact.  Therefore, the aim of this paper is to explore the issues involved throughout the process of greening an event by applying Mair and Jago Model.  Semi-structured interviews were conducted with event managers from six Malaysia business event companies that encourage green practices during their event.  Findings suggest that impact, initiative, support and performance motivates event organizers in organizing a green event.  It has also been found that knowledge, resources and behaviour are the barriers faced by event organizers throughout the process of organizing a green event.  Based on the findings it appears that two important factors have emerged from the data collection and analysis that showed a deviation from the Mair and Jago Model, namely “impact” for the motivation element and “support” for the barrier element.  The main limitation of this study was the scope of the study; as it only focuses on business events.  However, as the main purpose of this study is to explore the issues of organizing a green event, it has been found that there are other issues need to be explored in other contexts and geographical area.  Apart from this, as this is a case study, it can only replicate according to the circumstances of this case study. However, this study can be generalized in terms of the theory that has emerged from it.  It is suggested that further research should explore more issues in other contexts and geographical areas. 

The Socio-Economic Challenges of South African Indigenous Musicians: A Case Study of Venda-Based Vho-Ntshengedzeni Mamphodo

2019 ◽  
Vol 29 (1) ◽  
Author(s):  
N G Mugovhani ◽  
Lebogang Lance Nawa
Keyword(s):  
South Africa ◽  
South African ◽  
Empirical Data ◽  
Cultural Policy ◽  
Qualitative Case Study ◽  
Arts Management ◽  
Black South African ◽  
Indigenous Music ◽  
Entire Country

This article discusses and raises awareness about the socio-economic plight of indigenous musicians in South Africa. Through a qualitative case study of the Venda musician, Vho-Talelani Andries Ntshengedzeni Mamphodo, dubbed the “Father of mbila music,” the article highlights the fact that the welfare of Black South African artists, particularly indigenous musicians in South Africa, is generally a precarious affair. Their popularity, at the height of their careers, sometimes masks shocking details of exploitation, neglect, and the poverty they are subjected to, which are exposed only after they have died. Empirical data identifies this as a symptom of, among other things, cultural policy and arts management deficiencies in the promotion of indigenous music. The article aims to find ways to redress this unfortunate situation, which is partially a product of general apathy and scant regard that these artists have perennially been subjected to, even by their own governments, as well as some members of their societies. All these factors mentioned are compounded by ignorance on the part of South African artists. Part of the objective of this study was to establish whether the exposition of the Vhavenda musicians is a typical example of all Black South African indigenous musicians and, if this is the case, whether the suggested ways to redress this unfortunate situation could contribute to or play a role in alleviating the plight of such artists in the entire country.

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