French Press Reactions to Hitler's First Two Years in Power

1998 ◽  
Vol 7 (01) ◽  
pp. 21-38 ◽  
Author(s):  
Robert J. Soucy

Why did fascism not succeed in France in the 1930s to the extent that itdid in Germany? Although the appeal of fascism increased dramatically in France between 1936 and 1938 as part of the backlash to the Popular Front, the fact remains that neither of France's two largest fascist movements – Colonel de La Rocque's Croix de feu/Parti social français and Jacques Doriot's Parti populaire française – came to power during this period. InFrench Fascism: the Second Wave, 1933–1939, one of the reasons (among several) that I gave for the relative failure of French fascism was the negative reaction of many French conservatives and Catholics to Hitler's repression of dissident German conservatives and Catholics in 1933 and 1934 – a reaction which indirectly diminished the potential appeal of homegrown fascism through guilt by association. Although I alluded to this reaction in my study, I did so without providing sufficient documentation. One of the purposes of this review of French press responses to Hitler's first two years in power is to correct that shortcoming.

GeroPsych ◽  
2011 ◽  
Vol 24 (4) ◽  
pp. 169-176 ◽  
Author(s):  
Philippe Rast ◽  
Daniel Zimprich

In order to model within-person (WP) variance in a reaction time task, we applied a mixed location scale model using 335 participants from the second wave of the Zurich Longitudinal Study on Cognitive Aging. The age of the respondents and the performance in another reaction time task were used to explain individual differences in the WP variance. To account for larger variances due to slower reaction times, we also used the average of the predicted individual reaction time (RT) as a predictor for the WP variability. Here, the WP variability was a function of the mean. At the same time, older participants were more variable and those with better performance in another RT task were more consistent in their responses.


Author(s):  
Francisca Exposito ◽  
Miguel Moya ◽  
Maria del Carmen Herrera

1973 ◽  
Vol 30 (01) ◽  
pp. 178-190 ◽  
Author(s):  
Itsuro Kobayashi ◽  
Paul Didisheim

SummaryADP, AMP, or ATP was injected rapidly intravenously in rats. ADP injection resulted in the f olio wing transient changes: a drop in platelet count, a rise in central venous pressure, a fall in carotid arterial PO2, bradycardia, arrhythmia, flutter-fibrillation, and arterial hypotension. AMP and ATP produced some of these same effects; but except for hypotension, their frequency and severity Avere much less than those following ADP.Prior intravenous administration of acetylsalicylic acid or pyridinolcarbamate, two inhibitors of the second wave of ADP-induced platelet aggregation in vitro, significantly reduced the frequency and severity of all the above ADP-induced changes except hypotension. These observations suggest that many of the changes (except hypotension) observed to follow ADP injection are produced by platelet aggregates which lodge transiently in various microcirculatory beds then rapidly disaggregate and recirculate.


2011 ◽  
pp. 4-20
Author(s):  
M. Ershov

With signs of normalization seemingly in place in the world economy, a number of problems show the possibility of aggravation in the future. The volume of derivatives in American banks grows significantly, high risk instruments are back in place and their use becomes more active, global imbalances increase. All of the above requires thorough approaches when creating mechanisms which can neutralize external shocks for the Russian economy and make it possible to develop in the new post-crisis environment.


2015 ◽  
Vol 4 (1) ◽  
pp. 57-80 ◽  
Author(s):  
Jennifer A. Zenovich ◽  
Shane T. Moreman

A third wave feminist approach to feminist oral history, this research essay blends both the visual and the oral as text. We critique a feminist artist's art along with her words so that her representation can be seen and heard. Focusing on three art pieces, we analyze the artist's body to conceptualize agentic ways to understand the meanings of feminist art and feminist oral history. We offer a third wave feminist approach to feminist oral history as method so that feminists can consider adaptive means for recording oral histories and challenging dominant symbolic order.


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