Making News Soviet: Rethinking Journalistic Professionalism after Stalin, 1953–1970

2017 ◽  
Vol 27 (1) ◽  
pp. 59-84
Author(s):  
SIMON HUXTABLE

This article challenges the assumption, frequently made in scholarship on Soviet media, that news was absent in the Soviet Union. Working across press, radio, and television, the article shows how after 1953 reform of Soviet news became a priority for journalists, editors and media professionals. The article focuses on discussions among journalists and officials about the future of journalism, arguing that journalists’ notions of professional excellence played a crucial role in shaping news coverage. In a climate of Cold War competition with western radio, new technological possibilities and changing political priorities, journalists gradually overcame their condescension towards news, emphasising its civic potential as an agent of social ‘democratisation’, and the artistic nature of reportage. This new configuration was precarious, however, and collapsed after the Czechoslovakian crisis of 1968. As the Party placed new restrictions on the flow of information, news lost its professional prestige.

Author(s):  
Jeffrey N. Wasserstrom ◽  
Maura Elizabeth Cunningham

Is China bent on world domination? Although Americans perceived the Soviet Union as posing the greatest Cold War-era military challenge, they also periodically feared a “China threat” during those decades. Since the days of Mao, the PRC’s penchant for staging parades showing off its...


2019 ◽  
Vol 74 (1) ◽  
pp. 162-171
Author(s):  
Christian Leuprecht ◽  
Joel Sokolsky ◽  
Jayson Derow

Although the dissolution of the Soviet Union may have altered the founding Cold War rationale for NATO, the fundamental principle of the transatlantic alliance has prevailed for 70 years: the collective defence of shared interests. In the face of Russian aggression, and uncertainty about US continued commitment to the alliance, reinforcing NATO has emerged as Canada's top expeditionary defence priority. Indeed, just before the NATO summit in July 2018, Prime Minister Justin Trudeau renewed Canada's commitment to the enhanced Forward Presence (eFP) as the Framework Nation for Latvia for four years, and scaled up Canada's contribution to the allied battlegroup. This decision is as much a reflection of the eFP's immediate collective defence requirements in Latvia as it is of the extent to which the existential fate of Canada's most important defence asset hangs in the balance: the alliance, Canada's role in it, and the future of Canadian defence policy.


1993 ◽  
Vol 19 (2) ◽  
pp. 103-121 ◽  
Author(s):  
Michael C. Williams

To speak of the ‘future’ of strategy is to reveal a deep tension in the way we commonly think about the subject. On the one hand we are confronted by revolutionary changes in the geo-political landscape. The transformation of Europe, the fragmentation of the Soviet Union, and the dissolution of the Warsaw Pact, for example, encourage the belief that the Cold War—a term which has been almost synonymous with-strategy for nearly half a century—is now an historical artifact. These events, analyzed so intensively by leaders and commentators, open up significant questions about the future of strategy.


Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 520
Author(s):  
Michael Scheibach

In the early postwar era, from 1945 to 1960, Americans confronted a dilemma that had never been faced before. In the new atomic age, which opened with the atomic bombings of Hiroshima and Nagasaki, Japan, in August 1945, they now had to grapple with maintaining their faith in a peaceful and prosperous future while also controlling their fear of an apocalyptic future resulting from an atomic war. Americans’ subsequent search for reassurance translated into a dramatic increase in church membership and the rise of the evangelical movement. Yet, their fear of an atomic war with the Soviet Union and possible nuclear apocalypse did not abate. This article discusses how six post-apocalyptic science fiction novels dealt with this dilemma and presented their visions of the future; more important, it argues that these novels not only reflect the views of many Americans in the early Cold War era, but also provide relevant insights into the role of religion during these complex and controversial years to reframe the belief that an apocalypse was inevitable.


This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.


Author(s):  
Rósa Magnúsdóttir

Enemy Number One tells the story of Soviet propaganda and ideology toward the United States during the early Cold War. From Stalin’s anti-American campaign to Khrushchev’s peaceful coexistence, this book covers Soviet efforts to control available information about the United States and to influence the development of Soviet-American cultural relations until official cultural exchanges were realized between the two countries. The Soviet and American veterans of the legendary 1945 meeting on the Elbe and their subsequent reunions represent the changes in the superpower relationship: during the late Stalin era, the memory of the wartime alliance was fully silenced, but under Khrushchev it was purposefully revived and celebrated as a part of the propaganda about peaceful coexistence. The author brings to life the propaganda warriors and ideological chiefs of the early Cold War period in the Soviet Union, revealing their confusion and insecurities as they tried to navigate the uncertain world of the late Stalin and early Khrushchev cultural bureaucracy. She also shows how concerned Soviet authorities were with their people’s presumed interest in the United States of America, resorting to monitoring and even repression, thereby exposing the inferiority complex of the Soviet project as it related to the outside world.


Author(s):  
Victoria M. Grieve

The Cold War experiences of America’s schoolchildren are often summed up by quick references to “duck and cover,” a problematic simplification that reduces children to victims in need of government protection. By looking at a variety of school experiences—classroom instruction, federal and voluntary programs, civil defense and opposition to it, as well as world friendship outreach—it is clear that children experienced the Cold War in their schools in many ways. Although civil defense was ingrained in the daily school experiences of Cold War kids, so, too, were fitness tests, atomic science, and art exchange programs. Global competition with the Soviet Union changed the way children learned, from science and math classes to history and citizenship training. Understanding the complexity of American students’ experiences strengthens our ability to decipher the meaning of the Cold War for American youth and its impact on the politics of the 1960s.


Author(s):  
Anne Searcy

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.


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