scholarly journals SYNTHESIZING HINDU AND CHRISTIAN ETHICS IN A. MADHAVIAH'S INDIAN ENGLISH NOVELCLARINDA(1915)

2018 ◽  
Vol 46 (1) ◽  
pp. 237-255
Author(s):  
Kristen Bergman Waha

The novels of Indian writerA. Madhaviah (1872–1925) are deeply ambivalent toward British Protestant missions in the Madras Presidency. The son of a Brahmin family from the Tirunelveli District in what is now the state of Tamil Nadu, Madhaviah had the opportunity to form close intellectual relationships with British missionaries and Indian Christian converts while studying for his B.A. at the Madras Christian College, completing his degree in 1892. Although he remained a Hindu throughout his life, Madhaviah's first English novel,Thillai Govindan(1903), praises some missionaries for their moral characters, naming in particular the Madras Christian College's principal, William Miller (1838–1923); however, the same novel also criticizes other unnamed Madras missionaries for extravagant lifestyles that squandered the money of unsuspecting supporters in Britain (64). Madhaviah's deep commitment to late-nineteenth and early twentieth-century Indian women's reform movements, including widow remarriage, the abolition of child marriage, and women's education, meant that he often agreed with British missionaries championing similar reforms in Indian society. However, his early novels also criticize the proselytizing activities of missionaries, particularly in educational settings. In his Tamil novelPadmavati Carittiram(1898, 1899) and English novelSatyananda(1909), Madhaviah exposes missionary attempts to take advantage of a young pupil's inexperience in an educational setting or to exploit a quarrel between pupil and family members to secure a conversion. Yet in contrast, Madhaviah's final English novel,Clarinda: A Historical Novel(1915), offers perhaps the most positive depiction of an Indian Christian conversion in his fiction. A historical novel that reimagines the life of a renowned eighteenth-century Marathi Brahmin woman convert living in Thanjavur, Madhaviah'sClarindaoffers Christian conversion as a liberating decision for the young Clarinda. Her conversion allows her as a widow to escape the patriarchal control of her abusive husband's family and to contribute to her community as a philanthropist and an early social reformer. While Madhaviah remained critical of certain conversion tactics, which could transgress ethical boundaries, Madhaviah also acknowledged that missionary goals for women's improved lot within society often intersected with his own convictions.

1970 ◽  
Vol 4 (6) ◽  
pp. 17
Author(s):  
Vikram Patel

hetan Bhagat is one of the most influential fiction writers of contemporary Indian English literature. Postmodern subjects like youth aspirations, love, sex, marriage, urban middle class sensibilities, and issues related to corruption, politics, education and their impact on the contemporary Indian society are recurrently reflected thematic concerns in his fictions. In all his fictions, he has mostly depicted the contemporary urban social milieu of Indian society. Though the fictions of Chetan Bhagat are romantic in nature, contemporary Indian society and its major issues are the chief of the concerns of all his fictions. He has focused on the contemporary issues of middle class family in his fictional works. All of the chief protagonists of his works are sensitive youth and they do not compromise with the prevalent situations of society. Most of the characters are like caricatures that represent one or the other vice or virtue of the contemporary Indian society. The author has a mastery to convince the reader about the prevalent condition of society so that one can easily reproduce in mind, a clear cut image of contemporary Indian society. The present article is a sincere endeavor to present the detailed literary analysis of the select fictions of Chetan Bhagat keeping in mind how the contemporary Indian society has been replicated in the fictions.


Author(s):  
Manju Dhariwal ◽  

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.


1988 ◽  
Vol 62 (3) ◽  
pp. 509
Author(s):  
Ramesh Chadha ◽  
Shyam Asnani
Keyword(s):  

2019 ◽  
Vol 74 (3) ◽  
pp. 360-387
Author(s):  
Ilana M. Blumberg

Ilana M. Blumberg, “Sympathy or Religion? George Eliot and Christian Conversion” (pp. 360–387) This essay argues that a postsecular moment requires our return to George Eliot to consider anew the relations between religion and secularity. Looking at her early works, in particular “Janet’s Repentance” (1857) and The Mill on the Floss (1860), I suggest that Eliot offers us a counterintuitive narrative in which her heroines’ ethical transformation coincides with a conversion to Christianity rather than a move away from it. Rather than imagining a thoroughly Christian England revitalized by its turn to humanist religion, Eliot depicts a nominally Christian England, attached to hollow forms and mere custom, in need of conversion to an ardent faith. In these novels, evangelicalism, for all its flaws, functions as the vessel for such conversion when human beings’ own agency fails. I suggest here that what we have construed as sympathy over recent decades of critical reading may be more intelligible if we read it as grace, thus leaving us to reassess the extent to which major mid-Victorian intellectuals sought to conceive a post-Christian ethics.


NUTA Journal ◽  
2018 ◽  
Vol 5 (1-2) ◽  
pp. 40-47
Author(s):  
Bhim Nath Regmi

Mulk Raj Anand has created a unique position as a Humanist and a social writer in India writing in English. He has contributed in the development of Indian English Literature and focuses on caste issue, economic adversity and disgrace rooted in Indian society. He has public concerns and humanity for the subjugated people and his characters represent the social reality of suppressed people of India. His first novel Untouchable is an account of a day in the life of its protagonist- Bakha, an untouchable sweeper. He describes the depressed conditions of the untouchables, their immitigable hardships and physical and mental agonies almost with the meticulous skill of historical raconteur


Zootaxa ◽  
2017 ◽  
Vol 4254 (3) ◽  
pp. 396
Author(s):  
JOHN T.D. CALEB ◽  
G.B. PRAVALIKHA ◽  
BENAIAH EBENEZER JOHNSON ◽  
MITEMLU MANYU ◽  
SOREIPHY MUNGKUNG ◽  
...  

The genus Hersilia was established by Audouin in 1826 with H. caudata Audouin, 1826 as the type species. It is the most speciose hersiliid genus presently comprising 79 described species worldwide (World Spider Catalog 2017, version 18). There are seven species known from India: H. aadi Pravalikha, Srinivasulu & Srinivasulu, 2014, H. longivulva Sen et al., 2010, H. orvakalensis Javed et al., 2010, H. savignyi Lucas, 1836, H. striata Wang & Yin, 1985, H. sumatrana (Thorell, 1890), H. tibialis Baehr & Baehr, 1993. This paper is based on fresh material collected from the patches of scrub jungle enclosed within the Madras Christian College campus, Chennai, Tamil Nadu, India. Both sexes of H. savignyi are illustrated. H. aadi Pravalikha, Srinivasulu & Srinivasulu, 2014 is synonymized with H. savignyi Lucas, 1836. 


2011 ◽  
Vol 15 (4) ◽  
pp. 388-407 ◽  
Author(s):  
Aung Si

Code-switching (CS) between an Indian language and (Indian) English is, and has long been, a normal feature of everyday speech in urban Indian society. Although much has been written about the status and role of English, and about the sociological variables associated with English usage in India, there have been, to date, no studies explicitly investigating changes in CS patterns over time. Bollywood movies are a rich source of information on the speech patterns of urban Indians throughout most of India’s post-independence history. CS patterns in Bollywood movies (from the 1980s, 1990s and 2000s) were therefore investigated in this study, by means of lexical transcripts of the dialogues between characters of equivalent age and socioeconomic status. A survey of seven movie dialogues revealed that CS can be accomplished through a range of syntactic and morphological strategies. Quantitative analyses showed a massive increase in the overall use of English over this period, a trend particularly evident among young speakers. Moreover, the complexity of CS increased over the period under consideration, with ‘alternations’ at clause boundaries increasing in frequency at the expense of single-word ‘insertions’.


2011 ◽  
Vol 44 (1-2) ◽  
pp. 93-101
Author(s):  
Tina Grobin

Indian English post-colonial women's prose has seen many a change in the last sixty years since the pioneering writers gave voice to the Indian women. By breaking away from the burden of the colonial past and the traditional limitations of Indian society, the writers carved out a place for a distinct female identity in the Indian English literary sphere. The more recent women's prose addresses a wide range of universal issues of human experience, usually closely interwoven with the colourful heritage of the Indian subcontinent. As such it has become a highly acclaimed and internationally recognized global voice of contemporary India and the Indian diaspora.


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