The Career of Colonel Polier and Late Eighteenth-Century Orientalism

2000 ◽  
Vol 10 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Sanjay Subrahmanyam

This essay is concerned with the career of a somewhat obscure figure in the early history of Orientalism, Colonel Antoine-Louis-Henri Polier, who is however known both to aficionados of the early European manuscript collections in the West, as well as to historians of the more obscure aspects of the Enlightenment on the Continent. The occasion for the research on which this essay is based is, in large measure, a project intended to translate the extensive Persian letter-book that Polier (together with his amanuensis, or munshī, Kishan Sahay) produced during his long stay in India; this translation, of a text entitled I jāz-i-Arsalānī (which is preserved in the Bibliothèque Nationale de France, Paris), has recently been brought to partial fruition by Muzaffar Alam and Seema Alavi, through the auspices of Oxford University Press (Delhi). In this context, it may be useful to reflect somewhat on the rather extraordinary career, and fascinating milieu, of Colonel Polier.

Author(s):  
Jens Meierhenrich

The German idea of the Rechtsstaat has revolutionary origins. Robert von Mohl crafted it under the influence of the Enlightenment. This chapter tells a brief history of the idea of the Rechtsstaat in Germany. It traces the evolution of the term from its emergence in the late eighteenth century until 1933. Its intellectual trajectory raises questions about the long-run consequences of legal development in modern Germany. It sets the stage for the analysis in the next chapter of the term’s manipulation by legal theorists in Nazi Germany.


BJHS Themes ◽  
2021 ◽  
pp. 1-19
Author(s):  
Suman Seth

Abstract In the course of his discussion of the origin of variations in skin colour among humans in the Descent of Man, Charles Darwin suggested that darker skin might be correlated with immunity to certain diseases. To make that suggestion, he drew upon a claim that seemed self-evidently correct in 1871, although it had seemed almost certainly incorrect in the late eighteenth century: that immunity to disease could be understood as a hereditary racial trait. This paper aims to show how fundamental was the idea of ‘constitutions selection’, as Darwin would call it, for his thinking about human races, tracking his (ultimately unsuccessful) attempts to find proof of its operation over a period of more than thirty years. At the same time and more broadly, following Darwin's conceptual resources on this question helps explicate relationships between conceptions of disease and conceptions of race in the nineteenth century. That period saw the birth of a modern, fixist, biologically determinist racism, which increasingly manifested itself in medical writings. The reverse was also true: medicine was a crucial site in which race was forged. The history of what has been called ‘race-science’, it is argued, cannot and should not be written independent of the history of ‘race-medicine’.


2008 ◽  
Vol 5 (3) ◽  
pp. 455-486 ◽  
Author(s):  
LINDA WALSH

The apparently distinct aesthetic values of naturalism (a fidelity to external appearance) and neoclassicism (with its focus on idealization and intangible essence) came together in creative tension and fusion in much late eighteenth-century and early nineteenth-century sculptural theory and practice. The hybrid styles that resulted suited the requirements of the European sculpture-buying public. Both aesthetics, however, created difficulties for the German Idealists who represented a particularly uncompromising strain of Romantic theory. In their view, naturalism was too closely bound to the observable, familiar world, while neoclassicism was too wedded to notions of clearly defined forms. This article explores sculptural practice and theory at this time as a site of complex debates around the medium's potential for specific concrete representation in a context of competing Romantic visions (ethereal, social and commercial) of modernity.


10.31022/n023 ◽  
1994 ◽  

Few poets have had so profound an influence on the history of German art music as Johann Wolfgang von Goethe. Since the late eighteenth century, over seven hundred of his poems have been set by nearly six hundred composers as lieder for voice and piano. This anthology gathers twenty-two such settings, in a wide variety of styles, by composers ranging from Goethe's friend Carl Zelter to Hans von Bülow, Ferruccio Busoni, and Othmar Schoeck.


2018 ◽  
Vol 15 (2) ◽  
pp. 177-205 ◽  
Author(s):  
JULIA DOE

ABSTRACTLarge-scale programming studies of French Revolutionary theatre confirm that the most frequently staged opera of the 1790s was not one of the politically charged, compositionally progressive works that have come to define the era for posterity, but rather a pastoral comedy from mid-century:Les deux chasseurs et la laitière(1763), with a score by Egidio Duni to a libretto by Louis Anseaume. This article draws upon both musical and archival evidence to establish an extended performance history ofLes deux chasseurs, and a more nuanced explanation for its enduring hold on the French lyric stage. I consider the pragmatic, legal and aesthetic factors contributing to the comedy's widespread adaptability, including its cosmopolitan musical idiom, scenographic simplicity and ready familiarity amongst consumers of printed music. More broadly, I address the advantages and limitations of corpus-based analysis with respect to delineating the operatic canon. In late eighteenth-century Paris, observers were already beginning to identify a chasm between their theatre-going experiences and the reactions of critics: Was a true piece of ‘Revolutionary’ theatre one that was heralded as emblematic of its time, or one, likeLes deux chasseurs, that was so frequently seen that it hardly elicited a mention in the printed record?


2010 ◽  
Vol 14 (6) ◽  
pp. 255-266
Author(s):  
J. Barrie Ross

Objective: On the premise that historical background makes the present more understandable, this review covers the origins of Western dermatology from its Greek and Roman origins through the Middle Ages to the defining moments in the late eighteenth century. Background and Conclusion: The development of major European centers at this time became the background for future centers in the eastern United States in the midnineteenth century and, finally, to the West Coast of the United States and Canada by the midtwentieth century.


2021 ◽  
Vol 73 (3) ◽  
pp. 255-269
Author(s):  
Waïl S. Hassan

Abstract According to a well-known narrative, the concept of Weltliteratur and its academic correlative, the discipline of comparative literature, originated in Germany and France in the early nineteenth century, influenced by the spread of scientism and nationalism. But there is another genesis story that begins in the late eighteenth century in Spain and Italy, countries with histories entangled with the Arab presence in Europe during the medieval period. Emphasizing the role of Arabic in the formation of European literatures, Juan Andrés wrote the first comparative history of “all literature,” before the concepts of Weltliteratur and comparative literature gained currency. The divergence of the two genesis stories is the result of competing geopolitical interests, which determine which literatures enter into the sphere of comparison, on what terms, within which paradigms, and under what ideological and discursive conditions.


2019 ◽  
pp. 210-226
Author(s):  
Simon Mills

This chapter explains the remarkable popularity of Henry Maundrell’s A Journey from Aleppo to Jerusalem at Easter AD 1697 (1703). It argues that Maundrell’s eye-witness reportage of his travels in the Holy Land provided the book’s readers with a storehouse of geographical observations and descriptions of eastern customs with which they could recreate imaginatively the world of the Scriptures. Tracing the book’s use by editors, commentators, translators, and paraphrasts, it argues that Maundrell was most often put to work in defence of the Bible against attacks on its claims to truth. Yet in the hands of Maundrell’s late eighteenth-century German translator, the naturalist and historicist tendencies inherent in his account were brought into sharper focus; ‘sacred geography’ was transformed into a history of biblical culture.


Author(s):  
Senzil Nawid

The establishment of the Royal Asiatic Society of Bengal in the late eighteenth century, whose chief goal was to introduce the civilizations of Eastern societies to the West, encouraged a series of enquiries by British writers and travelers on the history, culture, art, antiquities, and literature of Eastern countries, including Afghanistan. This chapter analyzes the writings of three enterprising British explorers who traveled to Afghanistan in the late eighteenth and early nineteenth centuries. It focuses on the travel accounts of George Forster, Mountstuart Elphinstone, and Charles Masson, men separated in time, interests and ambitions, but whose work, when examined collectively, delivers from personal observation an expansive picture of Afghanistan in the late eighteenth and early nineteenth centuries. Such detail has not been found anywhere else, even within indigenous sources, which makes their writings essential and indispensable resources for studying the history, culture and society of Afghanistan in the late eighteenth and early nineteenth centuries. Together, their enquiries concerning ethnographic, cultural, and social life in Afghanistan have formed a topographical and cultural template for future researchers.


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