Terror salience and punishment: Does terror salience induce threat to social order?

The physician George Hoggart Toulmin (1754–1817) propounded his theory of the Earth in a number of works beginning with The antiquity and duration of the world (1780) and ending with his The eternity of the universe (1789). It bore many resemblances to James Hutton's "Theory of the Earth" (1788) in stressing the uniformity of Nature, the gradual destruction and recreation of the continents and the unfathomable age of the Earth. In Toulmin's view, the progress of the proper theory of the Earth and of political advancement were inseparable from each other. For he analysed the commonly accepted geological ideas of his day (which postulated that the Earth had been created at no great distance of time by God; that God had intervened in Earth history on occasions like the Deluge to punish man; and that all Nature had been fabricated by God to serve man) and argued they were symptomatic of a society trapped in ignorance and superstition, and held down by priestcraft and political tyranny. In this respect he shared the outlook of the more radical figures of the French Enlightenment such as Helvétius and the Baron d'Holbach. He believed that the advance of freedom and knowledge would bring about improved understanding of the history and nature of the Earth, as a consequence of which Man would better understand the terms of his own existence, and learn to live in peace, harmony and civilization. Yet Toulmin's hopes were tempered by his naturalistic view of the history of the Earth and of Man. For Time destroyed everything — continents and civilizations. The fundamental law of things was cyclicality not progress. This latent political conservatism and pessimism became explicit in Toulmin's volume of verse, Illustration of affection, published posthumously in 1819. In those poems he signalled his disapproval of the French Revolution and of Napoleonic imperialism. He now argued that all was for the best in the social order, and he abandoned his own earlier atheistic religious radicalism, now subscribing to a more Christian view of God. Toulmin's earlier geological views had run into considerable opposition from orthodox religious elements. They were largely ignored by the geological community in late eighteenth and early nineteenth century Britain, but were revived and reprinted by lower class radicals such as Richard Carlile. This paper is to be published in the American journal, The Journal for the History of Ideas in 1978 (in press).

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La pseudo-traduction sous la plume de Mme Riccoboni, stratégie de légitimation d'un discours critique des pratiques de la sociabilité française

Nottingham French Studies ◽

10.3366/nfs.2018.0203 ◽

2018 ◽

Vol 57 (1) ◽

pp. 49-63

Author(s):

Isabelle Tremblay

Keyword(s):

Eighteenth Century ◽

Social Order ◽

Social Practices ◽

Prose Fiction ◽

French Enlightenment ◽

Critical Account

(English): The Anglophilia which marks much of French Enlightenment prose fiction also points to a transformation of the representation of sociability. Through pseudo-translation and the use of the ‘English story’, Marie-Jeanne Riccoboni gives a critical account of the rules and the codes that regulate French social order in the second half of the eighteenth century. The depiction of a free and tolerant society in the novels Lettres de Fanni Butlerd (1757) and Lettres de mylord Rivers (1777) attests to a questioning of French sociability and of women's place and roles. How are social practices redefined and what ideological meanings are associated to them in Mme Riccoboni's writings and use of pseudo-translation?

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Restoring Four-Power Rights, Reviving a Confederation in 1989

10.23943/princeton/9780691163710.003.0003 ◽

2017 ◽

Author(s):

Mary Elise Sarotte

Keyword(s):

Cold War ◽

Social Order ◽

Second World War ◽

First Century ◽

State Sovereignty ◽

World War ◽

German States ◽

Divided Germany ◽

Second World ◽

Restoration Model

This chapter examines the Soviet restoration model and former German Chancellor Helmut Kohl's revivalist model. The Union of Soviet Socialist Republics (USSR) hoped to use its weight as a victor in the Second World War to restore the old quadripartite mechanism of four-power control exactly as it used to be in 1945, before subsequent layers of Cold War modifications created room for German contributions. This restoration model, which called for the reuse of the old Allied Control Commission to dominate all further proceedings in divided Germany, represented a realist vision of politics run by powerful states, each retaining their own sociopolitical order and pursuing their own interests. Meanwhile, Kohl's revivalist model represented the revival, or adaptive reuse, of a confederation of German states. This latter-day “confederationism” blurred the lines of state sovereignty; each of the two twenty-first-century Germanies would maintain its own political and social order, but the two would share a confederative, national roof.

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Peranan Keluarga dalam Pendidikan Emosional Anak

INSANIA Jurnal Pemikiran Alternatif Kependidikan ◽

10.24090/insania.v13i3.307 ◽

1970 ◽

Vol 13 (3) ◽

pp. 426-440

Author(s):

Yuni Setia Ningsih

Keyword(s):

Social Order ◽

Social Life ◽

World View ◽

Early Age ◽

Way Of Thinking ◽

Family Condition ◽

Emotional Education

Family is a tiny scope that will bring someone to social life. The fine social order influenced by condition of every family inside it, because society is an accumulation and reflection of lifestyle, world view, even way of thinking of every individual in a family. Good or worse community at social life is depending on family condition. Family is playing important role to direct children to become good moral generation on and beneficial for society. Therefore, to realize that goal, children emotional education from early age at family scope is requirement.

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Blackism and Pan-Africanism in Post-Colonial African Literature: A Reading of Femi Osofisan’s Plays

Imbizo ◽

10.25159/2663-6565/5179 ◽

2019 ◽

Vol 9 (2) ◽

Author(s):

Clement Olujide Ajidahun

Keyword(s):

Social Order ◽

Black People ◽

African Literature ◽

Post Colonial ◽

African Renaissance ◽

Pan Africanism ◽

New Social Order

This article is a thematic study of Femi Osofisan’s plays that explicitly capture the essence of blackism, nationalism and pan-Africanism as a depiction of the playwright’s ideology and his total commitment to the evolution of a new social order for black people. The article critically discusses the concepts of blackism and pan-Africanism as impelling revolutionary tools that seek to re-establish and reaffirm the primacy, identity, and personality of black people in Africa and in the diaspora. It also discusses blackism as an African renaissance ideology that campaigns for the total emancipation of black people and a convulsive rejection of all forms of colonialism, neo-colonialism, Eurocentrism, nepotism and ethnic chauvinism, while advocating an acceptance of Afrocentrism, unity and oneness of blacks as indispensable tools needed for the dethronement of all forms of racism, discrimination, oppression and dehumanisation of black people. The article hinges the underdevelopment of the black continent on the deliberate attempt of the imperialists and their black cronies who rule with iron hands to keep blacks in perpetual slavery. It countenances Femi Osofisan’s call for unity and solidarity among all blacks as central to the upliftment of Africans. The article recognises Femi Osofisan as a strong, committed and formidable African playwright who utilises theatre as a veritable and radical platform to fight and advocate for the liberation of black people by arousing their revolutionary consciousness and by calling on them to hold their destinies in their hands if they are to be emancipated from the shackles of oppression.

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A Compact Embodiment of Pluralities and Denial of Origins: Atwood’s The Year of The Flood

European Journal of Multidisciplinary Studies ◽

10.26417/ejms.v1i3.p141-146 ◽

2016 ◽

Vol 1 (3) ◽

pp. 141

Author(s):

Rana Sağıroğlu

Keyword(s):

Science Fiction ◽

21St Century ◽

Social Order ◽

Margaret Atwood ◽

Rapid Change ◽

The Novel ◽

The World ◽

Narrative Techniques ◽

Why Questions ◽

Near Future

Margaret Atwood, one of the most spectacular authors of postmodern movement, achieved to unite debatable and in demand critical points of 21st century such as science fiction, postmodernism and ecocriticism in the novel The Year of The Flood written in 2009. The novel could be regarded as an ecocritical manifesto and a dystopic mirror against today’s degenerated world, tending to a superficial base to keep the already order in use, by moving away from the fundamental solution of all humanity: nature. Although Atwood does not want her works to be called science fiction, it is obvious that science fiction plays an introductory role and gives the novel a ground explaining all ‘why’ questions of the novel. However, Atwood is not unjust while claiming that her works are not science fiction because of the inevitable rapid change of 21st century world becoming addicted to technology, especially Internet. It is easily observed by the reader that what she fictionalises throughout the novel is quite close to possibility, and the world may witness in the near future what she creates in the novel as science fiction. Additionally, postmodernism serves to the novel as the answerer of ‘how’ questions: How the world embraces pluralities, how heterogeneous social order is needed, and how impossible to run the world by dichotomies of patriarchal social order anymore. And lastly, ecocriticism gives the answers of ‘why’ questions of the novel: Why humanity is in chaos, why humanity has organized the world according to its own needs as if there were no living creatures apart from humanity. Therefore, The Year of The Flood meets the reader as a compact embodiment of science fiction, postmodernism and ecocriticism not only with its theme, but also with its narrative techniques.

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