La pseudo-traduction sous la plume de Mme Riccoboni, stratégie de légitimation d'un discours critique des pratiques de la sociabilité française

2018 ◽  
Vol 57 (1) ◽  
pp. 49-63
Author(s):  
Isabelle Tremblay
Keyword(s):  
Eighteenth Century ◽  
Social Order ◽  
Social Practices ◽  
Prose Fiction ◽  
French Enlightenment ◽  
Critical Account

(English): The Anglophilia which marks much of French Enlightenment prose fiction also points to a transformation of the representation of sociability. Through pseudo-translation and the use of the ‘English story’, Marie-Jeanne Riccoboni gives a critical account of the rules and the codes that regulate French social order in the second half of the eighteenth century. The depiction of a free and tolerant society in the novels Lettres de Fanni Butlerd (1757) and Lettres de mylord Rivers (1777) attests to a questioning of French sociability and of women's place and roles. How are social practices redefined and what ideological meanings are associated to them in Mme Riccoboni's writings and use of pseudo-translation?

George Hoggart Toulmin: politics and geology

1978 ◽  
Vol 8 (4) ◽  
pp. 481-481
Author(s):  
ROY PORTER
Keyword(s):  
French Revolution ◽  
Social Order ◽  
Lower Class ◽  
Great Distance ◽  
The Earth ◽  
Christian View ◽  
The Social ◽  
French Enlightenment ◽  
Political Conservatism ◽  
History Of

The physician George Hoggart Toulmin (1754–1817) propounded his theory of the Earth in a number of works beginning with The antiquity and duration of the world (1780) and ending with his The eternity of the universe (1789). It bore many resemblances to James Hutton's "Theory of the Earth" (1788) in stressing the uniformity of Nature, the gradual destruction and recreation of the continents and the unfathomable age of the Earth. In Toulmin's view, the progress of the proper theory of the Earth and of political advancement were inseparable from each other. For he analysed the commonly accepted geological ideas of his day (which postulated that the Earth had been created at no great distance of time by God; that God had intervened in Earth history on occasions like the Deluge to punish man; and that all Nature had been fabricated by God to serve man) and argued they were symptomatic of a society trapped in ignorance and superstition, and held down by priestcraft and political tyranny. In this respect he shared the outlook of the more radical figures of the French Enlightenment such as Helvétius and the Baron d'Holbach. He believed that the advance of freedom and knowledge would bring about improved understanding of the history and nature of the Earth, as a consequence of which Man would better understand the terms of his own existence, and learn to live in peace, harmony and civilization. Yet Toulmin's hopes were tempered by his naturalistic view of the history of the Earth and of Man. For Time destroyed everything — continents and civilizations. The fundamental law of things was cyclicality not progress. This latent political conservatism and pessimism became explicit in Toulmin's volume of verse, Illustration of affection, published posthumously in 1819. In those poems he signalled his disapproval of the French Revolution and of Napoleonic imperialism. He now argued that all was for the best in the social order, and he abandoned his own earlier atheistic religious radicalism, now subscribing to a more Christian view of God. Toulmin's earlier geological views had run into considerable opposition from orthodox religious elements. They were largely ignored by the geological community in late eighteenth and early nineteenth century Britain, but were revived and reprinted by lower class radicals such as Richard Carlile. This paper is to be published in the American journal, The Journal for the History of Ideas in 1978 (in press).

The Making of British Bourgeois Tragedy

2019 ◽  
Author(s):  
Alex Eric Hernandez
Keyword(s):  
Eighteenth Century ◽  
Way Of Life ◽  
Common People ◽  
Ordinary Life ◽  
Emotional Processes ◽  
Critical Account ◽  
And Performance ◽  
Cultural Conversation

This book assembles a body of print and performance concerned with the misfortunes of the middling sort, arguing that these works negotiated tragedy’s vexed relationship to ordinary life. This “bourgeois and domestic tragedy” imagined a particularly modern sort of affliction, an “ordinary suffering” divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, bourgeois tragedy treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, realistic, and entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this book tracks instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. Describing this shift as an episode in the histories of both tragedy and emotion, it revises the standard critical account of eighteenth-century tragedy and reads the genre’s emergence in the period as a vigorous cultural conversation over whose life—and whose way of life—is grievable, as well as how that mourning might be performed.

Who Was This Man?

2017 ◽  
Author(s):  
Mitch Kachun
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Order ◽  
Atlantic World ◽  
Life Experiences ◽  
Broad Context ◽  
Military Power ◽  
The Social ◽  
The Revolution

Chapter 1 introduces the broad context of the eighteenth-century Atlantic world in which Crispus Attucks lived, describes the events of the Boston Massacre, and assesses what we know about Attucks’s life. It also addresses some of the most widely known speculations and unsupported stories about Attucks’s life, experiences, and family. Much of what is assumed about Attucks today is drawn from a fictionalized juvenile biography from 1965, which was based largely on research in nineteenth-century sources. Attucks’s characterization as an unsavory outsider and a threat to the social order emerged during the soldiers’ trial. Subsequently, American Revolutionaries in Boston began the construction of a heroic Attucks as they used the memory of the massacre and all its victims to serve their own political agendas during the Revolution by portraying the victims as respectable, innocent citizens struck down by a tyrannical military power.

The Eighteenth-Century Social Order in Surat: A Reply and an Excursus on the Riots of 1788 and 1795

1991 ◽  
Vol 25 (2) ◽  
pp. 321-365 ◽  
Author(s):  
Lakshmi Subramanian
Keyword(s):  
Eighteenth Century ◽  
Social Structure ◽  
Social Order ◽  
Recent Article ◽  
Alternative Explanation ◽  
Archival Material ◽  
The Social

The Banias of eighteenth-century Surat, whom Michelguglielmo Torri earlier treated with indifference if not innocence, have invited his wrath since they were brought into focus by the publication of my essay on the Banias and the Surat riot of 1795. In his ‘rejoinder’ to my article, he seeks to wish away their existence altogether (to him there was no specific Bania community, the term merely signifying traders of all communities engaged in the profession of brokerage), and seeks to provide what he regards as an ‘alternative’ explanation of the Muslim–Bania riot of 1795. the Muslim-Bania riot of 1795. It shall be my purpose in this reply to show that his alternative explanation is neither an alternative nor even an explanation, and is based on a basic confusion in his mind about the Banias as well as the principal sources of tension in the social structure of Surat. I shall treat two main subjects in this reply to his misdirected criticisms. First, I shall present some original indigenous material as well as European documentation to further clarify the identity, position and role of the Banias, whom Irfan Habib in a recent article has identified as the most important trading group in the trading world of seventeenth and eighteenth-century India. It is also my purpose to show how the social order of Surat operated under stress by presenting some archival material, the existence of which Torri seems to be completely unaware of, on the Parsi-Muslim riot of 1788.

Making a Difference: Sartorial Practices and Social Order in Eighteenth-Century Sweden

Costume ◽  
2016 ◽  
Vol 50 (1) ◽  
pp. 42-62 ◽  
Author(s):  
Mikael Alm
Keyword(s):  
Eighteenth Century ◽  
Visual Culture ◽  
Early Modern ◽  
Social Order ◽  
Social Hierarchies ◽  
Advantages And Disadvantages ◽  
Late Eighteenth Century ◽  
The Social ◽  
Making A Difference ◽  
Primary Means

This article focuses on the seventy-three essays that were submitted to the Swedish Royal Patriotic Society in 1773, in response to a competition for the best essay on the advantages and disadvantages of a national dress. When presenting their thoughts on the design and realization of a national dress, the authors came to reflect on deeper issues of social order and sartorial culture, describing their views on society and its constituent parts, as well as the trappings of visual appearances. Clothes were an intricate part of the visual culture surrounding early modern social hierarchies; differentiation between groups and individuals were readily visualized through dress. Focusing on the three primary means for visual differentiation identified in the essays — colour, fabrics and forms — this article explores the governing notions of hierarchies in regards to sartorial appearance, and the sartorial practices for making the social order legible in late eighteenth-century Sweden.

Jane Austen’s Questioning of Gender and Genres

2019 ◽  
Author(s):  
Marie-Laure MASSEI-CHAMAYOU
Keyword(s):  
Eighteenth Century ◽  
Social Order ◽  
Power Relations ◽  
Jane Austen ◽  
The Political ◽  
The Novel ◽  
Conduct Books ◽  
Northanger Abbey ◽  
Gothic Novels ◽  
Opposite View

If Jane Austen admits in her correspondence that she was eventually pleased with Thomas Gisborne’s Enquiry into the Duties of the Female Sex (1797), the Anglican theologian nonetheless endorsed the prejudices shared by most eighteenth-century moralists towards novels. Now, in Northanger Abbey, a novel filled with literary allusions, Jane Austen’s narrator bravely takes the opposite view by launching into a bold defence of the genre. Besides resorting to a biting irony to scrutinize her society’s axioms, rules and power relations, her novels notably question Manichean representations of masculine and feminine roles. Jane Austen’s choice to distance herself from the strictly gendered models inherited from conduct books, sentimental, or gothic novels, further combines with her questioning of generic conventions. This article thus aims at exploring how Jane Austen engaged with these representations while articulating her subtle didacticism. Her aim was not merely to raise the respectability of the novel genre, but also to provide a possible answer to the crisis of values that was threatening the very foundations of the political and social order.

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