scholarly journals Social and economic aspects of the formation of environmental consciousness

2021 ◽  
Vol 244 ◽  
pp. 11033
Author(s):  
Uliana Koshetar ◽  
Liudmyla Orochovska ◽  
Svitlana Lytvynska ◽  
Chrystyna Stetsyk
Keyword(s):  
Twentieth Century ◽  
Spiritual Development ◽  
Industrial Relations ◽  
Environmental Crisis ◽  
Environmental Consciousness ◽  
National Characteristics ◽  
The Media ◽  
Main Basis ◽  
Labour Division ◽  
Nature And Society

The problem of the interaction of nature and society is ontological in nature, and identifies the direction of the existence of humanity as a single planetary system. The actualization of the concept of “world” relative to the historical process falls at the end of the 19th - beginning of the twentieth century due to the leveling of economic and cultural national characteristics, the formation of a system of labour division at the interstate level, the growth of the role of the media in intercontinental communication. In the twentieth century the existence of capitalist and quasi-socialist social and economic systems affects the development of the world community as a process due to competition and interdependence. This influenced on the directions of the implementation of the scientific and technical revolution, namely on the correlation between material overproduction and the spiritual development of a person and humanity as a whole, which in turn led to a crisis in environmental consciousness. An increase in the sphere of activity and knowledge, the formation of a new system of industrial relations, technological pollution of the environment led towards a global environmental crisis at the beginning of the 21st century. Solving the problem of ecological consciousness at the present stage has become not only the task of describing the vectors of scientific researches in the sector of societynature interaction, but is the main basis for both the development and the existence of civilization as a whole.

Michael Clegg (1933–1995): from naturalist to environmental correspondent in the multi-media age

2015 ◽  
Vol 42 (2) ◽  
pp. 245-252 ◽  
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Sustainable Development ◽  
Natural History ◽  
Biodiversity Conservation ◽  
Environmental Issues ◽  
Full Time ◽  
Scientific Background ◽  
The Media ◽  
Multi Media

The coverage of natural history in British newspapers has evolved from a “Nature notes” format – usually a regular column submitted by a local amateur naturalist – to professional, larger-format, presentations by dedicated environmental correspondents. Not all such environmental correspondents, however, have natural-history expertise or even a scientific background. Yorkshire's Michael Clegg was a man who had a life-long love of nature wedded to a desire to communicate that passion. He moved from a secure position in the museum world (with a journalistic sideline) to become a freelance newspaper journalist and (subsequently) commentator on radio and television dealing with, and campaigning on, environmental issues full-time. As such, he exemplified the transition in how natural history coverage in the media evolved in the final decades of the twentieth century reflecting modern concerns about biodiversity, conservation, pollution and sustainable development.

Gertrude Stein's Transmasculinity

2018 ◽  
Author(s):  
Chris Coffman
Keyword(s):  
Twentieth Century ◽  
Ernest Hemingway ◽  
Pablo Picasso ◽  
False Consciousness ◽  
Mass Consumption ◽  
Museum Exhibits ◽  
Carl Van Vechten ◽  
The Media ◽  
Future Work ◽  
Opening Up

By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.

Filthy Material

2018 ◽  
Author(s):  
Chris Forster
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Twentieth Century Literature ◽  
Modernist Literature ◽  
Literary Value ◽  
Radclyffe Hall ◽  
Media Technologies ◽  
The Face ◽  
History Of ◽  
The Media

Modernist literature is inextricable from the history of obscenity. The trials of such figures as James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts of twentieth-century literature. Filthy Material: Modernism and the Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. The emergence of film, photography, and new printing technologies shaped how “literary value” was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of modernist obscenity to discover the role played by technological media in debates about obscenity. The shift from the intense censorship of the early twentieth century to the effective “end of obscenity” for literature at the middle of the century was not simply a product of cultural liberalization but also of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity with novel readings of works of modernist literature. It sheds new light on figures at the center of modernism’s obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse of obscenity to understanding figures not typically associated with obscenity debates (such as T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (such as Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.

Visualizing Winchester: a brand history through iconic Western images

2018 ◽  
Vol 10 (4) ◽  
pp. 383-419 ◽  
Author(s):  
Terrence H. Witkowski
Keyword(s):  
Twentieth Century ◽  
Visual Culture ◽  
Cultural Analysis ◽  
Primary Data ◽  
Content Type ◽  
Wild West Shows ◽  
Television Shows ◽  
Lever Action ◽  
The Media ◽  
Heroic Narrative

Purpose This paper aims to present a visually documented brand history of Winchester Repeating Arms through a cultural analysis of iconic Western images featuring its lever action rifles. Design/methodology/approach The study applies visual culture perspectives and methods to the research and writing of brand history. Iconic Western images featuring Winchester rifles have been selected, examined, and used as points of departure for gathering and interpreting additional data about the brand. The primary sources consist chiefly of photographs from the nineteenth century and films and television shows from the twentieth century. Most visual source materials were obtained from the US Library of Congress, the Smithsonian Institution, the Buffalo Bill Center of the West and the Internet Movie Firearms Database. These have been augmented by written sources. Findings Within a few years of the launch of the Winchester brand in 1866, visual images outside company control associated its repeating rifles with the settlement of the American West and with the colorful people involved. Some of these images were reproduced in books and others sold to consumers in the form of cartes de visite, cabinet cards and stereographs made from albumen prints. Starting in the 1880s, the live Wild West shows of William F. Cody and his stars entertained audiences with a heroic narrative of the period that included numerous Winchesters. During the twentieth century and into the present, Winchesters have been featured in motion pictures and television series with Western themes. Research limitations/implications Historical research is an ongoing process. The discovery of new primary data, both written and visual, may lead to a revised interpretation of the selected images. Originality/value Based largely on images as primary data sources, this study approaches brand history from the perspective of visual culture theory and data. The research shows how brands acquire meaning not just from the companies that own them but also from consumers, the media and other producers of popular culture.

scholarly journals Oaknín, Mazal. Feminism, Writing and the Media in Spain. Oxford, Peter Lang, 2019, 209 pp., ISBN 978-3-0343-1865-5

Hikma ◽  
2020 ◽  
Vol 19 (2) ◽  
pp. 367-370
Author(s):  
Maria Luisa Rodríguez Muñoz
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
Essential Work ◽  
Rosa Montero ◽  
Cultural Products ◽  
Ana Maria Matute ◽  
Lucia Etxebarria ◽  
Descriptive Research ◽  
The World ◽  
The Media

In line with the sociological shift in translation and literary studies, which is experiencing increasing success nowadays, Professor Mazal Oaknín offers us an essential work to delve into the evolution of women’s writing in Spain in the twentieth century and how it is represented and constructed through the media. Unlike descriptive research focusing on cultural products, this scholar bases her research on the influence that historical context and marketing constraints have exerted on the image through which three emblematic female Spanish writers (Ana María Matute, Rosa Montero and Lucía Etxebarría) have introduced themselves to the world of letters and their readerships.

scholarly journals La Guerra de Ifni, ecos amordazados y huellas disipadas por la prensa del franquismo.

2020 ◽  
Vol 2 (15) ◽  
pp. 212-241
Author(s):  
Mónica Yanguas Muñoz
Keyword(s):  
Twentieth Century ◽  
Professional Relationship ◽  
History Of ◽  
The Media ◽  
Spanish Press

This research focuses on the analysis of Spanish press which chronologically concurs with the Ifni War, studied contrasting the events and testimonies of those who experienced this war and those who entail a professional relationship with it (a journalist specifically). It was a conflict in the framework of the Francoist dictatorship and the process of decolonisation and expansion of Morocco in the mid-twentieth century. The general aim that we consider is to verify the interference of the media during the war, specifically press, and simultaneously contribute to unearth Ifni from the abyss of oblivion. This article brings to light the history of Ifni in relation to Spain, the Francoist mechanisms of informative control and some of the current outcomes of the war.

Death and Society in Twentieth Century America

1988 ◽  
Vol 18 (4) ◽  
pp. 379-395 ◽  
Author(s):  
Robert Fulton ◽  
Greg Owen
Keyword(s):  
Twentieth Century ◽  
Research Agenda ◽  
Atomic Bomb ◽  
Age Groups ◽  
Time Span ◽  
Nuclear Age ◽  
The Media ◽  
Immediate Experience ◽  
Twentieth Century America ◽  
Two Age Groups

American attitudes and responses toward death have changed markedly during the twentieth century. This transformation is illustrated through an examination of two age groups: those born prior to the advent of the atomic bomb, and those born into the nuclear age. Each cohort contended with very different patterns of environment and socio-historical experiences, and had differential life expectancies as well. Images of death have changed significantly over this time-span, partially because of the pervasive influence of television and the overall growth in the importance of media. Death's presence in the media is simultaneously everywhere and nowhere; it is at once illusively fantastical and frighteningly real. Today's youth face the threat of a sudden anonymous death that is counterpoised against a more immediate experience with death that often is either distorted or denied. It is within this context that America's youth express their fears and frustrations in music, drugs, violence, and vicarious death experiences. The research agenda should include investigation of such phenomena as the rising interest in spirituality and the increase in suicide among adolescents as possible symptoms of despair in an impersonal and threatened world.

Solace in sound: Glenn Gould’s electronic solitude

2021 ◽  
Vol 20 (1) ◽  
pp. 19-32
Author(s):  
Steven Hicks
Keyword(s):  
Twentieth Century ◽  
Social Systems ◽  
Media Ecology ◽  
Marshall Mcluhan ◽  
Media Environment ◽  
Musical Tradition ◽  
General Systems ◽  
The Media ◽  
Musical Traditions ◽  
Media Environments

Inspired by Marshall McLuhan, pianist Glenn Gould dedicated his career to polemics against the concert hall tradition. Through radio/television broadcasts, written works and contentious recorded catalogue, Gould advocated adoption of the new electric media environment of the mid-twentieth century, challenging musical traditions of centuries past. Gould also used telephonic technology to mediate contact with the outside world. Gould has been acknowledged by such authors as Paul Théberge as putting into practice the ideas of Marshall McLuhan. In this study, I follow Robert Logan’s work in media ecology and general systems and investigate Gould’s polemics through systems theory. In particular, I employ Niklas Luhmann’s theory of social systems, offering a model of society through which we may observe the effects of electric technology via the notion of functional de-differentiation of social systems as discussed by authors such as Erkki Sevänen. I suggest that Gould’s polemics are not just commentary on musical tradition but the media environments in which those traditions arose and show how we too can find solace in sound.

Some Comments on Industrial Relations Research in the Twentieth Century

1993 ◽  
Vol 2 (2) ◽  
pp. 279-289 ◽  
Author(s):  
MARIE JAHODA
Keyword(s):  
Twentieth Century ◽  
Industrial Relations
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