The White Male Gaze in Italian Cine-reportage, Mondo Movie, and Soft-porn, 1960s–1970s

Author(s):  
Gaia Giuliani
Keyword(s):  
2021 ◽  
Vol 25 (3-4) ◽  
pp. 126-138
Author(s):  
John-Paul Zaccarini

This essay follows the making of a queer of colour aesthetic space in the form of a music video entitled Brother, within a largely homogenous white University. The video places white heteronormativity on the periphery whilst intersectional brown bodies take the centre. It inverts racist and fetishistic tropes in music video culture and reverses the white male gaze. The making of the video created a small brown island in a sea of white as a vision of a future brown space protected from the ubiquitous, ambivalently festishizing white gaze; a gaze that projects its own narrative onto bodies of colour. It puts forward a thesis of racial agency, whereby the performance of “race” is scripted by the person of colour and not provoked by the construct of whiteness.


Author(s):  
Michelle Yates ◽  
Susan Kerns

The Chicago Feminist Film Festival aims to decenter and destabilize Hollywood norms, including Hollywood’s tendency to place cis-gendered white male protagonists at the center of films structured according to the hero’s journey. Thus, The Fits (2016) was a natural opener to the inaugural festival, embodying many of the festival’s values in destabilizing what constitutes “normal” ways of seeing the world. In particular, in centering black girlhood, The Fits subverts the white and male gaze. Main character Toni takes on the active gaze usually reserved for white and/or male characters, subverting the objectified status generally prescribed to female characters. The Fits also unsettles the heroine’s journey by troubling Toni’s transformative return. While it may seem that through “the fits” Toni is assimilated into normative gender relations, it is also possible to read Toni’s transformation in the film as form of insubordination, a resistance to this assimilation.


Author(s):  
Julio Capó

This chapter explores Bahamian migration to Miami during the first few decades of Miami’s municipal history. Analyses of Bahamian migrant experiences at the border, in Miami, and throughout the archipelago show how gendered migration patterns created “bachelor” societies in Miami’s urban frontiers and female-dominated and homosocial spaces in the then-British colony of the Bahamas. While Miami’s white powerbrokers struggled with inadequate infrastructure, a growing population, and ill-defined local economy, they came to rely on the cheap, experienced labor that male Bahamian migrants offered. The chapter argues that the desirability of the black male body and laborer was constructed alongside a distinct queer erotic and white male gaze. The chapter also introduces the economic challenges Bahamians faced back on the archipelago and how these migration patterns broke down household economies and traditional family models. U.S. immigration officials heavily policed single and unaccompanied Bahamian women at the Miami-Caribbean borders, while the borders proved mostly porous for Bahamian men before 1924. Law enforcement, however, heavily policed Bahamian men once they entered Miami. Criminal records indicate, for instance, that they were disproportionately represented in sodomy and crime against nature charges.


2020 ◽  
pp. 115-117
Author(s):  
Jasmine Wigginton

A poem about realizing freedom through transformation. The poem “ ‘Hoodoo’ Inspired by Mamie Hansberry from Christian Country Kentucky” is based on the voice of Mamie Hansberry, a formerly enslaved woman from Kentucky. Hansberry’s words were recorded by historians and archivists who worked for the Workers Project Administration (WPA). The WPA was a Depression-era program where historians and writers went around the South to collect the stories of the former enslaved. This program provided an opportunity for Black voices to be added and centralized in the archives. Despite positive intentions, the archivists were clouded by their own internal bias. Most of the collectors were white Southern males who held strong biases that influenced the topics they chose to explore. For example, Black folklore is featured heavily in the WPA narratives. To the recorder, these beliefs might have been viewed as eccentric and uncivilized. When interacting with Mamie Hansberry, they more than likely prompted her into explaining “Hoodism”. Instead of a simple introduction, however, Hansberry spun an oral rhyming poem, “A snake head an’ er lizard tail, Hoo-doo; Not close den a mile of jail, Hoo-doo.” Through her rhythmic re-telling, she showcases the beauty and power that resides in “Hoodisms”, that was probably lost by the white male listeners. The archives often offer us silence on Black voices that are women, poor, and rural. If they were recorded, they are often tainted by the bias of our racist and sexist systems, such as in the WPA narratives. Instead of looking to the archives to better tell the stories of my ancestors, I choose to do so through poetry allowing me to reimagine and explore where the archives offer me no assistance. Removing the white male gaze, I give my version of “Hoodism” based on the long line of Kentucky Black women who came before me, like Mamie Hansberry. This is my homage to their voices and stories. Their stories are not lost or forgotten.


2014 ◽  
Vol 9 (2) ◽  
pp. 213-232
Author(s):  
Anne E. Fernald

The taxicab operated as a crucial transitional mode of transport for bourgeois women, allowing them maximum power as spectators when it was still brave for a woman to be a pedestrian. The writings of Virginia Woolf, which so often depict bourgeois women coping with modernity, form the chief context in which to explore the role of the taxicab in liberating the modern woman. The taxi itself, clumsy and ungendered, encases a woman's body and protects her from the male gaze. At the same time, a woman in a taxi can look out upon the street or freely ignore it. As such, the taxi is a type of heterotopia: a real place but one which functions outside of and in a critical relation to, the norms of the rest of the community.


2020 ◽  
Vol 17 (2) ◽  
pp. 192
Author(s):  
RONALDO LAU ◽  
SULISTIANA PRABOWO ◽  
RIAMI RIAMI

<p align="justify"><strong>ABSTRACT</strong><strong></strong></p><p align="justify"><strong>Background</strong>: High fat diet increase the absorption of lipid in the intestinum, that can lead to increase LDL cholesterol level in the blood. Sea grapes extract (<em>Caulerpa racemosa</em>) contains antioxidant polyphenolic group that can reduce MTP and ACAT-2 in the body that can decrease LDL cholesterol level in the blood.The purpose of this study is to know the effect of sea grapes extract  on decreasing LDL cholesterol of white male Wistar rats (<em>Rattus norvegicus</em>) fed with high fat diet.</p><p align="justify"><strong>Method</strong>:  24 white male Wistar rats, that divided into 3 groups: 1) group of rats fed with standard diet for 28 days; 2) group of rats fed with high fat diet for 28 days; 3) group of rats fed with high fat diet for 28 days and given 10 gram/kg body weight/day of sea grapes extract on 15<sup>th</sup>-28<sup>th</sup> days. Then the blood LDL cholesterol level measured on the 29<sup>th</sup> day.</p><p align="justify"><strong>Result :</strong> One-Way ANOVA Test showed there was significant difference (p=0.004) of LDL level between the group of rats fed with standard diet (12.37 mg/dl) compared to group of rats fed with high fat diet (17.87 mg/dl). There was significant difference (p=0.001) of LDL level between the group of rats fed with high fat diet (17.87 mg/dl) compared to group of rats fed with high fat diet and sea grapes extract (10.12 mg/dl).</p><p align="justify"><strong>Conclusion: </strong>high fat diet significantly increase blood LDL cholesterol level and sea grapes extract (<em>Caulerpa racemosa</em>) significantly decrease blood LDL cholesterol level.</p><p align="justify"> </p><p align="justify"><strong>Keywords :</strong>Sea grapes extract, LDL cholesterol, high fat diet</p>


Author(s):  
V.N. Voloshin ◽  
I.S. Voloshina ◽  
I.Yu. Vash

The aim of the paper is to study thymus variability in white rats, which were exposed to formaldehyde, and to compare these data with the indicators in control animals. Materials and Methods. The trial enrolled 72 white male rats, initial body weight 40–50 g. The animals were divided into 2 groups (36 rats in each). The first group consisted of control rats. Animals of the second group were exposed to formaldehyde inhalation, 2.766 mg/m3. To characterize the variability of the organ size, centroids were determined. The superposition of landmark configurations was performed using the generalized Procrustes analysis method, MorphoJ 1.06d program. The principal component analysis and canonical analysis of the obtained data were carried out. Results. One-Way ANOVA revealed a high level of intergroup differences in Procrust distance (F=1.34; p<0.0001). The significant effect of the duration of formaldehyde exposure on centroid size was established. The Kruskal-Wallis criterion was 19.778 (p=0.0014). The analysis of the principal components indicated that each of the first 10 components stands for more than 1 % of Procrustes coordinate variance. In this case, the first 7 components compatibly explain 91.398 % of thymus variability. The proportion of the first main component to the total variance of the Procrustes coordinates is 40.236 %. PC1 (-) shows changes in the thymus shape, mostly affecting the tops of its lobes, the middle part of the right boundary and the entire left thymus boundary. The scattering ellipses of the thymus ordinates in rats exposed to formaldehyde, in the first two canonical variables are located higher than those in the control animals. Conclusion. Formaldehyde inhalation leads to thymus changes in white rat. The most significant differences with control data are determined along the second canonical variable. Keywords: thymus, form, rat, formaldehyde, geometric morphometry. Цель. Изучение изменчивости формы тимуса белых крыс, находившихся в условиях влияния формальдегида, и сравнение этих данных с показателями, полученными у контрольных животных. Материалы и методы. Работа выполнена на 72 белых крысах-самцах с начальной массой тела 40–50 г. Животные были разделены на 2 серии (по 36 крыс). Первую серию составляли контрольные крысы. Животные второй серии подвергались ингаляционному воздействию формальдегида (ФА) в концентрации 2,766 мг/м3. Для характеристики изменчивости размеров органов определяли размер их центроидов. Процедуру суперимпозиции конфигураций ландмарок выполняли методом генерализованного прокрустова анализа с использованием программы MorphoJ 1.06d. Проводили анализ главных компонент и канонический анализ полученных данных. Результаты. Однофакторный дисперсионный анализ выявил высокий уровень межгрупповых различий по показателю прокрустовых расстояний (F=1,34; р<0,0001). Установлено значительное влияние продолжительности нахождения животных в условиях воздействия ФА на размер центроида. Критерий Краскела–Уоллиса составил 19,778 (р=0,0014). Анализ главных компонент указывал на то, что каждая из первых 10 компонент объясняет более 1 % дисперсии прокрустовых координат. При этом первые 7 компонент совместно объясняют 91,398 % изменчивости формы тимуса. Вклад первой главной компоненты в общую дисперсию прокрустовых координат составляет 40,236 %. РС1 (–) показывает изменения формы тимуса, в большей степени затрагивающие верхушки его долей, среднюю часть правого контура и весь левый контур тимуса. Эллипсы рассеивания ординат тимусов, принадлежащих крысам, подвергавшимся влиянию ФА, в пространстве первых двух канонических переменных расположены выше по отношению к таковым контрольных животных. Заключение. Ингаляционное воздействие формальдегида приводит к изменению формы тимуса белых крыс. Наибольшие различия с контрольными данными определяются вдоль второй канонической переменной. Ключевые слова: тимус, форма, крыса, формальдегид, геометрическая морфометрия.


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