Undergraduate Creative Writing in the United States: Buying In Isn’t Selling Out

2012 ◽  
pp. 73-79 ◽  
Author(s):  
Anna Leahy
1943 ◽  
Vol 16 (1) ◽  
pp. 138
Author(s):  
Joseph Warren Beach ◽  
Allen Tate ◽  
John Peale Bishop

2021 ◽  
pp. 1532673X2110135
Author(s):  
Jordan Gans-Morse ◽  
Simeon Nichter

Prominent scholars in recent years have expressed alarm about political polarization, weakened civil liberties, and growing support for authoritarianism in the United States. But discussions of democratic backsliding pay short shrift to the value citizens place on one of the most fundamental democratic institutions: the act of voting. Drawing on nationally representative survey data, we show that despite traditional portrayals of the U.S. as the embodiment of a democratic “civic culture,” a substantial share of Americans express readiness to sell their votes for cash: 12% of respondents would do so for just $25, as would nearly 20% for $100. Citizens who place low importance on living in a democracy are significantly more willing to sell their votes. We argue that heightened attention to US voters’ attitudes toward clientelism would provide an additional barometer of democratic skepticism, help to integrate the study of American and comparative politics, and stimulate novel research agendas about the historic decline of vote buying in the United States.


2014 ◽  
pp. 200-242 ◽  
Author(s):  
Susan C. Stokes ◽  
Thad Dunning ◽  
Marcelo Nazareno ◽  
Valeria Brusco

Author(s):  
Sydney Janet Kaplan

The writing of the American poet, fiction writer and critic, Conrad Aiken (1889-1973) significantly affected the critical receptions of Katherine Mansfield and Virginia Woolf in the United States during the first half of the twentieth century. His personal encounters with them during his time of involvement in the production of the Athenaeum is reflected not only in his incisive reviews of their fiction, but in his own creative writing as well. His short stories and experimental memoir, Ushant, (1963) reveal the two women's differing forms of influence upon him. In his memoir, he portrays the relations between Woolf and Mansfield as representative of the ‘merciless warfare’ that prevailed in the London literary world in 1920. If his creative legacy from Woolf was stylistic and psychological, from Mansfield it was inspirational. He was in love with the spontaneity and life-enhancing vitality of her prose, her ‘genius’ for making her characters ‘real.’ The sense of an intuitive connection between himself and Mansfield underpins his imaginative efforts to recreate his encounters with her, as is exemplified most powerfully in his short story: ‘Your Obituary, Well Written,’ (1928) in which he creates a thinly veiled portrait of characters uncannily similar to Katherine Mansfield and John Middleton Murry.


Author(s):  
Dana Logan

American Christianity and commerce are bound together by their mutual history. In colonial America, Puritans excelled at the skills of capitalism, and in the 19th, 20th, and 21st centuries, Christian corporations have tied together religious and corporate culture. Even when corporations and churches have maintained a distinct boundary between faith and the market, American religion and capitalism seem to be uniquely compatible. Ministers and gurus use mass media to disseminate their message (via TV, radio, bookstores). Religious folk in the United States tend to act like consumers, choosing their theologies and churches based on their individual needs and desires, rather than relying on tradition to dictate their religious practices. Selling and buying in the American marketplace share many similarities with Christian categories of piety and evangelization. Further, corporations and religious communities have since the early 20th century collaborated in politics and social movements. In much of the scholarship on Christianity and commerce in the United States, this relationship is discussed as a strategic partnership between two distinct spheres of life: religion and the market. Recent scholarship, however, has questioned this neat division, arguing that the fluid relationship among commerce, consumption, and Christianity in the United States emerges from the historical co-development of capitalism and religion. If Christianity and the market in the United States look very similar, or are particularly friendly, it is because they were never separate to begin with.


Religions ◽  
2019 ◽  
Vol 10 (3) ◽  
pp. 225
Author(s):  
Sean Lewis

Undergraduate students in the United States of America are increasingly less religious, and this decline in religiosity is felt not only at secular colleges and universities, but also at those with a religious affiliation. This article seeks to answer the question of how one can effectively teach the Christian vision in Dante’s Commedia to undergraduates who have little or no religious formation. The methods I have used to teach freshmen in core Humanities courses have differed somewhat from the methods I have used to teach upperclassmen in Literature electives. For the freshmen, focusing on what I call “humanist theology” has been successful, allowing them to see that the Christianity found in Dante’s epic is not merely a list of rules, but a way of viewing human life that is consonant with their own experiences. Purgatorio is the most important canticle for this method, and the case of Virgil’s damnation is a vital topic. For upperclassmen, finding analogies to Christian Mystery in the fields of mathematics, the sciences, and creative writing has proven fruitful. The main conclusion of this study is that these techniques are useful in presenting Dante’s work to non-religious students without sacrificing the epic’s specifically Christian content.


On Essays ◽  
2020 ◽  
pp. 293-312
Author(s):  
Ned Stuckey-French

This chapter is devoted to writing which falls under a recent, nearly paradoxical coinage: ‘creative nonfiction’, a phrase which raises the fundamental theoretical questions asked by Lukács and Adorno about whether the essay is better seen as art or knowledge. Stuckey-French examines both the rise of this category in creative writing programmes in universities in the United States, and the arguments of the influential theorist and anthologist of the essay John d’Agata, who rejects ‘creative nonfiction’ in favour of the ‘lyric essay’. Stuckey-French then shows how the contemporary essayists Jo Ann Beard, Eula Biss, and Claudia Rankine are both preoccupied by the boundary between fiction and reality, and often transgress it without minimizing its ethical and political significance, in respect of childhood memory, violence, or race.


Author(s):  
Chalermsak Lertwongsatien ◽  
Nitaya Wongpinunwatana

It was predicted that in 2004, e-commerce would generate worldwide revenue as high as $6.9 trillion, and the number of Internet users would grow as high as 765 million users in 2005 (CommerceNet, 2003). Though about 40% of online spending originates in the United States, this proportion is predicted to fall to about 38% by 2006, due to increased online spending of residents in Asia and Western Europe (Virgoroso, 2002). In addition, it was expected that online buying in Asia will grow about 89% in 2002 (Virgoroso, 2002), and the Asia Pacific will be the second most profitable, with a value of $1.6 trillion (CommerceNet, 2003).


2006 ◽  
Vol 1 (1) ◽  
pp. 9-40 ◽  
Author(s):  
Edwin Gentzler

While a critical mass of scholarship may have been reached to launch a journal such as TIS, much work needs to be done in developing allies and growing the field of translation and interpreting studies in the United States. This paper attempts to outline a few natural academic allies—programs in creative writing, area studies, com-parative literature, and anthropology. While looking at the respective strengths of the translation scholarship in these allied fields, I also offer a critique of some of those pro-grams. The goal is to point out areas of interest that will mutually benefit both translation studies and other fields. The paper is divided into five parts: (1) The 2004 ATSA Confer-ence; (2) The First US Translation Studies Scholar; (3) The Present State of Translation Studies in the United States; (4) Connections with Emerging Area Studies Programs; and (5) Connections with Comparative Literature and Anthropology. I conclude by suggesting that, while a critical mass may have been reached to start a journal, much work needs to be done in broadening the scope of our organization to include potential partners. The goal is to build a truly open and inclusive discipline, one that reflects the true range of ongoing translation studies investigations in the country.


Sign in / Sign up

Export Citation Format

Share Document