The Black Male Body and the (Post?)Colonial University: Identity Politics and the Tyranny of Meritocracy

2016 ◽  
pp. 153-170 ◽  
Author(s):  
T. Elon Dancy
2021 ◽  
Vol 77 (2) ◽  
Author(s):  
Johann-Albrecht Meylahn

It has been argued that most countries that had been exposed to European colonialism have inherited a Western Christianity thanks to the mission societies from Europe and North America. In such colonial and post-colonial (countries where the political administration is no longer in European hands, but the effects of colonialism are still in place) contexts, together with Western contexts facing the ever-growing impact of migrants coming from the previous colonies, there is a need to reflect on the possibility of what a non-colonial liturgy, rather than a decolonial or postcolonial liturgy, would look like. For many, postcolonial or decolonial liturgies are those that specifically create spaces for the voice of a particular identified other. The other is identified and categorised as a particular voice from the margins, or a specific voice from the borders, or the voices of particular identified previously silenced voices from, for example, the indigenous backyards. A question that this context raises is as follows: Is consciously creating such social justice spaces – that is determined spaces by identifying particular voices that someone or a specific group decides to need to be heard and even making these particular voiceless (previously voiceless) voices central to any worship experience – really that different to the colonial liturgies of the past? To give voice to another voice, is maybe only a change of voice, which certainly has tremendous historical value, but is it truly a transformation? Such a determined ethical space is certainly a step towards greater multiculturalism and can therefore be interpreted as a celebration of greater diversity and inclusivity in the dominant ontology. Yet, this ontology remains policed, either by the state-maintaining police or by the moral (social justice) police.Contribution: In this article, a non-colonial liturgy will be sought that goes beyond the binary of the dominant voice and the voice of the other, as the voice of the other too often becomes the voice of a particular identified and thus determined victim – in other words, beyond the binary of master and slave, perpetrator and victim, good and evil, and justice and injustice, as these binaries hardly ever bring about transformation, but only a change in the face of master and the face of the slave, yet remaining in the same policed ontology.


Author(s):  
Marvin McAllister

This chapter argues that Dave Chappelle, Affion Crocket, and the duo Jordan Peele and Keegan-Michael Key have all fallen victim to the black comedic Conundrum of excessively physical comedy. These comedians testify not only to the problems associated with representations of the black male body, but also highlight the lack of strong female comediennes headlining television sketch comedy shows. This chapter also notes, however, that each of these comedians has produced satire that conveys substantive social commentary.


Author(s):  
C. Kemal Nance

C. Kemal Nance reflects on the ways in which African American men utilize dance vocabularies in artistic and academic work. He reveals his findings through his own experiences as an African dance performer, as well as through a series of interviews with Baba Chuck Davis. Centering an analysis of gender and sexuality, Nance explores the scripted nature of these discourses while addressing the ideological implications of historical representations of the black male body, masculinity, and heteronormativity in the field of African dance in the United States.


Author(s):  
Ian Taylor

‘The role of identity in African politics’ explains that identity politics are symptoms of Africa’s underdevelopment, not the cause, and the prominence of such political mobilization reflects much deeper structural problems facing many post-colonial states. Before the colonial era, African societies were based on notions of identity, such as the family, ancestral lineage, the clan, or the community. Colonial rule forced together different communities (some of which were traditionally hostile to each other) and was mainly responsible for producing the situation found today where very few nation states exist. Colonial authorities concretized differences among and between the subjugated and the de-colonization period further contributed to the politicization of identity.


2017 ◽  
Vol 1 (1) ◽  
pp. 628-645 ◽  
Author(s):  
Anna Pochmara ◽  
Justyna Wierzchowska

AbstractThe article analyses Michael Jackson’s album Thriller and Prince’s movie Purple Rain. We explore their camp aesthetics and their recasting of the cultural representations of the black male. Jackson’s and Prince’s performative personas are both liberatory and burdened with the received cultural scripts of black masculinity. We claim that their employment of camp is political rather than escapist and depoliticized. Camp serves them as a platform to mourn the cultural displacement of the black male body in a postslavery America. In particular, the two artists distance themselves from the extensive ideological and physical pressures exerted on the black male body in the early 1980s. As a result, their performances are complexly de-Oedipalized. Prince in Purple Rain refuses to assume the patriarchal position of the Father. Analogously, Jackson fashions himself as a Peter Pan-like eternal adolescent who never makes his final identification as either heterosexual or LGBTQ desiring agent. In the coda to the article, we reach beyond the 1980s to explore a more flexible approach to camp in the artistic output of twenty-first-century African American performers of Queercore and Afrofuturist scenes, which were partially enabled by Jackson’s and Prince’s performances.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 319-338
Author(s):  
Sharifah Munirah Alatas

Abstract What do Malaysians understand by the term, “intellectual”? Is the intellectual in the Malaysian context undefined, or insignificant? Do Malaysians see the need for intellectuals? Answers to these questions reflect the extant to which Malaysia has advanced in her post-colonial development. Amidst the race towards IR 4.0 and Society 5.0, Malaysia’s education system lags behind and leaders continue to be embroiled in identity politics. Syed Hussein Alatas, a world-renowned Malaysian intellectual, raised these questions in the 1950s. His writings focus on social change, corruption, and intellectual captivity. Even though his writings are easily accessible, his ideas have not been widely assimilated by Malaysia’s ruling elite, as part of the reform agenda. This article highlights the relevance of Alatas’s ideas in Malaysia’s current socio-political transformation. It concludes that leadership’s failure to identify relevant problems is because they have neglected the vital role of intellectuals, such as the critical ideas of Syed Hussein Alatas.


2015 ◽  
Vol 38 (4) ◽  
pp. 344-356
Author(s):  
Tamara Slankard
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