How is the University Differentiated from Other Societal Institutions? The Relationship Between the University and Society in the Late Twentieth Century

1989 ◽  
Vol 2 (3) ◽  
pp. 37-40 ◽  
Author(s):  
Michael L Skolnik
Keyword(s):  
Twentieth Century ◽  
Late Twentieth ◽  
The University ◽  
The Relationship ◽  
Late Twentieth Century

Private Benefit, Public Finance?

2019 ◽  
pp. 60-76
Author(s):  
William Whyte
Keyword(s):  
Higher Education ◽  
Twentieth Century ◽  
The State ◽  
British Society ◽  
Late Twentieth ◽  
The Individual ◽  
Student Finance ◽  
The University ◽  
The Relationship ◽  
Late Twentieth Century

This chapter explores the way in which developments in the apparently rather narrow field of undergraduate finance tell us something about perceptions of the university in the late twentieth century and, more importantly, about how debates over higher education illuminate wider attitudes to the relationship between the individual, the state, and civil society. It also uses these debates—and the legislation they inspired—to discuss the difficulties the state and other actors faced in dealing with higher education in an era characterized by anxieties about Britain’s perceived decline, and about inequities in British society. The tangled and tortured development of student finance in the last four decades of the twentieth century illustrates the value of Jose Harris’s approach, whilst also enabling historians to trace the longer-lasting legacy of idealist thought.

The Afterlife of Art and Objects

2018 ◽  
Author(s):  
James Tweedie
Keyword(s):  
Twentieth Century ◽  
Historical Narratives ◽  
Still Life ◽  
Art Cinema ◽  
Spanish Baroque ◽  
Late Twentieth ◽  
Moving Pictures ◽  
Tableau Vivant ◽  
The Relationship ◽  
Late Twentieth Century

Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.

A Reading of Westcott's Gospel of Creation: An Early Venture into Ecological Theology?

2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Natural World ◽  
Close Reading ◽  
Ecological Theology ◽  
Late Twentieth ◽  
Science And Theology ◽  
Doctrine Of Creation ◽  
The Relationship ◽  
Late Twentieth Century

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.

People and the contemporary environment

2003 ◽  
Author(s):  
Sally Eden
Keyword(s):  
Environmental Management ◽  
Twentieth Century ◽  
Academic Disciplines ◽  
Human Environment ◽  
Late Twentieth ◽  
Catch Up ◽  
Ecological Science ◽  
The Relationship ◽  
Late Twentieth Century

Geographical approaches to human-environment relations have been diverse and dynamic over the last century. They have also been heavily influenced not only by academic disciplines outside geography but by popular and policy concerns outside academia. From an initial flurry of activity about how the environment influences society in the early part of the century, British geography then took a detour to other topics even as other disciplines discovered the environment as a topic of interest. This left geographers playing ‘catch-up’ in the late twentieth century, as the discipline sought to reoccupy the ground previously abandoned. This is not over yet: in the 1990s, research into ‘the environment’ and ‘nature’ was scattered across academia. This chapter examines the relationship between humans and the contemporary environment, focusing on environmental protection, environmental management and ecological science, environmental policy and management, environmentalism, and environment and history.

Training, recovery and adaptation

2013 ◽  
Author(s):  
Ken van Someren ◽  
Glyn Howatson
Keyword(s):  
Twentieth Century ◽  
Athletic Training ◽  
Physical Training ◽  
General Adaptation ◽  
Scientific Approach ◽  
Late Twentieth ◽  
Training Stress ◽  
Training Programmes ◽  
The Relationship ◽  
Late Twentieth Century

Organized physical training in the pursuit of sporting excellence is not a recent phenomenon. Reports of structured athletic training programmes date back to the ancient Greeks, when they were used for both military and Olympic preparation. Despite an extensive history, it was not until the mid to late twentieth century that what is now considered a scientific approach to training theory developed. The description of the General Adaptation Syndrome by Dr Hans Selye in 1956, which examined the relationship between training stress and adaptation, and the work of Metveyev, Harre, and others in the 1970s and 1980s developed the foundation of training theory and its application to athletic training programmes....

The Rigor of Things

2017 ◽  
Author(s):  
Jean-Luc Marion ◽  
Dan Arbib ◽  
David Tracy
Keyword(s):  
Twentieth Century ◽  
Philosophical Methodology ◽  
Intellectual Life ◽  
The Future ◽  
The Gift ◽  
Late Twentieth ◽  
Educational Career ◽  
Relationship Of ◽  
The Relationship ◽  
Late Twentieth Century

This book provides an introduction to the life and work of philosopher and theologian Jean-Luc Marion through a set of interviews, discussing his educational career, his work on Descartes, his phenomenology, his theology, his philosophical methodology, and his views on the future of Catholicism in France. It presents all of his major ideas in fluid dialogue and conversational tone with his former student Dan Arbib. At the same time, it provides an account of French intellectual life, especially in regard to philosophy and theology, in the late twentieth century. Marion also reflects on the relationship of philosophy to history, theology, aesthetics, and literature. The dialogues include discussions of all of his books and present their central arguments in easily comprehensible fashion. They show the overall unity of his work in terms of its focus on giveness, the gift, and the event.

Part of Living in the Late Twentieth Century: Notions of Risk and Fear in Relation to Crime

2000 ◽  
Vol 33 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Deborah Lupton
Keyword(s):  
Twentieth Century ◽  
Fear Of Crime ◽  
Personal Risk ◽  
Victim Status ◽  
Personal Experiences ◽  
The World ◽  
Late Twentieth ◽  
The Relationship ◽  
Late Twentieth Century

This article reports on some of the findings of a study into fear of crime among a group of Australians, examining the relationship between assessments of personal risk of being a victim of six specified crimes and worry about being a victim of these crimes. The findings revealed that while the two are related, assessments of risk tended to be higher than assessments of worry in relation to the same crime. Participants drew on their perception of their own vulnerability based on such attributes as gender, age and everyday routines, their personal experiences of crime, knowledge of others' experiences and media accounts to explain their assessments. Also underlying their notions of risk and fear were two paradoxical discourses on victimisation. The first discourse represents individuals as able to control their destiny and responsible for protecting themselves from crime. The second represented victimisation as a product of fate, against which it was impossible to fully protect oneself. It is argued that these notions of victimisation are underpinned by wider discourses in western societies that emphasise the vulnerability of individuals to risk and danger but also the importance of approaching the world as an active, entrepreneurial subject who refuses the victim status.

‘Motz el Son’: Pound’s musical modernism and the interpretation of medieval song

2008 ◽  
Vol 20 (1) ◽  
pp. 53-78
Author(s):  
CHARLES MUNDYE
Keyword(s):  
Twentieth Century ◽  
Specific Reference ◽  
Musical Style ◽  
Early Music ◽  
Medieval Music ◽  
Music Interpretation ◽  
Editorial Work ◽  
Late Twentieth ◽  
The Relationship ◽  
Late Twentieth Century

ABSTRACTThe article explores an interdisciplinary conjunction of music, literature and modernism. I examine the relationship between aspects of early music scholarship and modernism, with specific reference to Ezra Pound’s critical and editorial work on medieval song, and to the composition, in the 1920s, of his modernist opera Le Testament. This analysis places Pound’s work as editor and composer not only in the context of recent critical reflections on the idea of authenticity, but also in relation to the histories and methodologies of medieval music interpretation. First, in drawing attention to Pound’s much–neglected collaborative edition of medieval songs entitled Hesternae Rosae, I contextualise his experiments in rhythmic reconstruction with reference to early and late twentieth-century musicologists working in this field. I make particular reference to the work of Pierre Aubry and rhythmic mode theory, and the later perspectives of Hendrik van der Werf. Secondly, I proceed to analyse Pound’s monophonic and dance song compositions in Le Testament, exploring the way in which serious medieval musicological scholarship prepared for, and is allied to, the development of a rhythmically and dramatically complex musical style.

Surface Architecture

2003 ◽  
Vol 7 (1) ◽  
pp. 88-91
Author(s):  
Mohamed Sharif
Keyword(s):  
Twentieth Century ◽  
Western Modernity ◽  
Construction Techniques ◽  
Life Itself ◽  
Late Twentieth ◽  
Imminent Threat ◽  
Relationship Of ◽  
The Relationship ◽  
Late Twentieth Century

Notwithstanding contributions such as those articulated in Kenneth Frampton's Studies in Tectonic Culture (MIT Press, 1995), few authors have furthered a clear discourse concerning the relationships between construction techniques and formal ideas in architecture subsequent to the late twentieth-century critiques of Western Modernity. Moreover, such writing as there has been has tended to draw from the supposedly redemptive, recuperative and largely Heideggerian tenor of concerns regarding the relationship of humankind to technology and its desired capacity for architecture to mitigate, if not completely resist, the assumed imminent threat of technology to life itself.

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