Giacomo Devoto 1898–1974

1982 ◽  
Vol 9 (3) ◽  
pp. 495-513
Author(s):  
Paolo Ramat
Keyword(s):  
20Th Century ◽  
Social Institution ◽  
Point Of View ◽  
The Other ◽  
European Studies ◽  
History Of Linguistics ◽  
History Of ◽  
Scientific Significance ◽  
To Come ◽  
The Relationship

Summary The paper essays to give a brief survey of the imposing and complex work of Giacomo Devoto (1897–1974), with particular emphasis on its principal traits seen both from the point of view of the history of linguistics and its scientific significance. Especial attention is drawn first of all to Devoto’s position vis-à-vis Benedetto Croce’s Idealism and the linguistic positivism of the first half of the 20th century. It seems possible to define Devoto’s position as a dialectic one between these two intellectual currents, which eventually led to an historicism, which actually was typical of the Italian linguistic tradition. From this viewpoint then Devoto’s understanding of language as an ‘institution’ is examined, including his intervention in the dispute between N. Ja. Marr and Stalin. After having dealt with his concept of a ‘stylistics of language’, which returns to regarding langue as an historicaland social institution, and its difference from a literary stylistics, Devoto’s Indo-European studies are examined. Here, the question of the relationship between linguistics and the other disciplines concerned with antiuqty is discussed, a relationship which Devotohad been obliged on several occasions to come back to. The ‘Devotian’ position is presented critically with the help of discussions which Devoto himself had entertained, with archaeologists and with linguists.

scholarly journals The Perspective of Overcoming Nihilism in Heidegger’s Dialogue with Jünger

2019 ◽  
Vol 30 (1) ◽  
Author(s):  
Tautvydas Vėželis
Keyword(s):  
Point Of View ◽  
The Other ◽  
Dialectical Thinking ◽  
Other Hand ◽  
History Of ◽  
Metaphysical Tradition ◽  
The One ◽  
Relationship Of ◽  
The Relationship ◽  
European Civilization

This article examines the problem of overcoming nihilism in Heidegger’s dialogue with Jünger. It is suggested that nihilism is manifested in various forms and is the deep logic of the whole history of European civilization. One of the main aims of this paper is to outline the relationship of nihilism and Nothing in Heidegger’s dispute with Jünger, viewing how Heidegger distinguishes his approach from Jünger’s point of view. Heidegger, on the one hand, treats nihilism as consummation of the Western metaphysical tradition, on the other hand, identifies Nothing itself as the shadow of Being, which cannot be overcome in the traditional dialectical thinking manner.

The Sound of India In Maurice Delage’s Quatre Poèmes Hindous

2020 ◽  
Vol 65 (2) ◽  
pp. 277-296
Author(s):  
Noémi Karácsony
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
Western Music ◽  
Personal Contact ◽  
Early 20Th Century ◽  
French Music ◽  
Sound Effects ◽  
Instrumental Technique ◽  
The Relationship

"French composer and pianist Maurice Delage wrote several significant works inspired by his personal contact with the Orient. His travels to India inspired Delage to use innovative sound effects in his compositions, as well as to require his performers to adapt their vocal or instrumental technique to obtain the sound desired by the composer. His representation of the Orient is not a mere evocation of the Other, as is the case with most orientalist works, rather it reflects the composer’s desire to endow Western music with the purity, strength, and vivid colors which he discovered and admired in Indian music. The present paper presents the historical and artistic background which inspired and influenced Delage, the relationship between France and India in the early 20th century and reveals the composer’s idealistic point of view regarding India, its culture, and its music. The analysis focuses on the mélodie cycle Quatre poèmes hindous, composed between 1912 and 1913, striving to reveal the Indian influences in the work of Delage and the way orientalism is represented in French music from the first decades of the 20th century. Keywords: orientalism, France, India, 20th century, Maurice Delage"

scholarly journals A consideration of the impeccability of Christ

2016 ◽  
Vol 50 (1) ◽  
Author(s):  
Lazarus E. Kanniah ◽  
Carel F.C. Coetzee
Keyword(s):  
Point Of View ◽  
The Other ◽  
Main Body ◽  
History Of ◽  
Historical Theology ◽  
The One ◽  
The Relationship ◽  
Church Councils

The following study seeks to investigate the impeccability of Christ from a historical-theological point of view. Two camps emerge on either side of the debate. The one camp is those who hold to the posse non peccare view, which is to say the ability not to sin, otherwise known as the peccability view. The other camp holds to the non posse peccare view which is to say inability to sin, otherwise known as the impeccability view. While both camps affirm the sinless perfection of Christ they oppose each other about whether he could have sinned if he had wanted to. It boils down to a case of ‘could have but did not’ or ‘did not because He could not have’. It is the view of this article that the non posse peccare view squares with historical theology. By surveying church councils up to the present time, we aim in the introduction to prove that the history of this issue matters in that it establishes the relationship between Christology and history in relation to the origin of sin. In the first section of the main body we survey and evaluate the position from a peccability viewpoint while, at the same time, proposing and validating our points of departure. In the second section we assess and acknowledge the argument for impeccability by proving the necessity of it for the exoneration of Christ’s Person.

“Recapturing” the “Other”: Jewish Laws of War and International Law

2013 ◽  
Vol 28 (1) ◽  
pp. 47-65
Author(s):  
Betina Kuzmarov
Keyword(s):  
International Law ◽  
Direct Consequence ◽  
Point Of View ◽  
The Other ◽  
Jewish Law ◽  
Complex Relationship ◽  
Laws Of War ◽  
History Of ◽  
History Of International Law ◽  
The Relationship

The story would recapture the trace of Judaism, particularly the mystical Jew, in the early literature of international law—I think most readily of Gentilis' obsession with Judaism—a Judaism that seems at once the law that revelation and redemption replace and the mysticism that law and state refuse. Paradoxically enough, we find here our own complex relationship between law and religion exactly mirrored in the relationship between Christianity and Judaism.This article examines the relationship between the Jewish laws of war and international law. As Kennedy notes in the opening quote, one way of understanding the relationship between Jewish laws of war and international law is as part of the relationship between international law and its “other.” Kennedy defines Jewish law as mystical, and in so doing he asserts that Jewish law is different in form than state law/international law. Kennedy's opposition of Jewish law and international law is not accidental. It is a direct consequence of the history of international law. As Mutua has noted “[i]nternational law claims to be universal, although its creators have unambiguously asserted its European and Christian origins.” From this point of view, international law has “universalized” its particular origins with the consequence that any non-European or non-Christian tradition is not universal and is the “other.” This fact leads Kennedy to argue that international law has ignored (among many other things) the traces of religion, mysticism and Judaism in its history in its quest to claim secular universality.

Scripture and Tradition

1953 ◽  
Vol 6 (2) ◽  
pp. 113-135
Author(s):  
Oscar Cullmann
Keyword(s):  
New Testament ◽  
Jesus Christ ◽  
Point Of View ◽  
The Other ◽  
Knowing How ◽  
The New Testament ◽  
History Of ◽  
The Relationship ◽  
The Church

The problem of the relationship between Scripture and Tradition is in the first place a problem of the theological relationship between the apostolic period and the period of the Church. All the other questions depend on the solution that we give to this problem. The alternatives—co-ordination or subordination of Tradition to Scripture—derive from the question of knowing how we must understand the fact that the period of the Church is the continuation and unfolding of the apostolic period. For we must note right away that this fact is capable of divergent interpretations. That is why agreement on the mere fact that the Church continues the work of Christ on earth does not necessarily imply agreement on the relationship between Scripture and Tradition. Thus in my thesis developed in Christ and Time as well as in my studies on the sacraments in the New Testament I came considerably nearer to the ‘Catholic’ point of view. In fact I would affirm very strongly that through the Church the history of salvation is continued on earth. I believe that we find this idea throughout the New Testament, and I should even consider it the key for the understanding of the Johannine Gospel. I would maintain, moreover, that the sacraments, Baptism and Eucharist, take the place in the Church of the miracles performed by Jesus Christ in the period of the Incarnation. And yet I am going to show in the following pages that I subordinate Tradition to Scripture.

scholarly journals Things talked about while we remain silence and things we’re silence about while talking: The starting assumptions for an anthropology of silence about the nearest past

2007 ◽  
Vol 18 (3) ◽  
pp. 43-57
Author(s):  
Gordana Djeric
Keyword(s):  
20Th Century ◽  
Social Memory ◽  
Academic Community ◽  
The Other ◽  
The Balkans ◽  
Media Attention ◽  
Community Or ◽  
To Come ◽  
The Relationship ◽  
The Continuum

Wars of the last decade of the 20th century in former Yugoslavia have brought the whole region into the center of media attention and, accordingly, have aroused interest of the western academic theory. Since the latest ?discovery of the Balkans? was brought into being precisely due to wars, one shouldn?t be surprised to find that many academic approaches to questions of Yugoslavia dismemberment are biased, superficial or exotic. On the other hand, Serbian academic auditorium was far from being active in elaborating questions of its own contemporality and closest past - for various reasons, but mostly because of its detachment from systematic explorations. Thus, acknowledgement and presentations of mentioned issues were left to be the job of media publicists, others outside of academic community or were left to be treated in the time to come. Domestic scholars were rarely intrigued to deal with these matters, despite the fact that images of recent wars were often built on stereotypes and propaganda and that the formed knowledge of the entire subject suffered from severe simplification. The themes of great violence were particularly avoided which left some of the crucial war events out of the academic focus - the reason being, very probably, the estimation that what made Serbia and the region worldwide known is best to be forgotten. Contemporary academic silence on recent wars, in retrospection, could easily be placed within the continuum of silence during the socialist period and war which preceded it. Having all mentioned in mind, this paper not only investigates reasons for avoiding the issues of the nearest past and influences of silence in socialism on what came afterwards, but also highlights the importance of exploring semantics and functions of silence and silencing in recent wars, as well as the relationship between silence and social memory constructions.

scholarly journals Russian historian A. L. Pogodin about Polish history and Polish question

2018 ◽  
Vol 8 (2) ◽  
pp. 35-45
Author(s):  
Larisa Arzhakova
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Point Of View ◽  
Russian Society ◽  
Historical Science ◽  
Polish Question ◽  
History Of ◽  
Historical Tradition ◽  
To Come ◽  
The 19Th Century

The subjects of the study are works of A. L. Pogodin devoted to the history of Poland, reflected perception of the Polish question by the Russian society. Studying of his polonistic heritage allows us to speak with more confidence about the statement of the Russian historical polonistic in the first quarter of the 20th century, considering that, this problem remains until today debatable and demands amendments. Pogodin’s works have been analyzed from the point of view of both the essence and evolution of the Polish question, as well as those significant changes that occurred not only in the field of historical science, studying the history of Poland, but also the visions of the Russian society on Poland. This study gave the chance to come closer to understanding the Pogodin’s information code in his historical works, which allowing to shake basement of the Russian historical tradition concerning the Polish history of the 19th century.

scholarly journals CLASSICISM AND NEO-CLASSICISMS IN THE HISTORY OF MUSIC

2021 ◽  
Vol 5 (1) ◽  
pp. 115-122
Author(s):  
Gabriel BULANCEA ◽  
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
The Past ◽  
Creative Identity ◽  
History Of ◽  
The One ◽  
Rudimentary Form ◽  
The 19Th Century ◽  
Looking Back

In one of his articles, Octavian Paler draws attention in a metaphorical-mythologizing manner upon one of the risks taken by those who chose tradition as their source of inspiration. The epigonic spirit, because this is what he refers to, cannot escape idolatrising tradition, phenomenon that happens within an alterity of the creative identity, within the pettiness of controlling the artistic means, within the infatuation of his own image which is placed under the protection of the great creative figures. The epigone masters in an embryonic form some techniques which, for various reasons, he cannot manipulate creatively. He is somehow suspended between two sensibilities, hence his failure. On the one hand, he is not aware of the risk of assuming past sensibilities, and on the other, he does not assume his contemporariness. Giving in to the temptation of looking too much into the past, the epigonic artist loses his identifying sensibility. “The mistake of neo-classicism, with its statues painted or sculpted based and antique models, is Orpheus’ mistake. As we no longer have the soul of the ancient Greeks, imitating their art is useless because in art too, looking back kills if there is no conscience of the irreversibility. From this point of view, there is no turning back unless in order to desolate everything” (Paler, 2016, pp. 189-190). This quote refers to neo-classicism perceived in its most rudimentary form, in which it would identify itself with the epigonic phenomenon. Of course, no relation of equality can be claimed between an epigone and a neo-classicist. If we are to give a brief definition in which to establish a relationship between these two terms, the epigone is a neo-classicist that lacks fantasy. Neo-classicism means to creatively take over technical means, past sensibilities in order to anchor them in the tumultuousness of contemporary times. Neo-classicism represents the happiest mixture between past and present, that form of artistic reverberation in which modernity still makes room for the seal of the past. Not servility, not obedience, not anachronism which denote the incapacity to assimilate new composing techniques or the lack of vigour of creative energies, but the power to adapt to new sensibilities through restorative interventions. Starting from here, we will trace a re-echeloning line of various types of neo-classic sensibilities specific to the end of the 19th century and to the entire 20th century

scholarly journals Nikolai Gogol's text in the works of Vladimir Nabokov: the history of foundation of the issue in criticism and literary studies

2019 ◽  
pp. 148-153
Author(s):  
Oksana S. Rudova
Keyword(s):  
20Th Century ◽  
Vladimir Nabokov ◽  
The Other ◽  
Literary Studies ◽  
Late 20Th Century ◽  
The World ◽  
Different Types ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

The author of the article tried to trace the formation of the idea about the connection of the works of Vladimir Nabokov with Nikolai Gogol's tradition based on the material of the Russian émigréecritics’ works of and literary critics of the 20th—21st centuries. This process is considered as a progressive one, largely specified by the development of researching idea. The émigréecriticism saw the reason for the similarity these writers’ works in their similar aesthetics based on the relationship of the perception of the world and the human. In turn, literary studies of the late 20th century presented a new way of comparison, where Nabokov's prose is considered to be a complicated fiction on the whole, in which there is not only Nikolai Gogol's subtext, but also allusions to the other writers’ works, called "polygenetics". The author of the article offers a generalisation of methodological nature, indicating different types of literary links.

The Zaddik: The Interrelationship between Religious Doctrine and Social Organization

1996 ◽  
pp. 159-167
Author(s):  
Immanuel Etkes
Keyword(s):  
Social Action ◽  
Social Institution ◽  
Point Of View ◽  
Theory And Practice ◽  
Documentary Sources ◽  
Literary Sources ◽  
The Social ◽  
Religious Teaching ◽  
History Of ◽  
The Relationship

This chapter focuses on the zaddik. The bulk of the scholarship concerned with the position of the leader in hasidism has been focused on the ideology, usually referred to as the doctrine, of zaddikism rather than on the social institution of the zaddik. There are two principal reasons for this preference. First, for the past few decades, the academic study of hasidism has been dominated by the late Gershom Scholem and his students, all of whom have approached the subject primarily from the point of view of the history of ideas. Second, while the religious teaching of hasidism has been preserved in an abundance of primary literary sources, the documentary sources for the study of hasidism as a social movement have been scarce. It is therefore not surprising that much of the discussion on the doctrine of the zaddik has been conducted without reference to the socio-historical phenomenon of zaddikism. As a result, the relationship between doctrine and social institution has not been addressed in a systematic way. Scholars have tended to view the theory as a blueprint for social action—a programme by which the institution of the zaddik was ultimately shaped in reality. The chapter then examines the relationship between the theory and practice of zaddikism.

Sign in / Sign up

Export Citation Format

Share Document