Black Soldiers, Public Memory, and the Recuperative Work of Historical Fiction in Alice Dunbar-Nelson’s “Esteve, the Soldier Boy”

2021 ◽  
Vol 50 (1) ◽  
pp. 23-36
Author(s):  
Sidonia Serafini
1964 ◽  
Vol 21 (2) ◽  
pp. 146-162 ◽  
Author(s):  
Nancy Brandt

What makes a man—or the public memory of a man—into a a legend? The Western world has always had legendary heroes, men who in life waged vigorous campaigns against terrifying odds, and who, in death, bear reputations burnished and embellished and gloriously expanded by the stories their admirers tell. Dietrich of Berne, Frederick Barbarossa, Alexander of Macedon, Charlemagne, the Cid, Russia’s Prince Igor, Cordoba’s Great Captain, and others, live on in legend centuries after their physical lives ended. The stories of these heroes are told in sagas, epics, and lays, in ballads and folksongs, romances and myths. There are also heroes more newly-made. Their stories are broadcast through the media of twentieth-century communication: popular biographies, historical fiction, diplomatic telegrams, reports of senatorial committees, newspaper accounts, magazine articles, motion pictures. Mexico provided the pre-eminent legendary hero of modern times: Pancho Villa.


Author(s):  
Guy Beiner

Social forgetting is generated through discreet processing of traumatic historical experiences that cannot be expressed in official representations of public memory. Following the defeat of the 1798 rebellion, former rebels could not be openly memorialised. Epitaphs on graves of United Irishmen were deliberately obscured. Both Catholics and Protestants were unwilling to put their recollections of the rebellion on record. Local memories were noted in travel literature and vernacular poetry offered a medium of remembrance that was less noticeable to outsiders. However, cultural memory can be misleading. Literary representations in historical fiction contributed to social forgetting by covering up less savoury aspects of the rebellion. Towards the end of their lives, elderly members of the generation that had witnessed the events experienced ‘post-memory angst’ and shared with dedicated collectors of historical traditions their memories, which had been shaped through practices of concealment and were full of hesitations.


2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.


2017 ◽  
Vol 8 (1) ◽  
Author(s):  
Emily Kaliel

The articles published in our Fall 2016 edition are connected loosely under the themes of public memory and the uses of identity in the past. We are thrilled to present to you three excellent articles in our Fall 2016 edition: The article "Dentro de la Revolución: Mobilizing the Artist in Alfredo Sosa Bravo's Libertad, Cultura, Igualdad (1961)" analyzes Cuban artwork as multi-layered work of propaganda whose conditions of creation, content, and exhibition reinforce a relationship of collaboration between artists and the state-run cultural institutions of post-revolutionary Cuba; moving through fifty years of history “’I Shall Never Forget’: The Civil War in American Historical Memory, 1863-1915" provides a captivating look at the role of reconciliationist and emancipationist intellectuals, politicians, and organizations as they contested and shaped the enduring memory of the Civil War; and finally, the article “Politics as Metis Ethnogenesis in Red River: Instrumental Ethnogenesis in the 1830s and 1840s in Red River” takes the reader through a historical analysis of the development of the Metis identity as a means to further their economic rights. We wholly hope you enjoy our Fall 2016 edition as much as our staff has enjoyed curating it. Editors  Jean Middleton and Emily Kaliel Assistant Editors Magie Aiken and Hannah Rudderham Senior Reviewers Emily Tran Connor Thompson Callum McDonald James Matiko Bronte Wells


1998 ◽  
Vol 4 (2) ◽  
pp. 40-58 ◽  
Author(s):  
Anita Shapira
Keyword(s):  

Author(s):  
Roslyn Weaver

This chapter discusses the history of popular fiction in Australia. The question of place has always been central to Australian fiction, not only as a thematic element but also as a critical or political preoccupation. In part, this is because popular fiction writers, wanting to attract broad audiences, either exploited their Australian content to appeal to international readers or have excised the local to produce a generic and thus more readily accessible setting for outsiders. The chapter considers works by popular fiction writers who adopt a range of positions in relation to their focus on place, but often tackle many different aspects of Australian social and historical change. These novels cover various genres such as crime fiction, historical fiction and romance, science fiction and fantasy, and include Fergus Hume's The Mystery of a Hansom Cab (1886), Nevil Shute's On the Beach (1957), Damien Broderick's The Dreaming Dragons (1980), and Cecilia Dart-Thornton's The Ill-Made Mute (2001).


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