Transplant or graft? Hroch and the Mexican patriotic movements

2010 ◽  
Vol 38 (6) ◽  
pp. 793-812 ◽  
Author(s):  
Henio Hoyo
Keyword(s):  
Nineteenth Century ◽  
Ethnic Groups ◽  
New Spain ◽  
The Political ◽  
The Core ◽  
Colonial Experience ◽  
History Of ◽  
The Creation ◽  
The Way

In his highly influential work on the “small,” stateless European nations, Hroch seems to assume that patriotic movements have a homogeneous view about the core relations or “ties” that constitute and identify their nations. This assumption seems generally correct for the cases Hroch studies. However, is it correct if applied to the study of those patriotic movements developing in comparatively larger, heterogeneous and underdeveloped societies, comprising several ethnic groups bound together by the colonialist rule of an autocratic empire? I argue that, while the colonial experience can lead to the creation of some ties among the dominated populations, it also affects the way patriotic movements perceive their own nations. As a result, the phase of patriotic agitation can involve diverse movements addressing the same nation, but each having a particular view on the features and history of it. Such contested patriotic doctrines can lead to very important variations in the political agendas and goals of those movements, especially when they reach the mass phase. To exemplify this, the nineteenth century movements in New Spain/Mexico will be used as an example.

scholarly journals The Moor’s Political Colour: Race and Othello in Poland

2020 ◽  
Vol 22 (37) ◽  
pp. 171-190
Author(s):  
Anna Kowalcze-Pawlik
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Reception History ◽  
Social Contexts ◽  
Racial Stereotypes ◽  
Skin Colour ◽  
The Political ◽  
History Of ◽  
Stage Adaptations ◽  
The Way

This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.

The Mixed Commissions for the Suppression of the Transatlantic Slave Trade in the Nineteenth Century

1966 ◽  
Vol 7 (1) ◽  
pp. 79-93 ◽  
Author(s):  
Leslie Bethell
Keyword(s):  
Nineteenth Century ◽  
Special Reference ◽  
Sierra Leone ◽  
Slave Trade ◽  
Transatlantic Slave Trade ◽  
History Of ◽  
The Creation ◽  
Atlantic Slave Trade ◽  
The Way

As a contribution to the history of Britain's campaign for the abolition of the transatlantic slave trade in the nineteenth century this article examines, first, the creation of various mixed commissions for the adjudication of vessels captured on suspicion of trading in slaves after the trade had been declared illegal; secondly, the composition of these mixed commissions and the way in which they functioned, with special reference to the several commissions sitting in Sierra Leone which for 25 years dealt with the majority of captured slave vessels; and thirdly, the reasons why after 1839, and especially after 1845, captured ships were increasingly taken before British vice-admiralty courts with the result that the mixed commissions were gradually allowed to run down, although most of them were not abolished until the Atlantic slave trade had been finally suppressed.

Del mito gaucho al mito peronista: la decadencia del cine criollista en La cabalgata del circo (Soffici 1945)

2021 ◽  
Vol 18 (2) ◽  
pp. 121-138
Author(s):  
Nicolás Suárez
Keyword(s):  
Nineteenth Century ◽  
Golden Age ◽  
Political Context ◽  
The Political ◽  
Central Hypothesis ◽  
History Of ◽  
The Way ◽  
Second Degree

The article explores the decline of Criollista cinema during early Peronism, based on the study of Mario Soffici’s 1945 film La cabalgata del circo/Circus Cavalcade and the political circumstances around it, including Eva Duarte’s performance, the violent incidents during the premiere and the role of the censorship. The central hypothesis is that the film inaugurates a kind of symbolic relay: Peronism appropriates nineteenth-century emblems such as the gaucho myth or the romantic woman, and incorporates them into the emerging Peronist myth. This gives the Criollista cinema of the time the tone of a retreating criollismo, which is articulated as a second degree nostalgia: if criollismo was always marked by nostalgia for a pre-modern golden age, La cabalgata del circo reveals a nostalgia for that nostalgia, given that it is not only a Criollista story but also a history of criollismo. The research is based on the analysis of the film, its links with the historical-political context and the way it adapts the Criollista novel Juan Cuello, written by Eduardo Gutiérrez in 1880.

The Chancellor, the Chancery, and the History of Law Reform

2004 ◽  
Vol 22 (3) ◽  
pp. 615-617
Author(s):  
Michael Lobban
Keyword(s):  
Nineteenth Century ◽  
Reform Movement ◽  
Law Reform ◽  
The Political ◽  
Political Debate ◽  
Political Pressure ◽  
Vice Chancellor ◽  
History Of ◽  
History Of Law ◽  
The Creation

As both James Oldham and Joshua Getzler show in their perceptive and helpful comments, much work remains to be done on the history of both the nineteenth-century Chancery and the wider law reform movement. My discussion of the inconclusive nature of the political debate about Eldon's arrears leads Oldham to ask whether the Chancellor was really overburdened and whether the appointment of the Vice Chancellor was as counterproductive as many contemporaries claimed. On the first of these issues, the data show that while Eldon was in general able to deal with the caseload before him, it was in the 1810s—when “by a series of most important decisions, [he] systematized the law of bankruptcy”—that a dramatic arrear in appeals developed (see Figure 5), which contributed to the political pressure on him in the following decade. Oldham shows from a survey of his notebooks that Eldon heard roughly fifty cases a year from 1801–13; while according to official returns, in the 1820s, he heard more than forty appeals each year. But between 1813 and 1819, the number fell to about twelve cases a year. On the second issue, the data show that the creation of a Vice Chancellor did have an impact, but a relatively modest one. Lacking the distractions of the Great Seal, he could hear more original business; and cases set down and heard in Chancery increased by about 40 percent in the decade and a half after his appointment. While the number of appeals also increased, both numerically and proportionally, they remained at manageable levels.

Building a Base for the National Front

2019 ◽  
pp. 89-102
Author(s):  
John W.P. Veugelers
Keyword(s):  
Alternative Explanation ◽  
Early History ◽  
The Political ◽  
Far Right ◽  
National Front ◽  
Fifth Republic ◽  
History Of ◽  
The Creation ◽  
Political Battle ◽  
The Way

This chapter traces the origins and development of the far right under the Fifth Republic. Without discounting older roots in the interwar Ligues, the followers of Marshall Pétain, and the anti-tax movement of Pierre Poujade, it brings out the importance of the political battle for French Algeria. Uniting anti-communists and anti-Gaullists, it revitalized the French far right and paved the way for the creation of the National Front in 1972. After tracing the far right’s reaction to May ’68 and to the success of the neo-fascists in Italy in the early 1970s, the chapter reviews the early history of the National Front, and (against economic patterns) provides an alternative explanation for its electoral breakthrough in the 1980s.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Systematicity and Normative Justification

2017 ◽  
Author(s):  
Kevin Thompson
Keyword(s):  
Political Philosophy ◽  
Unique Form ◽  
The Core ◽  
The Creation ◽  
Normative Justification ◽  
The Way

This chapter examines systematicity as a form of normative justification. Thompson’s contention is that the Hegelian commitment to fundamental presuppositionlessness and hence to methodological immanence, from which his distinctive conception of systematicity flows, is at the core of the unique form of normative justification that he employs in his political philosophy and that this is the only form of such justification that can successfully meet the skeptic’s challenge. Central to Thompson’s account is the distinction between systematicity and representation and the way in which this frames Hegel’s relationship to the traditional forms of justification and the creation of his own distinctive kind of normative argumentation.

Introduction

2018 ◽  
Author(s):  
Rembert Lutjeharms
Keyword(s):  
Sixteenth Century ◽  
Political History ◽  
The Political ◽  
Poetry And Poetics ◽  
Sanskrit Poetics ◽  
History Of ◽  
Sanskrit Poetry ◽  
The Way

This chapter introduces the main themes of the book—Kavikarṇapūra, theology, Sanskrit poetry, and Sanskrit poetics—and provides an overview of each chapter. It briefly highlights the importance of the practice of poetry for the Caitanya Vaiṣṇava tradition, places Kavikarṇapūra in the (political) history of sixteenth‐century Bengal and Orissa as well as sketches his place in the early developments of the Caitanya Vaiṣṇava tradition (a topic more fully explored in Chapter 1). The chapter also reflects more generally on the nature of both his poetry and poetics, and highlights the way Kavikarṇapūra has so far been studied in modern scholarship.

Anthropological communities of interpretation for Burma: An overview

2008 ◽  
Vol 39 (2) ◽  
pp. 239-254 ◽  
Author(s):  
U Chit Hlaing
Keyword(s):  
Southeast Asia ◽  
Ethnic Groups ◽  
Field Of Study ◽  
Anthropological Theory ◽  
History Of ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

AbstractThis paper surveys the history of anthropological work on Burma, dealing both with Burman and other ethnic groups. It focuses upon the relations between anthropology and other disciplines, and upon the relationship of such work to the development of anthropological theory. It tries to show how anthropology has contributed to an overall understanding of Burma as a field of study and, conversely, how work on Burma has influenced the development of anthropology as a subject. It also tries to relate the way in which anthropology helps place Burma in the broader context of Southeast Asia.

Is God Really in History?

1979 ◽  
Vol 15 (3) ◽  
pp. 379-390
Author(s):  
Frederick Sontag
Keyword(s):  
Nineteenth Century ◽  
Human Life ◽  
History Of ◽  
The Relationship ◽  
As If ◽  
The Way

For some time it seemed as if Christianity itself required us to say that ‘God is in history’. Of course, even to speak of ‘history’ is to reveal a bias for eighteenth- and nineteenth-century forms of thought. But the justification for talking about the Christian God in this way is the doctrine of the incarnation. The centre of the Christian claim is that Jesus is God's representation in history, although we need not go all the way to a full trinitarian interpretation of the relationship between God and Jesus. Thus, the issue is not so much whether God can appear or has appeared within, or entered into, human life as it is a question of what categories we use to represent this. To what degree is God related to the sphere of human events? Whatever our answer, we need periodically to re-examine the way we speak about God to be sure the forms we use have not become misleading.

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