Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

The Pre-History of Religious Exclusionism in Contemporary Pakistan:Khatam-e-Nubuwwat1889–1953

2015 ◽  
Vol 49 (6) ◽  
pp. 1840-1874 ◽  
Author(s):  
TAHIR KAMRAN
Keyword(s):  
Nineteenth Century ◽  
The Political ◽  
Late Nineteenth Century ◽  
Initial Part ◽  
Colonial Era ◽  
Principal Objective ◽  
History Of ◽  
Late Nineteenth ◽  
Religious Polemic

AbstractDuring the late nineteenth-century colonial era in India, theKhatam-e-Nubuwwat(Finality of the Prophethood) assumed remarkable salience as a theme for religious debate among Muslim sects. The controversies around the establishment of the Ahmadiya sect in 1889 brought the issue ofKhatam-e-Nubuwwatto the centre stage of religious polemic ormunazara.Tense relations continued between Ahmadiya and Sunnis, in particular, though the tension remained confined to the domain of religious polemic. However, immediately after Pakistan's creation, theKhatam-e-Nubuwwatsqueezed itself out of the epistemic confines of the ‘theological’ and entered the realm of the ‘political’.Majlis-Tahafuz-i-Khatam-e-Nubuwwat(the Association for the Safety of the Finality of the Prophethood) grew out of the almost-defunctMajlis-i-Ahrar-i-Islamon 13 January 1949, with the principal objective of excluding the Ahmadiya sect from the Islamic fold.1This article seeks to reveal how theKhatam-e-Nubuwwathas impinged upon the course of Pakistani politics from 1949 onwards as an instrument of religious exclusion, peaking in 1953. The pre-history of religious exclusion, which had 1889 as a watershed—the year when the Ahmadiya sect took a definitive shape—thus forms the initial part of the article.

Introduction

1969 ◽  
Vol 29 (1) ◽  
pp. 7-14
Author(s):  
Richard C. Howard
Keyword(s):  
Nineteenth Century ◽  
Historical Perspective ◽  
Recent Trend ◽  
General Consideration ◽  
Reform Movement ◽  
Late Nineteenth Century ◽  
The Past ◽  
Main Emphasis ◽  
History Of ◽  
Late Nineteenth

Many of us who have studied the modern history of China first learned of the late nineteenth-century reform movement in texts with chapters or sections entitled, “The Hundred Days of Reform,” or “The Reform Movement of 1898.” In such works our attention was directed to that group of politically inexperienced idealists who sought to impose upon a recalcitrant bureaucracy and apathetic populace a series of reforms designed to rescue the empire from impending dismemberment at the hands of foreign powers. The main emphasis of these standard accounts was upon the events of 1898 and their significance in China's political history. During the past twenty years, however, scholarly interest in the reformers has shifted from a preoccupation with their activities in 1898 to a more general consideration of their intellectual antecedents and the ideological content of their reform programs. Studies along these lines have placed the events of 1898 in a broader historical perspective—as the climax of a movement that was more than a decade in the making. This recent trend in scholarship is reflected in the four papers of this symposium. Separately and collectively, these papers confirm what earlier studies have suggested, that the reformers' objectives in 1898 can best be understood in the context of an intellectual movement that assumed its distinctive characteristics during the decade of the 1890's.

LOYAL WORKERS AND DISTINGUISHED SCHOLARS: BIG HUMANITIES AND THE ETHICS OF KNOWLEDGE

2017 ◽  
Vol 16 (1) ◽  
pp. 87-126
Author(s):  
CHAD WELLMON
Keyword(s):  
Nineteenth Century ◽  
Digital Age ◽  
Digital Data ◽  
Late Nineteenth Century ◽  
The Past ◽  
New Methods ◽  
History Of ◽  
Late Nineteenth ◽  
Academy Of Sciences ◽  
German Historian

Over the past two decades, long-running debates about the purposes and practices of humanistic inquiry have been refocused as a debate about the uncertain fate of the humanities in a digital age. Now, with the advent of digital and computational humanities, scholars are discussing with a new urgency what the humanities are for and what it means to practice them. And many suggest that the surfeit of digital data is unprecedented and are calling for new methods, practices, and epistemologies. This article considers these claims in light of a longer history of what Lorraine Daston has called “practices of compendia”––practices of collecting, collating, and interpreting massive amounts of data. It focuses, in particular, on the late nineteenth-century German historian Theodor Mommsen and the range of projects he initiated and led as secretary of the Prussian Academy of Sciences. Mommsen invented the “big humanities” and what his contemporaries termed the “industrial” model of scholarship, a model that helped create a new, modern scholarly persona and a distinctly modern ethics of knowledge.

scholarly journals Not a polar island: yellow fever, Spanish medical research, and the struggle for scientific and political hegemony in late nineteenth century Cuba

2017 ◽  
Vol 24 (4) ◽  
pp. 1125-1146
Author(s):  
Francisco Javier Martínez
Keyword(s):  
Nineteenth Century ◽  
Medical Research ◽  
Yellow Fever ◽  
The Political ◽  
Late Nineteenth Century ◽  
History Of ◽  
Particular Solution ◽  
Late Nineteenth ◽  
Therapeutic Device

Abstract: This paper explores questions related to yellow fever and the political destiny of Cuba in the late nineteenth century. A forgotten therapeutic device to treat the disease invented in that period, the “polar chamber” (cámara polar), provides a useful standpoint for reconstructing the tradition of Spanish yellow fever research in Cuba, a topic largely neglected by the medical historiography. The failed history of this device can also illuminate the complex struggle for scientific hegemony between Spanish, Cuban, and US institutions and researchers. Finally, we focus on the politics of the polar chamber by analyzing how this invention intended to provide a particular solution for the complex, threefold struggle for Cuba’s political future.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

Schopenhauer’s Pessimism in Context

2020 ◽  
pp. 283-298
Author(s):  
Mark Migotti
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Human Life ◽  
Necessary Condition ◽  
Late Nineteenth Century ◽  
Human Flourishing ◽  
History Of ◽  
Late Nineteenth ◽  
Early Eighteenth Century

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

Sufis and the Sufi Lodges in Istanbul in the Late Nineteenth Century: A Socio-Spatial Analysis

2021 ◽  
pp. 009614422110252
Author(s):  
Ahmet Yusuf Yüksek
Keyword(s):  
Nineteenth Century ◽  
Spatial Analysis ◽  
Natural Disasters ◽  
Late Nineteenth Century ◽  
Religion And Spirituality ◽  
Spatial History ◽  
The Social ◽  
History Of ◽  
Late Nineteenth ◽  
Social Profiles

This study investigates the socio-spatial history of Sufism in Istanbul during 1880s. Drawing on a unique population registry, it reconstructs the locations of Sufi lodges and the social profiles of Sufis to question how visible Sufism was in the Ottoman capital, and what this visibility demonstrates the historical realities of Sufism. It claims that Sufism was an integral part of the Ottoman life since Sufi lodges were space of religion and spirituality, art, housing, and health. Despite their large presence in Istanbul, Sufi lodges were extensively missing in two main areas: the districts of Unkapanı-Bayezid and Galata-Pera. While the lack of lodgess in the latter area can be explained by the Western encroachment in the Ottoman capital, the explanation for the absence of Sufis in Unkapanı-Bayezid is more complex: natural disasters, two opposing views about Sufi sociability, and the locations of the central lodges.

Adventism, Apocalyptic, and the Cause of Liberty

1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan
Keyword(s):  
Nineteenth Century ◽  
Crucial Role ◽  
Driving Force ◽  
Late Nineteenth Century ◽  
The Past ◽  
Conservative Protestantism ◽  
Late Nineteenth

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.

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