scholarly journals Introduction: Jewish cultural heritage, space and mobility in Spain, Portugal and North Africa

2021 ◽  
pp. 1-9
Author(s):  
Maite Ojeda-Mata ◽  
Joachim Schlör
2019 ◽  
Vol 14 (3) ◽  
pp. 409-427
Author(s):  
Katherine Recinos ◽  
Lucy Blue

Abstract Maritime cultural heritage is under increasing threat around the world, facing damage, destruction, and disappearance. Despite attempts to mitigate these threats, maritime cultural heritage is often not addressed to the same extent or with equal resources. One approach that can be applied towards protecting and conserving threatened cultural heritage, and closing this gap, is capacity development. This paper addresses the question of how capacity development can be improved and adapted for the protection of maritime cultural heritage under threat. It asserts that capacity development for maritime cultural heritage can be improved by gaining a more comprehensive and structured understanding of capacity development initiatives through applying a consistent framework for evaluation and analysis. This allows for assessment and reflection on previous or ongoing initiatives, leading to the implementation of more effective initiatives in the future. In order to do this, a model for classifying initiatives by ten parameters is proposed. It is then applied to a number of case studies featuring initiatives in the Middle East and North Africa region. This is followed by a discussion of how conclusions and themes drawn from the examination and evaluation of the case study initiatives can provide a deeper understanding of capacity development efforts, and an analysis of how the parameter model as a framework can aid in improving capacity development for threatened maritime cultural heritage overall.


Author(s):  
Samia Touati

Jassim Mohamed Zaini was a leading figure in the development of the fledgling Qatari art scene in the 1960s. Zaini was one of the few artists who witnessed the significant social and economic changes that Qatar underwent during the 1950s and 1960s, especially with the discovery of oil. To document his environment, Zaini resorted to realism to create works that depicted local and Gulf scenes, events and customs. However, Zaini did not confine his creativity to a given style or technique. He engaged with various styles including abstraction, Expressionism, Cubism, Impressionism, and Surrealism to highlight aspects of his subjects and the themes of identity and cultural heritage. Zaini exhibited widely, both locally and in the Middle East and North Africa. He was awarded a certificate of honor in the Arab Artists exhibitions in 1985, the Museum Award for GCC countries Riyadh in 2007, and the Qatar Gratitude Reward in Science, Art and Literacy, Doha. Following his death, a retrospective exhibit titled Jassim Zaini was held at the main activities hall at the Cultural Tower under the auspices and presence of His Excellency Dr Hamad Bin Abdulaziz Al Kuwari, Minister of Culture, Arts and Heritage, on 24 December 2013.


2017 ◽  
Vol 36 (36) ◽  
pp. 77-86
Author(s):  
Anna Dłużewska ◽  
Maciej Dłużewski

Abstract Ksours form a cultural landscape for most of the countries of North Africa. They are an important part of the cultural heritage of the desert areas in Algeria, Libya, Tunisia, Mali or Morocco. They also become an undeniable attraction for tourism. The article looks at the impact of tourism on the transformation of ksours. It is based on comparative field research in the Dadès-Drâa Valley (Southern Morocco), the region of the highest ksour concentration. The results show that despite being very close to most sustainable tourism indicators, the whole impact of tourism is rather negative. Tourism is creating social disproportions, being the first incentive to abandon the ksours by those who are not involved in the sector. This is leading to the destruction of particular houses first, and later to the destruction of the whole village. The revitalization of ksours remains a theoretical solution only; thus the author suggests paying greater attention to social equity in order to stop the transformation of ksours at the 2nd stage of development.


2019 ◽  
Vol 37 ◽  
pp. 17-28 ◽  
Author(s):  
Nicolò Marchetti ◽  
Antonio Curci ◽  
Maria Carmela Gatto ◽  
Serena Nicolini ◽  
Simone Mühl ◽  
...  

Author(s):  
Kersel Morag M ◽  
Bouchenaki Mounir

This chapter assesses the protection of cultural heritage in the Middle East and North Africa (MENA). In their initial days of statehood, most postcolonial entities did not alter the basic institutional arrangements of colonial law and administration. In the MENA region, this resulted in the adoption of laws and policies related to the protection and preservation of cultural heritage, which included elements from earlier Ottoman laws and by-laws, British and French Mandatory laws and ordinances, and the legislative efforts of the colonial powers of France and Italy. Subsequently, in postcolonial MENA, nation states began adopting the 1970 UNESCO Convention with the aim of protecting their cultural resources and at the same time asserting themselves as legitimate States who care about culture. UNESCO efforts were also aimed at fostering greater parity between nations, with the intention of eliminating or at least ameliorating colonial legacies of inequality and misappropriation.


2015 ◽  
Vol 3 (3) ◽  
pp. 135
Author(s):  
Malika Hocine ◽  
Naima Chabbi Chemrouk

<p class="Keywords">Djenane Abd-el-Tif is an example of an Algerian summer residence dating from the Ottoman era. This type of building is not very well-known and remains marginalized in research that is more interested in the townhouses of the medina of Algiers. Yet, the gardens, the ingenious irrigation systems, fountains, and other patterns of Islamic gardens make of these <em>djenane</em> a unique typology worth exploring and preserving. Indeed, Islamic garden design is an art in itself and any restoration or conservation work should preserve the authenticity of its characteristics. The djenane Abd-el-Tif was fully restored following the damage caused by the Boumerdès earthquake in 2003. This led to the discovery of various elements that are particularly informative about its architecture and composition. It also highlighted the existence of valuable Islamic garden patterns, together with the djenane’s exceptional flora, which could provide added-value to the tourism potential of such residences. However, if restoration work has saved the djenane Abd-el-Tif,  its garden with its Islamic design characteristics is not yet fully investigated nor listed as a cultural heritage. This article presents the djenane as a cultural heritage and argues that right restoration and reuse could contribute to enhancing knowledge about Islamic garden design in North Africa.</p>


2020 ◽  
Vol 53 (3) ◽  
pp. 267-285
Author(s):  
Lando Kirchmair

This article seeks to contribute to shifting the focus from an international, towards a regional cultural heritage protection in the Middle East and North Africa (MENA). While especially the destruction of Palmyra has drawn much of worldwide attention, this has wrongly led to an exaggerated impression of a region in need of international interventionism. An example of such an excessive internationalism is the call for international action triggered by the announced status change of the Hagia Sophia. In contrast to a too dominant international focus, this contribution aims to put a spotlight on the regional framework for the protection of cultural heritage in the MENA. By sketching regional cultural heritage protection, this article wants to contribute to laying the ground for future research on the topic, delving more into the normative potential as well as the empirical realities of the day-to-day protection of cultural heritage in the MENA.


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