The Value of Creative Writing Assignments in English Literature Courses

New Writing ◽  
2005 ◽  
Vol 2 (2) ◽  
pp. 138-150 ◽  
Author(s):  
Veronica J. Austen
Author(s):  
S.A. Pitina ◽  
◽  
A.D. Shcherbov ◽  

The article is an attempt to reveal the role of creative writing in the process of foreign language teaching/learning at higher school. Approaches to teaching creative writing to students, who learn English as a first foreign language at the classes of business English, history of the English literature and practical course of the first foreign language are discussed. The effectiveness of creative writing assignments as independent work is proven.


2016 ◽  
Vol 7 (1) ◽  
Author(s):  
Shelley Boyd ◽  
Nicole Hollinson

This article examines the “CanLit Dinner Party”, a multimedia exhibition undertaken in an undergraduate seminar on Canadian literature where food was the central topic. Modelled in part after Judy Chicago’s art installation The Dinner Party, this 24-hour exhibition featured interpretive plates inspired by literary food scenes. As a form of experiential learning, the classroom assignment was designed to enhance the students’ critical appreciation for the art of storytelling through food, to think across disciplines, and to synthesize food-related themes studied over the course of the semester. A departure from essay-writing assignments typically found in English literature courses, the “CanLit Dinner Party” underscored food’s role as a cultural idiom by requiring students to engage with its material dimensions.


New Writing ◽  
2009 ◽  
Vol 6 (3) ◽  
pp. 187-195
Author(s):  
Andrew Green

2017 ◽  
Vol 50 (04) ◽  
pp. 1094-1098
Author(s):  
Susan McWilliams

ABSTRACT Creative writing is not part of professional training in political science. Scholars in other fields, though, testify to the benefits of creative writing assignments, and my experiences teaching an undergraduate course on Politics and Literature suggest that there may be value in adding creative writing into certain political science courses. As with other forms of non-academic writing that political scientists identify as enriching, creative writing allows students to consider politics from multiple perspectives and expands their communicative powers. Working at the craft of storytelling—as opposed to abstract argumentation—can help students to think through key claims in contemporary political thought. Moreover, in this age of “alternative facts,” doing creative writing in a politics course may help students hone a critical skill of citizenship: thinking about the news in terms of narrative. In this essay, I consider the advantages and challenges of bringing creative writing into the study of politics.


Author(s):  
Vandana Saxena

This chapter proposes a deeper integration of the writing practices like creative writing and storytelling in a class of literature in order to develop a new pedagogical model that empowers the students of literature to not only read and interpret but also to express and engage with the text in a nuanced manner. It does so in the context of the current trends of interactive reading and writing fostered by the digital technology where productive engagements with the texts through fanfictions, visual adaptations, and so on are a part reading a text. Following the paradigm of fanfiction, the project “The Crucible on Twitter” implemented in the classrooms of English Literature in a Malaysian University revealed the ways in which digitally mediated writing activities enable the learners to engage with a text on its own turf, promoting cross-cultural understanding and empowering the learner-readers to integrate their own meanings, concerns, and issues into their reading of an original literary text.


2014 ◽  
Vol 7 (2) ◽  
pp. 173-196
Author(s):  
Iona C. Hine ◽  
Nicky Hallett ◽  
Carl Tighe ◽  
José Luis Lopez Calle

When and how does the Bible enter the classroom? In May 2011, the department of Biblical Studies at the University of Sheffield hosted a conference on the role of the Bible in secondary and higher education. This paper addresses the notion of biblical literacy, providing an account of the emergent practices discussed, with in-depth treatment of three case studies.The examples are drawn from the fields of English Literature, Economics, and Creative Writing. The different role of the Bible in education in North American and British contexts is also considered, and the article concludes with considerations for future collaboration.


Author(s):  
Gabrielle Torres

Implementing feminist attitudes in the Inspired Minds classroom—or any classroom for that matter—creates a contested space for active learning where students are comfortable in expressing their ideas and emotions through discussions and writing assignments. Although data regarding recidivism rates are a work in progress in Canada, educational programs like Inspired Minds help participants experience self-expression, which may lead to positive outcomes as contributing members of society. Sharing this learning experience with the participants of Inspired Minds allows everyone involved in the process to partake in an educational journey and demonstrates to the inmates that anyone, regardless of writing experience, can benefit from creative writing.


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