The Interplay of Text and Image on the Meaning-making Processes of Adult L2 Learners with Emerging Literacy: Implications for Test Design and Evaluation Frameworks

Author(s):  
Jenna A. Altherr Flores
2016 ◽  
Vol 12 (8) ◽  
pp. 64
Author(s):  
Zillasafarina Ja'afar ◽  
Noraini Md. Yusof ◽  
Noraini Ibrahim

<p>Recent interest in multimodality recognizes the integration of text and image in meaning-making as representing reality. It has also been argued that with the use of digital communication, the meanings of visual and verbal data can be easily manipulated rendering them unreliable. As such, a close and critical reading of the text is required to discover what is hidden, absent, or inconsistent with it. In a deconstruction of a multimodal digital composition of a poem that involves revisioning of history, this paper privileges the absences of cultural and historical texts to signify socio-political issues. An eclectic use of theoretical concepts on meaning-making, especially those proposed by Kress and van Leeuwen, Foucault and Baudrillard, constructs the discussion of the analysis. The digital poem entitled ‘Revenge’ is deconstructed to further discover such absence in the text. The findings reveal that language and images are used by the learner as a source of power to negotiate the boundaries of identity. It has also been discovered that the message in rhetoric and visuals complement each other to support the process of meaning-making.</p>


2021 ◽  
pp. 38-68
Author(s):  
Tereza Havelková

Chapter 1 deals with the excess that opera always seems to produce in performance, which has mostly been associated with the physical, material aspects of the singing voice. Drawing on performative theory, this chapter approaches this excess as the result of a dialogic situation of meaning-making, where the audio-viewers strive to make sense of what they see and hear on stage or screen. The concept of allegory is evoked to approach the processes of meaning-making in hypermedial opera, drawing attention to how opera incites reading while at the same time withholds a coherent, univocal meaning. Allegory also helps recognize that the reading of opera involves not only text and image but also music and the voice. By contrast, the perception that the singing voice escapes signification is understood here as an effect of immediacy. Louis Andriessen’s and Peter Greenaway’s Rosa serves as the main case study.


ReCALL ◽  
2013 ◽  
Vol 26 (1) ◽  
pp. 21-43 ◽  
Author(s):  
Maribel Montero Perez ◽  
Elke Peters ◽  
Piet Desmet

AbstractThe aim of this study was twofold: we investigated (a) the effect of two types of captioned video (i.e., on-screen text in the same language as the video) on listening comprehension; (b) L2 learners’ perception of the usefulness of captions while watching L2 video. The participants, 226 university-level students from a Flemish university, watched three short French clips in one of three conditions: the control group watched the clips without captions (N = 70), the second group had fully captioned clips (N = 81), the third group had keyword captioned clips (N = 75). After each clip, all participants took a listening comprehension test, which consisted of global and detailed questions. To answer the detailed questions, participants had access to an audio passage of the corresponding clip. At the end of the experiment, participants completed a questionnaire and open-ended survey questions about their perception of captions. Our findings revealed that the full captioning group outperformed both the no captioning and the keyword captioning group on the global comprehension questions. However, no difference was found between the keyword captioning and the no captioning group. Results of the detailed comprehension questions (with audio) revealed no differences between the three conditions. A content-analysis approach to the questionnaire indicated that learners’ perceived need for full captions is strong. Participants consider captions useful for speech decoding and meaning-making processes. Surprisingly, keyword captions were considered highly distracting. These findings suggest that full rather than keyword captioning should be considered when proposing video-based listening comprehension activities to L2 learners.


PsycCRITIQUES ◽  
2006 ◽  
Vol 51 (7) ◽  
Author(s):  
Peter Merenda

2008 ◽  
Author(s):  
Ed De St. Aubin ◽  
Abbey Valvano ◽  
Terri Deroon-Cassini ◽  
Jim Hastings ◽  
Patricia Horn

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